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Island in the Sun (1957)

6.1
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Set on a fictitious island in the Carribean during colonial British rule, it focuses on the life of a young charismatic and handsome black male with political aspirations. He finds himself ... See full summary »

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Title: Island in the Sun (1957)

Island in the Sun (1957) on IMDb 6.1/10

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Cast

Credited cast:
...
Maxwell Fleury
...
Mavis Norman
...
...
Jocelyn Fleury
...
Hilary Carson
...
David Boyeur
Diana Wynyard ...
Mrs. Fleury
...
Colonel Whittingham
...
Euan Templeton
Patricia Owens ...
Sylvia Fleury
Basil Sydney ...
Julian Fleury
John Justin ...
Denis Archer
Ronald Squire ...
Governor Templeton
Hartley Power ...
Bradshaw
Rest of cast listed alphabetically:
Barbara Upton ...
Colonel's Secretary
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Storyline

Set on a fictitious island in the Carribean during colonial British rule, it focuses on the life of a young charismatic and handsome black male with political aspirations. He finds himself confused on returning home when his romantic liaison with a white female tends to conflict with his political views. As rumor has it an interracial screen kiss caused quite a commotion in the U.S. when the film was released. The plot is further strengthened by a look at the lives of a white ex-pat family also living on the island. The family has to deal with problems of infidelity, racism and murder. Written by Warren D. Mottley <trident@toj.com>

Plot Summary | Add Synopsis

Plot Keywords:

island | kiss | racism | infidelity | murder | See more »

Taglines:

The place is the West Indies . . . the sun hides many things.

Genres:

Drama | Romance

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

27 August 1957 (West Germany)  »

Also Known As:

Heiße Erde  »

Filming Locations:

 »

Box Office

Budget:

$2,250,000 (estimated)

Gross:

$8,000,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Joan Fontaine received hundreds of hate letters, containing dimes and quarters, which read, "If you're so hard up that you have to work with a nigger..." They were post-marked from various parts of the country but they seemed to be dictated by one organization, as many of the phrases were the identical. See more »

Quotes

Mavis Norman: Does it make any difference, having an aim in life?
See more »

Connections

Referenced in Inventing the Abbotts (1997) See more »

Soundtracks

Mama Look a Boo Boo
(uncredited)
Written by Lord Melody
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User Reviews

 
Island in the Sun was an uneven social/political drama from producer Darryl F. Zanuck
29 May 2010 | by (Baton Rouge, La.) – See all my reviews

Because this movie was made at a time when there was still a Hays Code and that much of America was segregated, you won't get much passion out of the interracial teamings of either Dorothy Dandridge/John Justin (though there's some close embraces) nor Harry Belafonte/Joan Fontaine (he's too intense, she's too reserved). Also, the romance between Joan Collins and Stephan Boyd isn't much to write about either (though they do share a kiss). Anyway, this is mainly about James Mason's plantation character and his debates with Belafonte's labor leader character, his jealousy of his wife's (Patricia Owens) supposed affair with a counsel diplomat (Michael Rennie), and his and sister Collins' reaction to a family secret revealed from a reporter and confirmed by their parents (Diana Wynyard and Basil Sydney). Along the way, there's an officer (John Williams) cracking a murder case...With what I just mentioned, there should have been some fireworks but-other than some exciting close calls staged by director Robert Rossen-it's mostly dull with droning dialogue provided by Alfred Hayes as adapted from Alec Waugh's novel. Still, there are a couple of good songs written and performed by Belafonte and a nice dance by Dandridge and also a compelling confrontation between Mason and Belafonte at a speech rally. So on that note, Island in the Sun is at the least worth a look. P.S. The DVD has excellent commentary by historian John Stanley.


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