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| Audrey Hepburn | ... | Jo Stockton | |
| Fred Astaire | ... | Dick Avery | |
| Kay Thompson | ... | Maggie Prescott | |
| Michel Auclair | ... | Prof. Emile Flostre | |
| Robert Flemyng | ... | Paul Duval | |
| Dovima | ... | Marion | |
| Suzy Parker | ... | Specialty Dancer (Think Pink Number) | |
| Sunny Hartnett | ... | Specialty Dancer (Think Pink Number) | |
| Jean Del Val | ... | Hairdresser | |
| Virginia Gibson | ... | Babs | |
| Sue England | ... | Laura | |
| Ruta Lee | ... | Lettie | |
| Alex Gerry | ... | Dovitch | |
| Iphigenie Castiglioni | ... | Armande | |
| rest of cast listed alphabetically: | |||
| Geneviève Aumont | ... | French Actress (uncredited) | |
| Fern Barry | ... | Southern Wife (uncredited) | |
| Paul Bisciglia | ... | Photographer (uncredited) | |
| Nesdon Booth | ... | Southern Man (uncredited) | |
| Nina Borget | ... | Assistant Hairdresser (uncredited) | |
| Jan Bradley | ... | Crying Girl (uncredited) | |
| Peter Camlin | ... | Male Buyer (uncredited) | |
| Jack Chefe | ... | Frenchman at Flostre's Party (uncredited) | |
| Jerry Chiat | ... | Man on Head (uncredited) | |
| Gabriel Curtiz | ... | Minor Role (uncredited) | |
| Albert D'Arno | ... | Beautician (uncredited) | |
| Marcel De la Brosse | ... | Seedy Man (uncredited) | |
| George Dee | ... | Seedy Man (uncredited) | |
| Diane DuBois | ... | Minor Role (uncredited) | |
| Carole Eastman | ... | Specialty Dancer (uncredited) | |
| Roger Edens | ... | Sidewalk Cafe Patron (uncredited) | |
| Franklyn Farnum | ... | Guest at Duval's Fashion Show (uncredited) | |
| Bess Flowers | ... | Woman at Duval's Fashion Show (uncredited) | |
| Louise Glenn | ... | Junior Editor (uncredited) | |
| Albert Godderis | ... | Seedy Man (uncredited) | |
| Sam Harris | ... | Guest at Aborted Fashion Show (uncredited) | |
| Heather Hopper | ... | Junior Editor (uncredited) | |
| Bruce Hoy | ... | Minor Role (uncredited) | |
| Kenner G. Kemp | ... | Guest at Aborted Fashion Show (uncredited) | |
| Nancy Kilgas | ... | Melissa (uncredited) | |
| Donald Lawton | ... | Airport Clerk (uncredited) | |
| Jerry Lucas | ... | Bruiser (uncredited) | |
| Harold Miller | ... | Guest at Aborted Fashion Show (uncredited) | |
| Forbes Murray | ... | Man at Duval's Fashion Show (uncredited) | |
| Karine Nordman | ... | French Girl (uncredited) | |
| Elsa Peterson | ... | Female Buyer (uncredited) | |
| Don Powell | ... | Specialty Dancer (uncredited) | |
| Cecile Rogers | ... | Junior Editor (uncredited) | |
| Karen Scott | ... | Gigi (uncredited) | |
| Elizabeth Slifer | ... | Madame La Farge (uncredited) | |
| Paul Smith | ... | Steve (uncredited) | |
| Emilie Stevens | ... | Assistant Beautician (uncredited) | |
| Baroness Ella Van Heemstra | ... | Sidewalk Cafe Patron (uncredited) | |
| Marilyn White | ... | Receptionist (uncredited) | |
| Dorothea Wolbert | ... | Minor Role (uncredited) | |
Directed by | |||
| Stanley Donen | |||
Writing credits | ||
| Leonard Gershe | (written by) | |
Produced by | |||
| Roger Edens | .... | producer | |
Cinematography by | |||
| Ray June | (director of photography) | ||
Film Editing by | |||
| Frank Bracht | |||
Casting by | |||
| Gary Fifield | (uncredited) | ||
| Bill Greenwald | (uncredited) | ||
| Edward R. Morse | (uncredited) | ||
| Tony Regan | (uncredited) | ||
Art Direction by | |||
| George W. Davis | |||
| Hal Pereira | |||
Set Decoration by | |||
| Sam Comer | |||
| Ray Moyer | |||
Costume Design by | |||
| Edith Head | |||
Makeup Department | |||
| Nellie Manley | .... | hair style supervisor | |
| Wally Westmore | .... | makeup supervisor | |
| Dean Cole | .... | hairdresser (uncredited) | |
| Robert Dawn | .... | makeup artist (uncredited) | |
| Frank McCoy | .... | makeup artist (uncredited) | |
Production Management | |||
| Frank Caffey | .... | production manager (uncredited) | |
| Harry Caplan | .... | unit production manager (uncredited) | |
| Curtis Mick | .... | assistant production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| William McGarry | .... | assistant director | |
| Mecca Graham | .... | assistant director (uncredited) | |
| Al Mann | .... | second assistant director (uncredited) | |
| Nat Merman | .... | second assistant director (uncredited) | |
| John Francis Murphy | .... | second assistant director (uncredited) | |
| Gary Nelson | .... | second assistant director (uncredited) | |
Art Department | |||
| Bob Adams | .... | stand-by laborer (uncredited) | |
| Joe Cowan | .... | leadman (uncredited) | |
| Dorothea Holt | .... | illustrator (uncredited) | |
| Robert McCrellis | .... | props (uncredited) | |
| Tom Plews | .... | props (uncredited) | |
| Barnard Schoefelt | .... | props (uncredited) | |
Sound Department | |||
| George Leverett | .... | sound recordist | |
| Winston H. Leverett | .... | sound recordist (as Winston Leverett) | |
| Spurgeon Marsh | .... | sound mixer (uncredited) | |
| Bill Wistrom | .... | sound editor (uncredited) | |
Visual Effects by | |||
| Farciot Edouart | .... | process photography | |
| John P. Fulton | .... | special photographic effects | |
Camera and Electrical Department | |||
| Bill Avery | .... | still photographer (uncredited) | |
| Howard Kelly | .... | gaffer (uncredited) | |
| Joe Schuster | .... | best boy (uncredited) | |
| Mike Semenario | .... | grip (uncredited) | |
| Roger Shearman | .... | camera operator (uncredited) | |
| Charles Sickler | .... | company grip (uncredited) | |
| Paul Uhl | .... | camera technician (uncredited) | |
Casting Department | |||
| Tish Morgan | .... | secretary to casting director (uncredited) | |
Costume and Wardrobe Department | |||
| Hubert de Givenchy | .... | wardrobe: Miss Hepburn, Paris | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
| Dario Piazza | .... | wardrobe: men (uncredited) | |
| Leah Rhodes | .... | associate designer (uncredited) | |
| Ruth Stella | .... | wardrobe: ladies (uncredited) | |
Editorial Department | |||
| Marvin I. Kosberg | .... | assistant editor (uncredited) | |
Music Department | |||
| Alexander Courage | .... | orchestrator | |
| Adolph Deutsch | .... | conductor | |
| Adolph Deutsch | .... | music adaptor | |
| Stanley Donen | .... | song staging | |
| Roger Edens | .... | composer: additional music | |
| Skip Martin | .... | orchestrator | |
| Conrad Salinger | .... | orchestrator | |
| Van Cleave | .... | orchestrator | |
| Alexander Courage | .... | composer: additional music (uncredited) | |
| Al Mack | .... | musician: piano (uncredited) | |
| Walter Ruick | .... | musician: piano (uncredited) | |
| Kay Thompson | .... | vocal arranger (uncredited) | |
| Van Cleave | .... | composer: additional music (uncredited) | |
Other crew | |||
| Fred Astaire | .... | choreographer | |
| Richard Avedon | .... | main title backgrounds | |
| Richard Avedon | .... | special visual consultant | |
| Eugene Loring | .... | choreographer | |
| Richard Mueller | .... | technicolor color consultant | |
| Ruth Ames | .... | secretary: Mr. Donen (uncredited) | |
| Françoise Bouchez | .... | production assistant (uncredited) | |
| Jeanne Coyne | .... | assistant dance director (uncredited) | |
| Patricia Denise | .... | assistant dance director (uncredited) | |
| Jack Hirshberg | .... | publicist (uncredited) | |
| Belva Lannan | .... | secretary: Mr. Edens (uncredited) | |
| Sam Ledner | .... | dance coordinator (uncredited) | |
| Dave Robel | .... | assistant dance director (uncredited) | |
| Dorothy Yutzi | .... | script supervisor (uncredited) | |
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| The Devil Wears Prada | Before Sunset | Blow-Up | Le divorce | Singin' in the Rain |
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| Full cast and crew | Company credits | External reviews |
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This is a rare bird indeed, a Hollywood musical that succeeds as parody as well as musical entertainment, featuring the best song and dance man of all time, Fred Astaire, and the Hollywood establishment darling, Audrey Hepburn, who was always magnificent despite being pampered and fawned over by the media moguls. Unlike Gene Kelly, Fred Astaire's dancing seemed natural. Astaire spent as much time learning his steps as Kelly, but the viewer always got the idea that Kelly had learned the steps whereas Astaire appeared to be inventing as he shuffled along. Astaire's early movies were made during the age of the crooner, yet his singing could not be pigeonholed into that category. Like his dancing, his singing flowed naturally and freely.
The story to "Funny Face" is a simple one, a musical variation on Shaw's Pigmalion which was already a hit musical "My Fair Lady," turned into another Audrey Hepburn vehicle a few years after "Funny Face." What makes this movie stand out is the spellbinding choreography by Astaire, Et.Al., Ray June's cinematography, George Gershwin music, such as the title song, the direction of Stanley Donen, and the Paris fashions by Hubert de Givenchy. The colors are breathtaking. Note the incredible images of the opening dance "Pink." The sights of Paris have never appeared more intriguing. And who would have thought a song and dance in a photographer's dark room could be so delightful?
One of my favorite numbers from "Funny Face" is the hilarious yet imaginative parody of modern dance performed by Audrey Hepburn in a Paris cabaret. The parody can also be interpreted as poking harmless fun at Gene Kelly's ballet-style dancing in "An American in Paris." This scene shows the versatility of the multi-talented Hepburn. Teaming her with the also multi-talented Astaire makes for a winning combination. Why the hoopla about their age differences? Do film reviewers not live in the real world anymore?
This is a much better musical than many of the more touted ones of the 1950's. If you're not careful, this little screen gem may slip past you.