| Photos (see all 11 | slideshow) |
| Grant Williams | ... | Scott Carey | |
| Randy Stuart | ... | Louise Carey | |
| April Kent | ... | Clarice | |
| Paul Langton | ... | Charlie Carey | |
| Raymond Bailey | ... | Doctor Thomas Silver | |
| William Schallert | ... | Doctor Arthur Bramson | |
| Frank J. Scannell | ... | Barker (as Frank Scannell) | |
| Helene Marshall | ... | Nurse | |
| Diana Darrin | ... | Nurse | |
| Billy Curtis | ... | Midget | |
| rest of cast listed alphabetically: | |||
| Lock Martin | ... | Giant (scenes deleted) | |
| John Hiestand | ... | KIRL TV newscaster (uncredited) | |
| Joe La Barba | ... | Joe (milkman) (uncredited) | |
| Orangey | ... | Butch the Cat (uncredited) | |
| Regis Parton | ... | Bit part (uncredited) | |
| Luce Potter | ... | Violet (uncredited) | |
Directed by | |||
| Jack Arnold | |||
Writing credits | ||
| Richard Matheson | (screenplay) | |
| Richard Matheson | (novel "The Shrinking Man") | |
| Richard Alan Simmons | uncredited | |
Produced by | |||
| Albert Zugsmith | .... | producer | |
Original Music by | |||
| Irving Gertz | (uncredited) | ||
| Earl E. Lawrence | (uncredited) | ||
| Hans J. Salter | (uncredited) | ||
| Herman Stein | (uncredited) | ||
Cinematography by | |||
| Ellis W. Carter | |||
Film Editing by | |||
| Albrecht Joseph | (as Al Joseph) | ||
Art Direction by | |||
| Robert Clatworthy | |||
| Alexander Golitzen | |||
Set Decoration by | |||
| Russell A. Gausman | |||
| Ruby R. Levitt | |||
Costume Design by | |||
| Jay A. Morley Jr. | |||
| Martha Bunch | (uncredited) | ||
| Rydo Loshak | (uncredited) | ||
Makeup Department | |||
| Joan St. Oegger | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
| Jack Kevan | .... | makeup artist (uncredited) | |
Production Management | |||
| Lew Leary | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| William Holland | .... | assistant director | |
Art Department | |||
| Floyd Farrington | .... | props (uncredited) | |
| Ed Keyes | .... | props (uncredited) | |
| Whitey McMahon | .... | props (uncredited) | |
| Roy Neel | .... | props (uncredited) | |
Sound Department | |||
| Leslie I. Carey | .... | sound | |
| Robert Pritchard | .... | sound | |
Special Effects by | |||
| Charles Baker | .... | special effects (uncredited) | |
| Fred Knoth | .... | special effects (uncredited) | |
Visual Effects by | |||
| Everett H. Broussard | .... | optical effects | |
| Roswell A. Hoffmann | .... | optical effects (as Roswell A. Hoffman) | |
Camera and Electrical Department | |||
| Clifford Stine | .... | special photography | |
| Tom McCrory | .... | special photography (uncredited) | |
| William Walling | .... | still photographer (uncredited) | |
Music Department | |||
| Joseph Gershenson | .... | music supervisor | |
| Harris Ashburn | .... | music supervisor (uncredited) | |
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THE INCREDIBLE SHRINKING MAN (4 outta 5 stars) Not many of those hokey-looking old sci-fi movies from the '50s are still as effective 50 years later... but this one definitely hasn't lost any of its power. Great script written by Richard Matheson, who later went on to do much good work for "The Twilight Zone" and even today is still producing scripts for such films as "Stir of Echoes" and "What Dreams May Come". The story is fairly simple- after passing through a mysterious cloud on the ocean, our hero Scott (Grant Williams) discovers that his clothes seem to start feeling looser. More time passes and he discovers that he is now shorter than his wife. Day after day, he becomes smaller and smaller until he becomes so small that an ordinary housecat becomes a terrifying threat to his very life. The special effects might seem unconvincing to modern eyes... but the otherwise high-quality of the editing and direction make the action scenes as effective and suspenseful as anything you likely to see spewed out by today's CGI factories. I was totally unprepared for the ending of this film... you'd never see a movie end this way nowadays... but you never too many of them end this way back in the '50s either! A classic!