An authoritarian rancher, Barbara Stanwyck, who rules an Arizona county with her private posse of hired guns. When a new marshall arrives to set things straight, the cattle queen finds ... See full summary »
A Rebel vet, O'Meara has refused to surrender when Lee does at Appomatox. O'Meara travels west and after escaping from, he joins the Sioux and takes a wife. After denouncing himself as an ... See full summary »
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Pluto, having seen the earth, comes back home amazed at the success of that well-known dance, the "cake-walk." He has brought back with him two noted well-known dancers, who start their ... See full summary »
An authoritarian rancher, Barbara Stanwyck, who rules an Arizona county with her private posse of hired guns. When a new marshall arrives to set things straight, the cattle queen finds herself falling, brutally for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunmaker enters the picture, and things go desperately wrong. Written by
Barbara Stanwyck's stunt woman refused to allow herself to be dragged along a street by a horse, saying that it was too dangerous. Without further ado Stanwyck did it by herself. She got some bruises and scrapes, but was okay. At that time Stanwyck was 49 years old. See more »
When the gunsmith is fitting Wes for a new rifle she had him holding the stock from a model 1898 Mauser which would not have been invented for another 20 years. Then Wes also picks up a Winchester barreled action & looks through it to see the lady gunsmith which is not possible due to there being no straight line of sight through the action. See more »
Hysterical, creative, unexpected, with a surrealistic touch.
When Fuller made this film he was influenced by "Rebel Without a Cause" for the role of John Ericson. He also placed sexual double meanings like when Barbara Stanwick describes a man as "everything with two feet and a gun". He also stated in his biography: "My forty guns were forty p---ks. My powerful heroine had her way in the sack with all forty, then cast them aside for the forty-first "gun", Griff." There are two scenes which are kind of surrealistic, the first at the beginning when you see Barbara Stanwick in a white horse followed by the forty men in dark horses wildly galloping. The second when Barbara is shown having dinner with the forty men in a luxurious giant table all of them impeccably dressed. That's the kind of scenes you would expect from Bunuel, who knew Fuller. By the way, the setting for this scene was from "Tara" of "Gone With The Wind" remodeled. Barry Sullivan, Gene Barry and Robert Dix are the three brothers who come to town and get in trouble with John Ericson, Barbara's brother and the sheriff Dean Jagger.Gene Barry falls in love with the beautiful Ziva Roddan. The final shootout is fantastic, Fuller got inspired by an incident that happened when he was fighting in World War 2. The Cinemascope in black and white is superb and the hysterical pace of the film keeps you constantly on the edge.
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