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The Girl Most Likely (1958)

Dotie dreams of marrying a millionaire so that she can live 'the life'. Buzz, her boyfriend, however is not rich as he is a salesman for a housing development. He proposes and Dotie accepts... See full summary »

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Writers:

(screenplay), (screenplay) | 1 more credit »
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1 nomination. See more awards »
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Cast

Complete credited cast:
...
Dodie
...
Pete
Keith Andes ...
Neil Patterson, Jr.
...
Marge
...
Buzz
Una Merkel ...
Mother
Kelly Brown ...
Sam Kelsey
Judy Nugent ...
Pauline
...
Pop
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Storyline

Dotie dreams of marrying a millionaire so that she can live 'the life'. Buzz, her boyfriend, however is not rich as he is a salesman for a housing development. He proposes and Dotie accepts. Dotie next meets Pete, who she thinks is rich, but she soon finds out that he is just a boat mechanic. They have fun on their date and Pete proposes and Dotie accepts. Then Dotie meets Neil Patterson who is rich. They go to Mexico on his yacht and have fun on their date. Neil proposes and Dotie accepts. Now she has to choose. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Musical

Certificate:

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Details

Country:

Language:

Release Date:

February 1958 (USA)  »

Also Known As:

Andra thelo, tora ton thelo  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The was the last movie to be shot at the RKO Hollywood studio at 780 Gower Street. Filming took place between early September and early November 1956 and again during the week of January 8, 1957. In February 1958, Universal International distributed the feature in wide release on a double bill with Day of the Badman (1958), a Universal International production starring Fred MacMurray. Miss Powell quipped in a 1987 "Films in Review" profile that Universal simply let her musical "escape." See more »

Connections

Remake of Tom Dick and Harry (1941) See more »

Soundtracks

We Gotta Keep Up With the Joneses
Written by Hugh Martin and Ralph Blane
Sung by Jane Powell and Tommy Noonan (dubbed by Robert Oates)
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User Reviews

The last gasp of the musical era...Powell in good voice...
2 January 2004 | by (U.S.A.) – See all my reviews

JANE POWELL seems to be enjoying herself in this cheerful little mixture of music and romance. However, the film itself never succeeds in looking much more than a low-budget musical with fake RKO sets that belong in a B-movie rather than a color musical. Despite this, there are pleasant performances by Jane Powell, Cliff Robertson, Tommy Noonan, Keith Andes and Kaye Ballard that compensate for a story that's been told before as "Tom, Dick and Harry" with Ginger Rogers back in 1941 (in B&W and without music).

Jane is just as pert and pretty as Ginger Rogers in the role of a girl who can't decide which man puts her on cloud nine until she finally wakes up at the last moment on the basis of the right kiss. It's all strictly fluff meant to entertain and in its own way it succeeds beautifully, thanks to Powell's effortless charm.

She's also in good voice but is given a number of songs by Blaine and Martin that have no lasting appeal. She delivers them all in a lilting and rich vocal style. Cliff Robertson was obviously a bit ill at ease in his musical sequences but provides a hunky presence as one of her smitten suitors. Tommy Noonan provides most of the comedy relief and Keith Andes has a role he can do virtually nothing with.

There's a rather imaginative American Indian song-and-dance routine that is sure to offend some of the politically correct crowd who can't accept the sort of stereotyping that was done in films of the 1950s. A similar number from ANNIE GET YOUR GUN (and one of the highlights of the MGM film) was cut from the latest Broadway version to placate the PC protesters.

It's the last theatrical film directed by Mitchell Leisen who was then near the end of his distinguished career directing a variety of films. This has got to be one of his lesser efforts but it has a certain charm as the last gasp of the musical era. RKO was virtually at a shutdown by the time the film was completed and it was released two years after being made on the lower half of a double bill.


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