Eva has just gotten married to an older gentleman, but discovers that he is obsessed with order in his life and doesn't have much room for passion. She becomes despondent and leaves him, ... See full summary »
There is a problem with foreign nationals using Cuba as a convenient jumping off point for illegal entry into the United States. So U.S. Immigration Service Agent Peter Karczag (John Hodiak... See full summary »
At a wedding party involving three beautiful women, a young man should choose the most charming. But a professor intervenes to prevent the verdict, remembering the troubles caused by Paris in a similar situation.
Madeleine Damien is the fashion editor of a slick Manhattan magazine by day and a lively party girl by night. Unfortunately, the pressures of her job, including kowtowing to a hefty ... See full summary »
Peanuts White, a burlesque comic, is recruited by U.S. agents to impersonate international spy Eric Augustine (whom White resembles) in a mission to purchase a million-dollar microfilm in ... See full summary »
Jaded movie star Vanessa Windsor, saved from a studio accident by handsome extra Chris Farley, pursues him, and soon he's the 'caretaker' of her beach house. Vanessa's sexy, alcoholic adult daughter Penny accidentally meets Chris, who rescues her from an 'octopus' boyfriend. Before you know it, Chris is involved with both mother and daughter, and his only way out is to take a job in a Mexican picture about man-eating orchids... Written by
Rod Crawford <email@example.com>
[Lily Frayne and her date, Pepe, are at the restaurant bar; Pepe looks troubled as he examines a bracelet on his wrist]
I don't know why you're objecting to that slave bracelet. I buy one for all my friends. I used to wear two or three of them myself around my ankle in the old days. Everybody wears them.
Pepe, Lily's Gigolo:
Mon cher, please, I'm bored hearing about "The Stone Age."
[shakes her diamond-covered hand at Pepe]
That's where these rocks came from, lover, and don't forget it.
[turns to Bartender]
[...] See more »
At one point in the film, a character professes to Hedy Lamarr, who plays an actress: "I always thought you were a better actress than the roles they gave you." The character might as well have been speaking about Lamarr herself, because this film typifies the substandard material that the actress was handed throughout most of her career.
While there were some highlights in Lamarr's career, such as the wonderful H.M. Pulham, Esq., The Strange Woman, and Dishonored Lady, there was also a lot of fluff. It seems Lamarr was always treated as a glamorous beauty rather than a great actress, although she was smart and talented.
The Female Animal was one of those fading star vehicles that Universal seemed to specialize in at the time (others included Female on the Beach with Joan Crawford, and The Price of Fear with Merle Oberon). By 1958, Lamarr had not been the leading actress in a film for a few years, but she was still youthful and beautiful. It's curious that she was not offered more roles, although back then the shelf-life of a glamorous star was even shorter than it is today.
The Female Animal is a somewhat trashy and sordid melodrama. It is perhaps the only film I have ever seen in which Hedy Lamarr was not the object of desire. Here she plays a more aggressive woman who is not ashamed to take in a house boy. The idea that Lamarr, even at the advanced age of 45 (*eye roll*), would need to pay for handsome male companionship is beyond absurd. She was still very sexy and could have probably had her pick of men. I agree with the other reviewer who said, to some effect: "Hedy past her prime was any other woman's peak." She is widely considered the most beautiful actress of all-time (interchangeably with Gene Tierney).
The film overall leans more toward camp classic than art house. You have drunk ladies, aging starlets out "hunting" for young studs, and of course glamorous Hedy, who has trouble speaking some of her lines. It's all kind of a mess, but it somehow hangs together, and it's a lot of fun. Jan Sterling is entertaining in a supporting role.
The ending redeems the film. Lamarr gives a rather poignant speech about determination, and we are reminded of what a remarkable actress she was. We think about how sad it is that her career was cut so short by...ageism.
3 of 4 people found this review helpful.
Was this review helpful to you?