A Face in the Crowd (1957)

Director:

Elia Kazan

Writers:

Budd Schulberg (story)
Budd Schulberg (screenplay)

Release Date:

17 October 1957 (Sweden)

Genre:

Drama

Plot:

An Arkansas hobo becomes an overnight media sensation. But as he becomes drunk with fame and power, will he ever be exposed as the fraud he has become?

Plot Keywords:

Fame | Hobo | Power | Jail | Guitar

Awards:

1 win & 1 nomination

Cast

Andy Griffith	...	Larry 'Lonesome' Rhodes
Patricia Neal	...	Marcia Jeffries
Anthony Franciosa	...	Joey DePalma
Walter Matthau	...	Mel Miller
Lee Remick	...	Betty Lou Fleckum
Percy Waram	...	Gen. Haynesworth
Paul McGrath	...	Macey
Rod Brasfield	...	Beanie
Marshall Neilan	...	Senator Worthington Fuller
Alexander Kirkland	...	Jim Collier
Charles Irving	...	Mr. Luffler
Howard Smith	...	J.B. Jeffries
Kay Medford	...	First Mrs. Rhodes
Big Jeff Bess	...	Sheriff Big Jeff Bess
Henry Sharp	...	Abe Steiner

Also Known As:

Budd Schulberg's A Face in the Crowd (USA) (complete title)

Runtime:

125 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

USA:Approved (certificate #18502) | Finland:K-8 | Sweden:15

Filming Locations:

Biograph Studios, Bronx, New York City, New York, USA

Company:

Newtown Productions

Trivia:

Charles Nelson Reilly's film debut.

Goofs:

Errors in geography: In the protest scene outside of the mattress store, protesters set fire in a trash barrel that has the letters D.S.N.Y., presumably for "Department of Sanitation of New York". However, this scene is set in Memphis.

Quotes:

Lonesome Rhodes: This whole country's just like my flock of sheep!
Marcia Jeffries: Sheep?
Lonesome Rhodes: Rednecks, crackers, hillbillies, hausfraus, shut-ins, pea-pickers - everybody that's got to jump when somebody else blows the whistle. They don't know it yet, but they're all gonna be 'Fighters for Fuller'. They're mine! I own 'em! They think like I do. Only they're even more stupid than I am, so I gotta think for 'em. Marcia, you just wait and see. I'm gonna be the power behind the president - and you'll be the power behind me!

Movie Connections:

Spoofed in "The Many Loves of Dobie Gillis: The Smoke-Filled Room (#1.15)" (1960)

A real hidden masterpiece.

I just saw this movie very late the other night, and I must say WOW! Like the rest of you, I saw "A Face In the Crowd" on a regular VHS edition, but it wouldn't matter which edition I saw it in because this was one of the few movies recently that made the jaw of this movie snob literally DROP with amazement over how daring, how edgy, and how much mastery this movie had over the film-making craft.

I'm beginning to realize that in the 1950's there was a short period of time (1955-1960, say) where the world of Broadway and the theater, Television, and Hollywood came together, and the careers of people like Rod Serling, Sidney Lumet, and "A Face In the Crowd"'s own Budd Schulberg were started. The best screenwriters in the movie business became innately aware of the increasing importance and influence of the new media form Television, while the best directors (like Elia Kazan), many of whom had directed numerous plays, knew how to cull the talents of Broadways hottest and most gifted performers, and at least for a couple of years, managed to get some awesome performances out of them. That's why I view this movie in the same sort of category as "The Sweet Smell of Success", that ever so sour and bitingly satiric parable on the corruption of American glamour and fame, and how publicity is just as much of a curse as a blessing. The performances in that film are like few others in the same era, and I think its no coincidence that "A Face In the Crowd" came out the same year as the other film. The main scribes of both those films, Clifford Odets and Budd Schulberg, were experienced with TV work by the time they penned their masterpieces (though Schulberg could also claim as his masterpiece 'On the Waterfront').

So anyway, I suggest to all who can hear me and have a love enough for this film to want to see it given the presentation it deserves, that we all write to the Criterion Collection and other DVD distributing companies and ask, no DEMAND that a restored, cleaned up version of "A Face In the Crowd", with as many special features as can be rustled up, be released as soon as possible. It's like writing your congressman, except instead of asking for a new factory of national park, we're asking for the wider availability of a piece of art that has gone with far too little acclaim for far too long. Who's with me?!?