In the absence of his wife, a clarinet player is induced by a friend to meet a call girl, but arrived after a crime. Perceived by some people leaving the scene of the crime covered by his ... See full summary »
1) Jerôme Chambard, a retired man, taken in by nuns in a convent, swears like a trooper. 2) Françoise takes a lover because he has promised her a diamond necklace. 3) Denis, a seminarist, ... See full summary »
John Blandish is worth $100 million. His heiress daughter is soon to be wed to Foster Harvey, who believes she's a cold, unfeeling woman, despite loving her. Her cold emotional state is in ... See full summary »
St. John Legh Clowes
Jack La Rue,
Jojo has been living for a while in a room under the roof of a block of flats in Pigalle. He has chosen to leave home since he realized his stepmother has hated him from day one. Among his ... See full summary »
American gambler Nick Cain arrives at the Mediterranean town of San Paola, and befriends an orphan Italian shoe-shine boy named Toni. He is puzzled by the reception and welcome he receives ... See full summary »
In the absence of his wife, a clarinet player is induced by a friend to meet a call girl, but arrived after a crime. Perceived by some people leaving the scene of the crime covered by his raincoat, he became the only suspect for the police. His only hope is to discover the murderer before is name is mentionned publicly, specially in front of his wife. Written by
Jean-Marie Berthiaume <firstname.lastname@example.org>
American theater and TV actor John McGiver was brought to Paris for the location shooting of Billy Wilder's Love In The Afternoon, from August through December 1956. While he was there he was cast in the role of the shady American art dealer in The Man In The Raincoat, though his French dialogue was dubbed by another actor. The Man In The Raincoat started shooting in October and was released in France February 1957, whereas Love In The Afternoon, which had started filming earlier, was not released until June of that year. See more »
Coming after his awesome film noir "voici le temps des assassins" the same year,everything Duvivier would produce afterward was bound to be a let -down :such was the case for "l'homme à l'imperméable" which fluctuates between comedy and drama .
Comedy because of Fernandel's personality:it's hard to take his character seriously (a character he had often played in the past:the less-than-handsome guy who falls for a gorgeous woman).
Drama because it's a Hadley Chase novel ;and Fernandel ,who is an ideal Pagnol actor,is definitely not a film noir hero.
It's pussyfooting all the way.While it's entertaining,it cannot be looked upon as an achievement for the highly talented Duvivier.
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