A millionaire dies in an airplane crash, leaving all of his money to be divided among his three daughters. One of the daughters doesn't want to share any of it, so she plans to get rid of her two sisters.
Sartana, bounty hunter and gunfighter, witnesses the robbery of a shipment of gold. He finds his way into town where he meets with a lot of suspicious stares from the locals. He also meets ... See full summary »
Framed for a bank robbery, bounty killer Django's brother, Steve is lynched. Django hunts down Sartana, Steve's supposed accomplice, but finds him innocent also. The two men seek out the ... See full summary »
Russ Raymond, America's number one crooner, disappears and joins the Navy under the name Tommy Halstead. Dorothy Roberts, a magazine journalist, is intent on finding out what happened to ... See full summary »
During the 1950s, the New York garment industry is going through a turmoil. On one side, the industry workers want to organize themselves into labor unions that will fight for them in obtaining better wages, better working conditions and other benefits. On the other side, the factory owners and their managers staunchly oppose unionization. At one of the largest garment companies, Roxton Fashions, the owner, Walter Mitchell, is fighting against his workers' wishes to unionize. For the past 15 years, Walter Mitchell has been using the mob muscle in order to protect his company against unions. His gangster friend Artie Ravidge, and his henchmen, provide Walter Mitchell and Roxton Fashions with such protection against union men who agitate the workers into forming their own union locals. This protection includes murder, whenever necessary, to eliminate stubborn union men. Unfortunately, when Walter Mitchell's business partner, Fred Kenner, argues in favor of allowing a union into their ... Written by
Columbia Pictures production number 8395. See more »
The baby that Robert Loggia is holding in the office and hallway of the Dress Union building is different when he enters another room. The first baby is younger with short blondish hair. The other baby is much bigger with longer, blackish hair. See more »
A real troublemaker, that one. But don't you worry; this stuff'll move, it'll move. When I get done with him, he won't bother us no more.
What are you going to do?
Never mind. I'm going to educate that Union real good to lay off us.
Dad, are you going to let him...?
What do you want me to do? Give in to them? Let the Union take over? That's what'll happen once they grab hold. With their hours, and benefits, and guarantees... three percent of the payroll for retirement, two percent for health, ...
[...] See more »
This is a over looked little gem here. The cast is excellent from top to bottom, even the weak link here Kerwin Mathews is better than most of his other roles in films. Lee J. Cobb tackles his role with gusto and scores a home run as the tough hardheaded father/boss.The always excellent Richard Boone shines as the ruthless mob enforcer. Lots of Broadway stage talent on display here. Robert Loggia makes the most of his role in his film debut, Joseph Wiseman's character reminds one of his role as Charley Gennini in Detective Story. Valerie French who did as many Broadway plays as movies is effective in her minor role. The always reliable Harold J. Stone as the shop foreman (Harold grew up in Yiddish theatre and made his Broadway debut in 1939). Even the smaller roles have nice surprises. The wonderful character actor Willis Bouchey (a stable of John Ford in his films, best remembered for his president of the court-martial in Sergeant Rutledge )as a union president. Celia Lovsky (the ex wife of Peter Lorre, and character actress in over 200 TV shows, 40 films),is wasted as the Grandmother. Don't blink or you will miss Joanna Barnes (only one year away from playing the memorable WASP Gloria Upson in Auntie Mame) in her film debut. She only has two lines,but she is so close she is almost kissing the camera. And some very familiar acting thugs doing their nasty business with flair.... And last but not least we come to Gia Scala as the feisty Italian Theresa Renata (Gia was half Sicilian from her father and 1/2 Irish , who left Italy for New york City to eventually study with Stella Adler and the Actors Studio) Gia shows so much promise here. Everyone knows her for Anna in The Guns of Navarone, and she was very good in a handful of other roles in the 50s. Sadly Gia took to the bottle after her The Guns of Navarone role and her career nosedived quickly. ( Well after all she was half Irish) One only has to see how badly her looks and talent had eroded in her 3rd to last acting role in the TV show "Tarzan" with Ron Ely. Toward the end of the show,she has scenes where she is not even looking toward the camera,perhaps having to do a voice over,(unable to remember her lines) and the ending is strange ,like she did not even show up for filming and they had to patch together a ending to the show, with no Gia on the set. (Gia died of a overdose of alcohol and sleeping pills suicide in 1972 after unsuccessful attempts in 1958, when her Mother died, and 1971 ,after learning her ex husband married Barbara Anderson less than a year after their divorce ) A sad end to a very promising career. Speaking of Tarzan, that's Eve Brent as the Receptionist, the future Jane in two Gordon Scott "Tarzan" films.
The Garment Jungle is rare film , but well worth the effort to track it down.
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