Jim Harvey is hired to guard a small wagon train as it makes its way west. The train is attacked by Indians and Harvey, hoping to persuade Aguila, the chief, to call off the attack due to ... See full summary »
Fugitive bank robber Joe Maybe steals the identity of a marshal and rides into a town whose judge asks Joe to act as town marshal but an old flame almost betrays his real identity forcing Joe to claim she's his wife.
Ring Hassard and father Jeff, wild horse breakers, live in a hidden mountain eyrie because Jeff is wanted for a murder he didn't commit. But things change when they take in a lost young ... See full summary »
Audie Murphy comes into his own as a Western star in this story. Wrongly accused by crooked railroad officials of aiding a train heist by his old friends the Daltons, he joins their gang ... See full summary »
Lt. Frank Hewitt deserts the Union Army to warn former Texas neighbors of impending Indian attacks triggered by Army massacre. He overcomes initial distrust and convinces the homesteaders (all women whose men are away fighting in the Confederate Army) to take refuge in an abandoned mission. He trains them to fight and shoot in anticipation of the attack. The only other man at the mission runs away o save his scalp and ends up leading the Indians back to the mission. Surrounded and outnumbered, the defenders prepare for the final assault.. Written by
Opening credits: Near the close of the Civil War the Northern Cavalry made every effort to keep the Indian on the reservation. See more »
When the Commanche begin to storm into the fort, one of the defending women (clearly a stunt-woman) does an expertly performed Judo-style throw against one of them. This many decades before such an Eastern fighting style was known by anyone in Texas. See more »
southern who joined union during civil war returns home to rally women against raiding Indians
As every Audie Murphy buff knows, his best western was the near-classic No Name On the Bullet, with perhaps Destry a close second. But in the top three (setting the short but brilliant Red Badge of Courage and the autobiographical To Hell and Back, an A movie, aside), Guns of Fort Petticoat is at the top of the list, owing to splendid outdoor action sequences, a smart sense of humor that doesn't allow anyone to take this all too seriously, and . . . to put it bluntly . . . sex appeal. Also, a political consciousness, with Murphy a) going north, despite his being a southwesterner, to fight in the civil war because he's against slavery, and b) his attempt to try and stop the Sand Creek Massacre and save Native American lives. (One historical error: The massacre was not perpetrated by 'regular U.S. army,' as the film suggests, but by a self-styled civilian-soldier group called a 'militia outfit' though really noting more than racist vigilantes.) Knowing that an Indian war is impending, Murphy returns to the war torn southwest and, with men absent, trains women to fight and defend themselves. Something of a feminist western, way ahead of its time, but (thankfully) no polemics, only action, romance, and surprisingly effective comedy. Kathryn Grant makes an adorable female lead for Audie.
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