Scott Carey and his wife Louise are sunning themselves on their cabin cruiser, the small craft adrift on a calm sea. While his wife is below deck, a low mist passes over him. Scott, lying in the sun, is sprinkled with glittery particles that quickly evaporate. Later he is accidentally sprayed with an insecticide while driving and, in the next few days, he finds that he has begun to shrink. First just a few inches, so that his clothes no longer fit, then a little more. Soon he is only three feet tall, and a national curiosity. At six inches tall he can only live in a doll's house and even that becomes impossible when his cat breaks in. Scott flees to the cellar, his wife thinks he has been eaten by the cat and the door to the cellar is closed, trapping him in the littered room where, menaced by a giant spider, he struggles to survive. Written by
When Louise is on the telephone, asking the operator for a new unlisted number, the radio is on and the music playing on the radio is the theme song to Written on the Wind (1956), which was made at Universal the year before this film, and also featured Grant Williams. See more »
As Scott goes out into the night to the diner, people walking around cast shadows on the ground. Yet, Scott casts no shadow at all. See more »
[after escaping from the spider]
In my hunt for food I had become the hunted. This time I survived, but I was no longer alone in my universe. I had an enemy, the most terrifying ever beheld by human eyes.
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Instead of the typical blood and gore screaming sensationalism of many 1950s sci-fi films, this is an amazingly well thought-out film that is underplayed and even philosophical.
There are some amusing moments in the film, such as when we discover Scott in a dollhouse, but much of the story is handled seriously -- the topics of being different, surviving in an unsympathetic world, crass commercialism, and loneliness are well portrayed.
The theme of the film is what is really amazing. Despite the rather schlocky title, we are given a view of humanity's place in the universe. The final sequence is an imaginative portrait of the balance between the macrocosm and the microcosm.
The film is more than it first appears. Definitely see this one.
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