| James Mason | ... | Maxwell Fleury | |
| Joan Fontaine | ... | Mavis Norman | |
| Dorothy Dandridge | ... | Margot Seaton | |
| Joan Collins | ... | Jocelyn Fleury | |
| Michael Rennie | ... | Hilary Carson | |
| Harry Belafonte | ... | David Boyeur | |
| Diana Wynyard | ... | Mrs. Fleury | |
| John Williams | ... | Colonel Whittingham | |
| Stephen Boyd | ... | Euan Templeton | |
| Patricia Owens | ... | Sylvia Fleury | |
| Basil Sydney | ... | Julian Fleury | |
| John Justin | ... | Denis Archer | |
| Ronald Squire | ... | Governor Templeton | |
| Hartley Power | ... | Bradshaw | |
| rest of cast listed alphabetically: | |||
| Barbara Upton | ... | Colonel's Secretary | |
Directed by | |||
| Robert Rossen | |||
Writing credits(in alphabetical order) | ||
| Alfred Hayes | ||
| Alec Waugh | novel | |
Produced by | |||
| Darryl F. Zanuck | .... | producer | |
Original Music by | |||
| Malcolm Arnold | |||
Cinematography by | |||
| Freddie Young | |||
Film Editing by | |||
| Reginald Beck | |||
Production Design by | |||
| John DeCuir | |||
Art Direction by | |||
| John DeCuir | (as John de Cuir) | ||
Costume Design by | |||
| Phyllis Dalton | |||
| David Ffolkes | |||
Second Unit Director or Assistant Director | |||
| Gerry O'Hara | .... | assistant director | |
| Douglas Twiddy | .... | second assistant director | |
| Michael Birkett | .... | second assistant director (uncredited) | |
Art Department | |||
| John Graysmark | .... | set designer (uncredited) | |
Sound Department | |||
| Michael Hickey | .... | sound | |
| J.B. Smith | .... | sound | |
| Gerry Turner | .... | sound | |
Camera and Electrical Department | |||
| Robert Walker | .... | camera operator | |
Editorial Department | |||
| Bert Bates | .... | additional editing (uncredited) | |
Music Department | |||
| Malcolm Arnold | .... | conductor | |
| Royal Philharmonic Orchestra | .... | music played by | |
Other crew | |||
| Maggie Unsworth | .... | script supervisor (as Margaret Sibley) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This was a very unique movie for Hollywood in the 1950s because it explored interracial relationships from both a political as well as romantic perspective. No doubt, it made audiences extremely uncomfortable.
The cast is very strong (with Dorothy Dandridge, Joan Fontaine, John Williams and James Mason--who never disappoints,) and the storyline both intriguing and unpredictable. Harry Belafonte portrays a proud, outspoken labor leader who fights racial injustice on a British Caribbean island, but this is only a secondary plot line. The "forbidden fruit" of interracial relationships is explored from several different perspectives giving this movie an important place in the history of American Cinema. Although racism and class-ism are common elements, the characters are empathetically portrayed. This movie was released in Jim Crow America and, younger viewers may not fully appreciate its' unique portrayal of Blacks in non-subservient roles. Blacks were typically cast as inarticulate maids and butlers, but Dorothy Dandridge (nominated as Best Actress for Carmen Jones in 1954) and Harry Belafonte (a top ten pop singer) were particularly stunning and sophisticated, an anomaly for Black actors in films roles at the time. Nevertheless, Belafonte's acting is often stilted, revealing that this was an early role while Dandridge's character lacks depth--though her acting superb, given that she has been given so little with which to work.
An important side note is that Harry Belafonte was a top-selling West Indian Calyso singer (Day-0-The Banana Boat Song) at the time that this movie was released and performed the title song. In addition to making a strong political statement about the need for racial justice--via his character in this film--he also was a high-profile figure within the Civil Rights Movement, marching with the Reverend Doctor Martin Luther King.