Dotie dreams of marrying a millionaire so that she can live 'the life'. Buzz, her boyfriend, however is not rich as he is a salesman for a housing development. He proposes and Dotie accepts...
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Three navy men run into a shady producer who convinces them to invest into his new show. When they meet the show's female star attraction, they're sold. Have they become the latest showbiz players or just three more suckers?
Jim Stauton Rogers ('WEndell Corey'), a Texas rancher turned international diplomat, take his young daughter,Elizabeth Rogers (Jane Powell), on a trip to Paris. He is concerned that his ... See full summary »
Sailor Danny Xavier Smith and two other gobs try to save his sister Susan's virtue. She wants to get a role in the show "Hit the Deck". After wrecking the producers hotel suite, they land ... See full summary »
Rick Belrow Livingston, in love with Broadway star Lisa, is sentenced to 30 days in jail for speeding through a small town. He persuades the judge's daughter Cindy to let him leave for one ... See full summary »
Based on James Barrie's play "Alice Sit-By-The-Fire". In turn-of-the-century New York, a young girl who believes she's learned "the seamy side of life" from a risque play takes it upon ... See full summary »
It's Tess' graduation day from "Miss Drakes School for Girls". During the choir's performance at the ceremony, Tess notices that her beautiful, divorcee mother, Louise Rayton Morgan isn't ... See full summary »
Fred M. Wilcox
Dotie dreams of marrying a millionaire so that she can live 'the life'. Buzz, her boyfriend, however is not rich as he is a salesman for a housing development. He proposes and Dotie accepts. Dotie next meets Pete, who she thinks is rich, but she soon finds out that he is just a boat mechanic. They have fun on their date and Pete proposes and Dotie accepts. Then Dotie meets Neil Patterson who is rich. They go to Mexico on his yacht and have fun on their date. Neil proposes and Dotie accepts. Now she has to choose. Written by
Tony Fontana <firstname.lastname@example.org>
The was the last movie to be shot at the RKO Hollywood studio at 780 Gower Street. Filming took place between early September and early November 1956 and again during the week of January 8, 1957. In February 1958, Universal International distributed the feature in wide release on a double bill with Day of the Badman (1958), a Universal International production starring Fred MacMurray. Miss Powell quipped in a 1987 "Films in Review" profile that Universal simply let her musical "escape." See more »
The last gasp of the musical era...Powell in good voice...
JANE POWELL seems to be enjoying herself in this cheerful little mixture of music and romance. However, the film itself never succeeds in looking much more than a low-budget musical with fake RKO sets that belong in a B-movie rather than a color musical. Despite this, there are pleasant performances by Jane Powell, Cliff Robertson, Tommy Noonan, Keith Andes and Kaye Ballard that compensate for a story that's been told before as "Tom, Dick and Harry" with Ginger Rogers back in 1941 (in B&W and without music).
Jane is just as pert and pretty as Ginger Rogers in the role of a girl who can't decide which man puts her on cloud nine until she finally wakes up at the last moment on the basis of the right kiss. It's all strictly fluff meant to entertain and in its own way it succeeds beautifully, thanks to Powell's effortless charm.
She's also in good voice but is given a number of songs by Blaine and Martin that have no lasting appeal. She delivers them all in a lilting and rich vocal style. Cliff Robertson was obviously a bit ill at ease in his musical sequences but provides a hunky presence as one of her smitten suitors. Tommy Noonan provides most of the comedy relief and Keith Andes has a role he can do virtually nothing with.
There's a rather imaginative American Indian song-and-dance routine that is sure to offend some of the politically correct crowd who can't accept the sort of stereotyping that was done in films of the 1950s. A similar number from ANNIE GET YOUR GUN (and one of the highlights of the MGM film) was cut from the latest Broadway version to placate the PC protesters.
It's the last theatrical film directed by Mitchell Leisen who was then near the end of his distinguished career directing a variety of films. This has got to be one of his lesser efforts but it has a certain charm as the last gasp of the musical era. RKO was virtually at a shutdown by the time the film was completed and it was released two years after being made on the lower half of a double bill.
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