Funny Face (1957)

Director:

Stanley Donen

Writer:

Leonard Gershe (written by)

Release Date:

13 February 1957 (USA)

Genre:

Romance | Comedy | Musical

Tagline:

Presenting a Real New Dimension in Motion Picture Entertainment.

Plot:

Fashion photographer Dick Avery, in search for an intellectual backdrop for an air-headed model, expropriates a Greenwich Village bookstore...

Plot Keywords:

Fashion | Photographer | Bookstore | Modeling | Fashion Magazine

Awards:

Nominated for 4 Oscars. Another 1 win & 5 nominations

Cast

Audrey Hepburn	...	Jo Stockton
Fred Astaire	...	Dick Avery
Kay Thompson	...	Maggie Prescott
Michel Auclair	...	Prof. Emile Flostre
Robert Flemyng	...	Paul Duval
Dovima	...	Marion
Suzy Parker	...	Specialty Dancer (Think Pink Number)
Sunny Hartnett	...	Specialty Dancer (Think Pink Number)
Jean Del Val	...	Hairdresser
Virginia Gibson	...	Babs
Sue England	...	Laura
Ruta Lee	...	Lettie
Alex Gerry	...	Dovitch
Iphigenie Castiglioni	...	Armande

Runtime:

103 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System) | Mono

Certification:

France:Unrated | Spain:13 | Netherlands:AL | Ireland:G | Italy:T | Argentina:Atp | Australia:G | Chile:TE | Finland:K-16 | Finland:S (1966) | UK:U | USA:Unrated | West Germany:6 | Peru:PT

Filming Locations:

Chantilly, Oise, France

Company:

Paramount Pictures

Trivia:

The Audrey Hepburn character was inspired by Suzy Parker, who made a fashionable cameo appearance in the film (her first film) in the "Think Pink" sequence.

Goofs:

Factual errors: In the darkroom for the second print a partly covered paper is exposed, but after developing a full format print is taken out of the bath.

Quotes:

Maggie Prescott: Let's give 'em the old pizazz!

Movie Connections:

Referenced in Love Among Thieves (1987) (TV)

Soundtrack:

On How To Be Lovely

The Bird of Paradise

This is a rare bird indeed, a Hollywood musical that succeeds as parody as well as musical entertainment, featuring the best song and dance man of all time, Fred Astaire, and the Hollywood establishment darling, Audrey Hepburn, who was always magnificent despite being pampered and fawned over by the media moguls. Unlike Gene Kelly, Fred Astaire's dancing seemed natural. Astaire spent as much time learning his steps as Kelly, but the viewer always got the idea that Kelly had learned the steps whereas Astaire appeared to be inventing as he shuffled along. Astaire's early movies were made during the age of the crooner, yet his singing could not be pigeonholed into that category. Like his dancing, his singing flowed naturally and freely.

The story to "Funny Face" is a simple one, a musical variation on Shaw's Pigmalion which was already a hit musical "My Fair Lady," turned into another Audrey Hepburn vehicle a few years after "Funny Face." What makes this movie stand out is the spellbinding choreography by Astaire, Et.Al., Ray June's cinematography, George Gershwin music, such as the title song, the direction of Stanley Donen, and the Paris fashions by Hubert de Givenchy. The colors are breathtaking. Note the incredible images of the opening dance "Pink." The sights of Paris have never appeared more intriguing. And who would have thought a song and dance in a photographer's dark room could be so delightful?

One of my favorite numbers from "Funny Face" is the hilarious yet imaginative parody of modern dance performed by Audrey Hepburn in a Paris cabaret. The parody can also be interpreted as poking harmless fun at Gene Kelly's ballet-style dancing in "An American in Paris." This scene shows the versatility of the multi-talented Hepburn. Teaming her with the also multi-talented Astaire makes for a winning combination. Why the hoopla about their age differences? Do film reviewers not live in the real world anymore?

This is a much better musical than many of the more touted ones of the 1950's. If you're not careful, this little screen gem may slip past you.