The world is shocked by the appearance of two talking chimpanzees, who arrived mysteriously in a U.S. spacecraft. They become the toast of society; but one man believes them to be a threat to the human race.
Brilliant researchers Lillian Reynolds and Michael Brace have developed a system of recording and playing back actual experiences of people. Once the capability of tapping into "higher ... See full summary »
Two reporters, Tracy and Chuck, get a message from a third one who discovered something about "Futureworld" and becomes killed before he could tell anyone about it. They visit Futureworld ... See full summary »
A germ warfare lab has had an accident. The first theory is that one of the nasty germs has gotten free and killed several scientists. The big fear is that a more virulent strain, named The... See full summary »
Jarrod and his pregnant girlfriend Elaine travel to Los Angeles to meet his old friend and successful entrepreneur Terry, and his wife Candice. Terry gives a party in his apartment for ... See full summary »
One by one members of a special project team are being killed by telekinesis - the ability to move things with the power of the mind alone. The race is to determine which of the remaining team members is the murderer and to stop them.
Scott Carey and his wife Louise are sunning themselves on their cabin cruiser, the small craft adrift on a calm sea. While his wife is below deck, a low mist passes over him. Scott, lying in the sun, is sprinkled with glittery particles that quickly evaporate. Later he is accidentally sprayed with an insecticide while driving and, in the next few days, he finds that he has begun to shrink. First just a few inches, so that his clothes no longer fit, then a little more. Soon he is only three feet tall, and a national curiosity. At six inches tall he can only live in a doll's house and even that becomes impossible when his cat breaks in. Scott flees to the cellar, his wife thinks he has been eaten by the cat and the door to the cellar is closed, trapping him in the littered room where, menaced by a giant spider, he struggles to survive. Written by
Several of the gigantic props (the scissors, nails, and mousetrap for example) were part of the Universal Studio tour for several years. See more »
Although Scott Carey grows increasingly smaller, the pitch of his voice never changes. The pitch of a person's voice is primarily dictated by the size of the vocal chords; as he decreases in size, his voice should have increased in pitch, eventually becoming inaudible to human ears. See more »
[after escaping from the spider]
In my hunt for food I had become the hunted. This time I survived, but I was no longer alone in my universe. I had an enemy, the most terrifying ever beheld by human eyes.
See more »
It is a truism that America in the 1950s was a conformist, cowed kind of country. Social criticism was suspect, potentially un-American. Hollywood had to convey its messages in the guise of sci-fi or historical analogy.
This spare, cheap, black-and-white film, starring unknowns, has the ruthless, unswerving narrative drive of an arrow into a bullseye. No subplots, no diversions: nothing but the examination of what it is like to lose *everything*, to be stripped not only of the material consolations of conformity but the emotional insulation of marriage and friendship.
"Shrinking"-- the MacGuffin of a nuclear cloud means nothing-- is a visual metaphor for exile and disillusionment. The hero becomes an outcast by becoming progressively more freakish until he is invisible, or at any rate irretrievable. Yet every stage of deprivation has its consolations. Once he falls through the floor, he escapes the attentions of the pruriently curious and the need to pay his way by performing for them; and although at first the grille in the cellar is like the barred window of a prison, shrinking further means he can squeeze through and leave the fearsome cat trapped behind.
All this is very American in its qualified optimism, and very characteristic of Richard Matheson's imagination as one of the great popular mythmakers of mid-century. Not for him the easy slither into plastic angst. Scott Carey's reversion to the primitive-- long hair, needle-sword, ragged robes-- mocks his former status but also looks forward to the hippie protagonists who would soon reject social norms and carve out their own psychic territory. Carey's resourcefulness and refusal to be daunted are the qualities of a pioneer.
One incident sums up Matheson's brilliant integration of narrative detail and philosophical meaning. After being diagnosed, Carey and his wife swear they will stay true to each other, come what may. He leans forward to start the car and the wedding ring rolls off his finger. It sounds like a lumberingly "symbolic" moment, something out of Iris Murdoch... only it isn't. His finger has shrunk, and shrinking is what the movie is all about. Accept the premise, and all that flows out of it fits it.
"The Incredible Shrinking Man" is an adventure story and a fable about how little it takes to stay alive, seamlessly sewn together. It is one of the works that put Matheson (and Rod Serling) up with Wells, Verne and Conan Doyle. Literary professors now give the Europeans serious attention. When will the American dream-weavers get their due?
42 of 62 people found this review helpful.
Was this review helpful to you?