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Forty Guns (1957)

 -  Western  -  September 1957 (USA)
7.2
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Ratings: 7.2/10 from 2,356 users  
Reviews: 35 user | 32 critic

An authoritarian rancher, Barbara Stanwyck, who rules an Arizona county with her private posse of hired guns. When a new marshall arrives to set things straight, the cattle queen finds ... See full summary »

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Title: Forty Guns (1957)

Forty Guns (1957) on IMDb 7.2/10

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Cast

Cast overview, first billed only:
...
...
Griff Bonnell
...
Sheriff Ned Logan
John Ericson ...
Brockie Drummond
...
Wes Bonnell
Robert Dix ...
Chico Bonnell
Jidge Carroll ...
Barney Cashman
Paul Dubov ...
Judge Macy
Gerald Milton ...
Shotgun Spanger
Ziva Rodann ...
Rio
...
Neyle Morrow ...
Wiley
Chuck Roberson ...
Howard Swain
Chuck Hayward ...
Charlie Savage
Sandy Wirth ...
Chico's Girlfriend (as Sandra Wirth)
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Storyline

An authoritarian rancher, Barbara Stanwyck, who rules an Arizona county with her private posse of hired guns. When a new marshall arrives to set things straight, the cattle queen finds herself falling, brutally for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunman enters the picture, and things go desperately wrong. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Western

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

September 1957 (USA)  »

Also Known As:

Woman with a Whip  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Although the on-screen credit for Eve Brent reads "and introducing", actually she had already appeared in several earlier films as Jean Ann Lewis. See more »

Goofs

When the gunsmith is fitting Wes for a new rifle she had him holding the stock from a model 1898 Mauser which would not have been invented for another 20 years. Then Wes also picks up a Winchester barreled action & looks through it to see the lady gunsmith which is not possible due to there being no straight line of sight through the action. See more »

Quotes

Griff Bonnell: Last time I killed a man was 10 years ago, a boy. He was no good like your brother but he was still a boy and I killed him. I could have made a crippling shot but I didn't. Did you ever see a dead boy's eyes in the sky? Threw his gun in the west. You know why I hate to get into fights? I can't miss. Am I talking too much? In my heart I've always asked forgiveness before I kill just like an Indian asking for forgiveness from an animal before the slaughter. You can't ask after you kill, it's too ...
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Connections

Referenced in Legend of the Phantom Rider (2002) See more »

Soundtracks

High Ridin' Woman
by Harold Adamson and Harry Sukman
Sung by Jidge Carroll
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User Reviews

 
A visual stunner, a confusing pastiche of archetypes, a film for film lovers
27 December 2012 | by (United States) – See all my reviews

Forty Guns (1957)

Sam Fuller's style is uncompromising and over the top. He pushes both melodrama and visual drama. And he's also extremely astute handling the actors and the space and light they move through. His movies are definitely experiences, from "The Naked Kiss" to "The Big Red One" all the way back to the masterpiece, "Pickup on South Street."

And he usually tells a strong clear story. That's the big weakness here. It's as if all the over-sized elements, including Barbara Stanwyck as this unlikely woman power queen frontier figure with forty men at her beck and call, are juggled around enough to keep it interesting just on their own. Not only will the progress of events be sometimes confusing, it will at times also be too unlikely to hold water, which is even worse.

Not that the movie isn't a thrill to watch. I mean watch, with your eyes. The sparkling widescreen photography is so good, so very good and original, you can't help but like that part of it. In a way that's sustaining--it's what kept me glued. But that's my thing. I'm a photographer. I love the physical structure of movies. This movie was made for me. It's made to be studied.

And that's what "Forty Guns" is famous for, an over-sized influence. The French writers of the time (like Godard) and some later American upstarts (like Tarantino) have praised the filmmaking, if not always the film. You can certainly see, and appreciate, how much a movie like this foreshadowed the spaghetti westerns which have become so famous, but which were made six and more years later.

And that's worth remembering, too. Westerns, as a genre, are well worn by now. The themes have been worked and overworked. To make a new fresh western means pushing it to some limit, and for Fuller that means a soap opera exaggeration. That means galloping horses endlessly around a waiting stagecoach as the horses jump in fear. That means a man walking up to his rival and walking and walking, far longer than it would take to cover the hundred yards shown, until reaching him and punching, not shooting him. It means a final glorious scene that is shown farther and farther in the distance and all you see are two little dots as figures--and yet you know what just happened, and how satisfying that is.

And how unreasonable the events were getting us to that point. "Forty Guns" plays loose with archetypes in a pre-post-modern way that has made it weirdly contemporary. Fuller's films, like his unlikely contemporary Douglas Sirk's, have taken on a life of their own, as flawed as they are. This may not be the best place to start to love his work, but it's a good place to start to understand where movies had gotten to--some would say fallen--by the late 1950s. Check it out.


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