When the South loses the war, Confederate veteran O'Meara goes West, joins the Sioux, takes a wife and refuses to be an American but he must choose a side when the Sioux go to war against the U.S. Army.
Blaise Starrett is a rancher at odds with homesteaders when outlaws hold up the small town. The outlaws are held in check only by their notorious leader, but he is diagnosed with a fatal wound and the town is a powder keg waiting to blow.
Kelly, a prostitute, traumatised by an experience, referred to as 'The Naked Kiss,' by psychiatrists, leaves her past, and finds solace in the town of Grantville. She meets Griff, the ... See full summary »
An authoritarian rancher, Barbara Stanwyck, who rules an Arizona county with her private posse of hired guns. When a new marshall arrives to set things straight, the cattle queen finds herself falling, brutally for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunmaker enters the picture, and things go desperately wrong. Written by
Inspired by the events involving Wyatt Earp and Tombstone with Drummond being a female version of Ike Clanton. See more »
When the gunsmith is fitting Wes for a new rifle, she had him holding the stock from a model 1898 Mauser which would not have been invented for another 20 years. Then Wes also picks up a Winchester barreled action and looks through it to see the lady gunsmith, which is not possible due to there being no straight line of sight through the action. See more »
One of the Strangest Westerns to Come Out of America in the Fifties.
"Forty Guns" (1957) is an excellent Western, directed, produced and written by cult director Samuel Fuller, who made such classics as "The Big Red One" (1980) among others.
The plot of it is unusual, which is about a powerful rancher, played by Barbara Stanwyck, who rules an Arizona county with her private posse of hired guns. When a new Marshall called Griff Bonnell (Barry Sullivan) arrives to set things straight, the cattle queen finds herself in love with the avowedly non-violent lawman. Both have itchy-fingered brothers, which ends in some surprising deaths.
For a movie made in America during the fifties, when the censors where still in full force, it is quite a violent film with more than your average number of deaths. Interestingly, at one point, the camera focus's only on Sullivan's eye's, in a style not dissimilar from what Leone dd in his Spaghetti Westerns years after. The photography is splendid, with long, long tracking shots and high contrast black and white photography. The script is more than a little odd, but it does the movie no harm, apart from an annoying happy ending.
In conclusion, this is a very different Western than from what was being made at the time with a number of hugely enjoyable stylistic touches. A must for all fans of the Western genre.
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