A no account outlaw establishes his own particular brand of law and order and builds a town on the edges of civilization in this farcical western. With the aid of an old law text and ... See full summary »
In the western frontier town of Cross Creek storekeeper George Temple is a polite and soft spoken man with a secret past.When three bank robbers on the lam stop in town to change horses George Temple's past comes back to haunt him.
The destiny of three soldiers during World War II. The German officer Christian Diestl approves less and less of the war. Jewish-American Noah Ackerman deals with antisemitism at home and ... See full summary »
Frederick Henry, an American serving as a volunteer ambulance driver with the Italian forces in the First World War, is wounded and falls in love with his attending nurse, the British Catherine Barkley. In the midst of war and some intrigue, the pair struggles to stay together and to survive the horrors around them. Written by
Jim Beaver <email@example.com>
The year the movie was released Jennifer Jones and David O. Selznick went to Pamplona to see the traditional bull run. Ernest Hemingway was also in town and when he heard that Selznick was there he said: "I'm going to kill that S.O.B.. He ruined my book!" See more »
When Hudson and Jones are in the hotel bedroom he gives her a glass of wine. The amount of wine in her glass varies between shots. See more »
Producer David O. Selznick tries to imitate the opening credits of his classic film, "Gone With The Wind", by having the letters of the title "A Farewell to Arms" sweep slowly across the screen from right to left. See more »
Obviously, a great deal of time and money was lavished on this project. Producer Selznick intended it to be a vindication of a career that peaked with "Gone With The Wind" in 1939, and then began a long, slow, almost painful decline. By the mid fifties he had become something of a "has-been" in Hollywood. The result? Pretty much a miss. The book is probably unfilmable, of course, but the screenplay still leaves much to be desired. Rock Hudson is far too shallow to make a go at the over-the-top emotionalism this story needs. The usually wonderful Jennifer Jones, for whom this project was conceived, somehow doesn't seem to exhibit the idealism and resolve the part needs, and that she demonstrated with such seemingly effortlessness in many other films. The direction is stilted and sometimes downright awkward, more the fault of producer Selznick, I would bet, who had a reputation for micro-managing his films, than famed director Charles Vidor.
Simply put, I'm never convinced, not even for a moment, that what is happening is real and not just another movie. Too bad.
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