Scott Carey and his wife Louise are sunning themselves on their cabin cruiser, the small craft adrift on a calm sea. While his wife is below deck, a low mist passes over him. Scott, lying in the sun, is sprinkled with glittery particles that quickly evaporate. Later he is accidentally sprayed with an insecticide while driving and, in the next few days, he finds that he has begun to shrink. First just a few inches, so that his clothes no longer fit, then a little more. Soon he is only three feet tall, and a national curiosity. At six inches tall he can only live in a doll's house and even that becomes impossible when his cat breaks in. Scott flees to the cellar, his wife thinks he has been eaten by the cat and the door to the cellar is closed, trapping him in the littered room where, menaced by a giant spider, he struggles to survive. Written by
Scott Carey's cat was played by feline actor Orangey, according to the book "Hollywood Cats". See more »
When Scott and Louise are talking with the doctor and she remembers the day they were in the boat and he mentions the mist, Louise's shirt changes to black as they get into the car. See more »
Maybe the best way to begin is to start thinking about the future.
A future? In a world of giants?
Hmm. I've lived with them all my life. Oh, Scott, for people like you and me the world can be a wonderful place. The sky is as blue as it is for the giants. The friends are as warm.
I wish I could believe that.
You've got to believe that, don't you?
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This has always been one of my favorite science fiction/horror movies from the 1950s.
This is an existential science fiction movie. Man alone against the universe is always a powerful topic, and writer Richard Matheson, who adapted his own novel for the screen, does an admirable job. Grant Williams' character isn't fighting aliens or demons, but rather the extraordinary circumstance of his mysterious shrinking, and the unforeseen consequences of his ever-dwindling size.
I love the fight with the spider, but my favorite part of the movie is the final monologue. It adds another half a star to an already extraordinary film.
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