Blaise Starrett is a rancher at odds with homesteaders when outlaws hold up the small town. The outlaws are held in check only by their notorious leader, but he is diagnosed with a fatal wound and the town is a powder keg waiting to blow.
When the South loses the war, Confederate veteran O'Meara goes West, joins the Sioux, takes a wife and refuses to be an American but he must choose a side when the Sioux go to war against the U.S. Army.
Kelly, a prostitute, traumatised by an experience, referred to as 'The Naked Kiss,' by psychiatrists, leaves her past, and finds solace in the town of Grantville. She meets Griff, the ... See full summary »
An authoritarian rancher, Barbara Stanwyck, who rules an Arizona county with her private posse of hired guns. When a new marshall arrives to set things straight, the cattle queen finds herself falling, brutally for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunmaker enters the picture, and things go desperately wrong. Written by
When the gunsmith is fitting Wes for a new rifle, she had him holding the stock from a model 1898 Mauser which would not have been invented for another 20 years. Then Wes also picks up a Winchester barreled action and looks through it to see the lady gunsmith, which is not possible due to there being no straight line of sight through the action. See more »
Last time I killed a man was 10 years ago, a boy. He was no good like your brother but he was still a boy and I killed him. I could have made a crippling shot but I didn't. Did you ever see a dead boy's eyes in the sky? Threw his gun in the west. You know why I hate to get into fights? I can't miss. Am I talking too much? In my heart I've always asked forgiveness before I kill just like an Indian asking for forgiveness from an animal before the slaughter. You can't ask after you kill, it's too ...
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Hysterical, creative, unexpected, with a surrealistic touch.
When Fuller made this film he was influenced by "Rebel Without a Cause" for the role of John Ericson. He also placed sexual double meanings like when Barbara Stanwick describes a man as "everything with two feet and a gun". He also stated in his biography: "My forty guns were forty p---ks. My powerful heroine had her way in the sack with all forty, then cast them aside for the forty-first "gun", Griff." There are two scenes which are kind of surrealistic, the first at the beginning when you see Barbara Stanwick in a white horse followed by the forty men in dark horses wildly galloping. The second when Barbara is shown having dinner with the forty men in a luxurious giant table all of them impeccably dressed. That's the kind of scenes you would expect from Bunuel, who knew Fuller. By the way, the setting for this scene was from "Tara" of "Gone With The Wind" remodeled. Barry Sullivan, Gene Barry and Robert Dix are the three brothers who come to town and get in trouble with John Ericson, Barbara's brother and the sheriff Dean Jagger.Gene Barry falls in love with the beautiful Ziva Roddan. The final shootout is fantastic, Fuller got inspired by an incident that happened when he was fighting in World War 2. The Cinemascope in black and white is superb and the hysterical pace of the film keeps you constantly on the edge.
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