| Photos (See all 10 | slideshow) |
| Rock Hudson | ... | Lt. Frederick Henry | |
| Jennifer Jones | ... | Catherine Barkley | |
| Vittorio De Sica | ... | Major Alessandro Rinaldi | |
| Oskar Homolka | ... | Dr. Emerich (as Oscar Homolka) | |
| Mercedes McCambridge | ... | Miss Van Campen | |
| Elaine Stritch | ... | Helen Ferguson | |
| Kurt Kasznar | ... | Bonello | |
| Victor Francen | ... | Colonel Valentini | |
| Franco Interlenghi | ... | Aymo | |
| Leopoldo Trieste | ... | Passini | |
| José Nieto | ... | Major Stampi (as Jose Nieto) | |
| Georges Bréhat | ... | Captain Bassi (as Georges Brehat) | |
| Johanna Hofer | ... | Mrs. Zimmerman | |
| Eduard Linkers | ... | Lieutenant Zimmerman | |
| Eva Kotthaus | ... | Delivery Room Nurse | |
| Alberto Sordi | ... | Father Galli | |
| rest of cast listed alphabetically: | |||
| Luigi Barzini | ... | Court Martial Colonel (uncredited) | |
| Memmo Carotenuto | ... | Nino the Doorkeeper (uncredited) | |
| Patrick Crean | ... | Medical Lieutenant (uncredited) | |
| Albert D'Amario | ... | Arrested Officer (uncredited) | |
| Angelo Galassi | ... | Firing Squad Commander (uncredited) | |
| Stephen Garret | ... | Captain Defender (uncredited) | |
| Guidarino Guidi | ... | Civilian Doctor (uncredited) | |
| Carlo Hinterman | ... | Café's Customer (uncredited) | |
| Peter Illing | ... | Milan Hotel Clerk (uncredited) | |
| Vittorio Jannitti | ... | Hotel Proprietor (uncredited) | |
| Diana King | ... | Hospital Receptionist (uncredited) | |
| Antonio La Raina | ... | Delivery Room Anaesthetist (uncredited) | |
| Sam Levene | ... | Swiss Sergeant (uncredited) | |
| Carlo Licari | ... | Racetrack Announcer (uncredited) | |
| Franco Mancinelli | ... | Captain at Outpost (uncredited) | |
| Guido Martufi | ... | Boy Scout (uncredited) | |
| Clelia Matania | ... | Hairdresser (uncredited) | |
| Gisella Mathews | ... | Nurse in Catherine's Room (uncredited) | |
| Peter Meersman | ... | Major Accuser (uncredited) | |
| Tiberio Mitri | ... | Café's Other Customer (uncredited) | |
| Alex Revidis | ... | Carabiniere Officer (uncredited) | |
| Giacomo Rossi-Stuart | ... | Carabiniere (uncredited) | |
| Umberto Sacripante | ... | Ambulance Driver (uncredited) | |
| Joan Shawlee | ... | Blonde Nurse (uncredited) | |
| Umberto Spadaro | ... | Barber (uncredited) | |
| Bud Spencer | ... | Carabiniere (uncredited) | |
Directed by | |||
| Charles Vidor | |||
| John Huston | (uncredited) | ||
Writing credits | ||
| Ben Hecht | (screenplay) | |
| Ernest Hemingway | (novel) | |
| Laurence Stallings | (play) | |
Produced by | |||
| Arthur Fellows | .... | associate producer (uncredited) | |
| David O. Selznick | .... | executive producer (uncredited) | |
Original Music by | |||
| Mario Nascimbene | |||
Cinematography by | |||
| Oswald Morris | |||
| Piero Portalupi | (photographed by) | ||
| James Wong Howe | (uncredited) | ||
Film Editing by | |||
| John M. Foley | |||
| Gerard Wilson | (as Gerard J. Wilson) | ||
Production Design by | |||
| Alfred Junge | |||
Art Direction by | |||
| Mario Garbuglia | |||
Set Decoration by | |||
| Veniero Colasanti | |||
| John Moore | |||
Costume Design by | |||
| Veniero Colasanti | (uncredited) | ||
| John Moore | (uncredited) | ||
Makeup Department | |||
| Larry Germain | .... | hair stylist | |
| Gaspare Carboni | .... | makeup artist (uncredited) | |
| Alberto De Rossi | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Andrew Marton | .... | second unit director (uncredited) | |
Art Department | |||
| Gastone Medin | .... | associate production designer | |
| Dudley Holmes | .... | property master (uncredited) | |
| Italo Tomassi | .... | manager of art department (uncredited) | |
Sound Department | |||
| Charles Knott | .... | sound recordist | |
| Murray Spivack | .... | sound recordist | |
| Carl J. Brandon | .... | sound effects editor (uncredited) | |
| Carl Mahakian | .... | sound editor (uncredited) | |
| Harold E. McGhan | .... | sound supervisor (uncredited) | |
Special Effects by | |||
| Willis Cook | .... | special effects supervisor (uncredited) | |
| Costel Grozea | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Arthur Ibbetson | .... | camera operator | |
| Morris Rosen | .... | master grip | |
| Idelmo Simonelli | .... | camera operator | |
| Derek V. Browne | .... | focus puller (uncredited) | |
| Peter Newbrook | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Franco Salvi | .... | wardrobe (uncredited; as Frank Salvi) | |
Editorial Department | |||
| James E. Newcom | .... | supervising editor | |
Music Department | |||
| Franco Ferrara | .... | conductor | |
| Audrey Granville | .... | music editor (as Audray Granville) | |
Other crew | |||
| Luigi Barzini Jr. | .... | technical advisor | |
| Giulio Ferrari | .... | technical advisor (as Prof. Giulio Ferrari) | |
| Alessandro Paoletti | .... | technical advisor (as Lt. Col. Alessandro Paoletti) | |
| Lydia Schiller | .... | scenario assistant | |
| David O. Selznick | .... | presenter | |
| Harriet Medin | .... | dialogue coach (uncredited) | |
| Eva Monley | .... | script supervisor (uncredited) | |
| Frederick Muller | .... | production assistant (uncredited) | |
Thanks | |||
| Stephen B. Grimes | .... | acknowledgment (as Stephen Grimes) | |
| Andrew Marton | .... | acknowledgment | |
| Peter Newbrook | .... | acknowledgment | |
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| A Farewell to Arms | Gone with the Wind | Johnny Got His Gun | The Life and Death of Colonel Blimp | The Snows of Kilimanjaro |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
David Selznick loved Jennifer Jones and per John Huston in his book "put everything on the line for his adored Jennifer" I met Douglas Fairbanks Jr years ago at a party when he was in New York and Fairbanks remarked that of major producers he knew, David Selznick stood out because of Mr. Selznick's love of great literature. David Selznick's brilliant productions of Gone With The Wind, Rebecca, David Copperfield, et al reflect Selznick's great love of great novels. (David Selznick wanted to but could not get financing for War and Peace starring of course Ms.Jones) One wonders why David Selznick insisted on remaking A Farewell to Arms but push ahead he did. David Selznick made a releasing deal thru 20th (Likely because of Jennifer Jones' attachment and successes at 20th Century Fox -Song of Bernadette, Love Is A Many Splendored Thing, et al) and hired John Huston to direct again possibly because of Jennifer's past history with John Huston (Beat The Devil, We Were Strangers). David Selznick micro managed his productions and fired John Huston whom he felt was titling the picture towards a war film versus a highly romantic film, i.e. favoring Rock Hudson over Jennifer Jones. Charles Vidor replaced Huston and also had clashes with David Selznick. In the mid 50's a gigantic production shot on location in Italy had to be a logistical challenge: Selznick also fired Arthur Fellows as line producer. Some of A Farewell To Arms scenes are brilliantly photographed and large in scope as is the trademark of a Selznick International picture.
Jennifer Jones was a beautiful movie star. I would recommend a review of Ms. Jones career, as Ms. Jones is sadly forgotten but was a huge box office star and acclaimed screen actress of her day: Madame Bovary, Good Morning Miss Dove, Duel In The Sun, Ruby Gentry et al Some carp over Jennifer Jones' age in this film but Jennifer Jones looks fine in this picture (but ironically would look even much better years later in a fine and underrated film 20th's Tender Is The Night). My quibble with this film is the dialogue between Jennifer Jones and Rock Hudson which seems so stilted and phony. Rock Hudson, then a gigantic box office star after George Stevens great film Giant and his run at Universal with hits such as Magnificent Obsession, All That Heaven Allows, etc got first billing over the veteran Oscar Winning Jennifer Jones. Elaine Stritch is wonderfully sassy in a small but pivotal supporting role.
We are likely never to see the likes of David Selznick again, a pioneer in film. Of all Selznick's movies I liked Gone With The Wind best but also the splendid WWII Film Since You Went Away starring Ms. Jones and a superb Claudette Colbert I wish Selznick had done an original film like Since You Went Away rather than a remake of A Farewell To Arms. Mr. Hudson adored by his female costars such as Doris Day, Elizabeth Taylor, Kim Novak, Jane Wyman, et al never really had much to say about working with Jennifer Jones. Ms Jones until her death never commented much about anything ever about her career, her Leading Men, or about her stormy private life.
A book on the back story filming of this movie would prove to be interesting. Reading Memo From David O Selznick and David Thomson's Showman would help understand David Selznick's obsession with Hemingway's A Farewell To Arms and Ms. Jones in particular.
This was the final film personally produced by David O Selznick.