Set in the Depression, a gang of half-witted small-time hoods led by Slim Grissom kidnap heiress Barbara Blandish and Slim proceeds to fall in love with her. Remake of the 1948 British film... See full summary »
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
George lives with her lover, Childie and plays a cheerful district nurse in a BBC soap opera. However, her character is to be killed off, and George realises that the only other job she can... See full summary »
Brendan O'Malley arrives at the Mexican home of old flame Belle Breckenridge to find her married to a drunkard getting ready for a cattle drive to Texas. Hot on O'Malley's heels is lawman ... See full summary »
During the 1950s, the New York garment industry is going through a turmoil. On one side, the industry workers want to organize themselves into labor unions that will fight for them in obtaining better wages, better working conditions and other benefits. On the other side, the factory owners and their managers staunchly oppose unionization. At one of the largest garment companies, Roxton Fashions, the owner, Walter Mitchell, is fighting against his workers' wishes to unionize. For the past 15 years, Walter Mitchell has been using the mob muscle in order to protect his company against unions. His gangster friend Artie Ravidge, and his henchmen, provide Walter Mitchell and Roxton Fashions with such protection against union men who agitate the workers into forming their own union locals. This protection includes murder, whenever necessary, to eliminate stubborn union men. Unfortunately, when Walter Mitchell's business partner, Fred Kenner, argues in favor of allowing a union into their ... Written by
About half way through, when the truck drives forward into the ally past the union 'picketers' towards the elevator. After they kill Tulio the truck is inexplicably turned-around (without room in the ally to turn around) and drives forward out of the ally the same way it came in. See more »
A real troublemaker, that one. But don't you worry; this stuff'll move, it'll move. When I get done with him, he won't bother us no more.
What are you going to do?
Never mind. I'm going to educate that Union real good to lay off us.
Dad, are you going to let him...?
What do you want me to do? Give in to them? Let the Union take over? That's what'll happen once they grab hold. With their hours, and benefits, and guarantees... three percent of the payroll for retirement, two percent for health, ...
[...] See more »
Among the best and most brutal of 50's Crime Dramas
Certainly among the lesser-known 50's racket-noirs (even many inferior are more discussed and collected), this one hits hard, looks good and has the unmistakable touch of prime-era Aldrich, though it was only partially done by him. Frequent cinematography collaborator Joe Biroc puts the stamp on that ensures a vivid look at a harsh story.
The cast is uniformly good, with Cobb leading in one of his best performances. The blending of two directors' work here unusually doesn't detract from the impact of this one. Look for it on television, or the hard-to-find, out-of-print video, whenever possible.
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