The Incredible Shrinking Man (1957)

Director:

Jack Arnold

Writers:

Richard Matheson (screenplay)
Richard Matheson (novel)

Release Date:

April 1957 (USA)

Genre:

Sci-Fi | Thriller

Tagline:

Almost beyond the imagination . . . A strange adventure into the unknown ! [UK Theatrical]

Plot:

Whe Scott Carey begins to shrink because of exposure to a combination of radiation and insecticide, medical science is powerless to help him.

Plot Keywords:

Cat | Insecticide | Spider | Cellar | Giant Spider

Awards:

1 win

Cast

Grant Williams	...	Scott Carey
Randy Stuart	...	Louise Carey
April Kent	...	Clarice
Paul Langton	...	Charlie Carey
Raymond Bailey	...	Doctor Thomas Silver
William Schallert	...	Doctor Arthur Bramson
Frank J. Scannell	...	Barker (as Frank Scannell)
Helene Marshall	...	Nurse
Diana Darrin	...	Nurse
Billy Curtis	...	Midget
rest of cast listed alphabetically:
Lock Martin	...	Giant (scenes deleted)

Runtime:

81 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Spain:T | Australia:G | Finland:K-16 | USA:Passed | West Germany:12 | Sweden:15

Company:

Universal International Pictures (UI)

Trivia:

Scott Carey's cat was played by feline actor Orangey, according to the book "Hollywood Cats".

Goofs:

Revealing mistakes: When Scott is crossing the hole in the crate by holding onto a rope and walking on the ledge of the paint can, the extra rope that should be hanging in the hole stays horizontal, revealing that the hole is, in fact, not a hole. It is especially visible when he gets to the other side and pulls back the rope towards him.

Quotes:

Clarice: Maybe the best way to begin is to start thinking about the future.
Scott Carey: A future? In a world of giants?
Clarice: Hmm. I've lived with them all my life. Oh, Scott, for people like you and me the world can be a wonderful place. The sky is as blue as it is for the giants. The friends are as warm.
Scott Carey: I wish I could believe that.
Clarice: You've got to believe that, don't you?

Movie Connections:

References Written on the Wind (1956)

Soundtrack:

The Incredible Shrinking Man Theme

To lose everything

It is a truism that America in the 1950s was a conformist, cowed kind of country. Social criticism was suspect, potentially un-American. Hollywood had to convey its messages in the guise of sci-fi or historical analogy.

This spare, cheap, black-and-white film, starring unknowns, has the ruthless, unswerving narrative drive of an arrow into a bullseye. No subplots, no diversions: nothing but the examination of what it is like to lose *everything*, to be stripped not only of the material consolations of conformity but the emotional insulation of marriage and friendship.

"Shrinking"-- the MacGuffin of a nuclear cloud means nothing-- is a visual metaphor for exile and disillusionment. The hero becomes an outcast by becoming progressively more freakish until he is invisible, or at any rate irretrievable. Yet every stage of deprivation has its consolations. Once he falls through the floor, he escapes the attentions of the pruriently curious and the need to pay his way by performing for them; and although at first the grille in the cellar is like the barred window of a prison, shrinking further means he can squeeze through and leave the fearsome cat trapped behind.

All this is very American in its qualified optimism, and very characteristic of Richard Matheson's imagination as one of the great popular mythmakers of mid-century. Not for him the easy slither into plastic angst. Scott Carey's reversion to the primitive-- long hair, needle-sword, ragged robes-- mocks his former status but also looks forward to the hippie protagonists who would soon reject social norms and carve out their own psychic territory. Carey's resourcefulness and refusal to be daunted are the qualities of a pioneer.

One incident sums up Matheson's brilliant integration of narrative detail and philosophical meaning. After being diagnosed, Carey and his wife swear they will stay true to each other, come what may. He leans forward to start the car and the wedding ring rolls off his finger. It sounds like a lumberingly "symbolic" moment, something out of Iris Murdoch... only it isn't. His finger has shrunk, and shrinking is what the movie is all about. Accept the premise, and all that flows out of it fits it.

"The Incredible Shrinking Man" is an adventure story and a fable about how little it takes to stay alive, seamlessly sewn together. It is one of the works that put Matheson (and Rod Serling) up with Wells, Verne and Conan Doyle. Literary professors now give the Europeans serious attention. When will the American dream-weavers get their due?