Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at ... See full summary »
"A Face in the Crowd" charts the rise of a raucous hayseed named Lonesome Rhodes from itinerant Ozark guitar picker to local media rabble-rouser to TV superstar and political king-maker. Marcia Jeffries is the innocent Sarah Lawrence girl who discovers the great man in a back-country jail and is the first to fall under his spell. Written by
Elia Kazan recalled about location filming - "We became acquainted with a community of strangers - it was not like a work experience, it was a life experience, a thing that affects you very deeply. We became a part of that Arkansas community settling down in new homes there. It was a terrific experience, right from the beginning, the people we met, the insights we got, the privilege we had of being inside a society that otherwise we would never have touched. We met the Governor of Arkansas, we met the mayor of this town, we everybody in this town. Everywhere I walked in Piggott, people were following me. It was like we had the whole town under the reverse of martial law! As though we had liberated the whole town." See more »
The Variety cover announcing Lonesome Rhodes on-air meltdown not only mis-spells his last name as "Roads" but is also dated "November 21, 1956" which is well before the other dates in the movie, for example, earlier he was picking Miss Arkansas Twirler 1957. See more »
Betty Lou is your public, all wrapped up with yellow ribbons into one cute little package. She's the logical culmination of the great 20th-centure love affair between Lonesome Rhodes and his mass audience.
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Andy Griffith made this film when he was still an actor and not the aw-shucks sheriff of Mayberry. Lonesome Rhodes (Griffith) is more than a TV personality: he is a media demagogue who understands the manipulative power of language and images. You might think a film made in 1957 would be hopeless dated but not this one. It is almost prophetic in its portrayal of modern media. When Marshall McLuhan-I know, who?-wrote The Medium is the Message, he must have had this film partially in mind.
Griffith is perfect: he is a mixture of cornpone and Satan. Patricia Neal is the woman-frequently abandoned and abused--who discovered the man and loves him for what she thought he was. Walter Matthau is the Princeton man who becomes one of the many faceless writers behind the façade of the county wit-Rhodes: the man admired for his `extempore and natural' humor.
Watch early on in the film for a scene taking place in the local jail. In one quick and brief flash of expression, Griffith reveals the true face of Lonesome Rhodes the rest of the film tries to mask. What brilliant acting by Griffith; what brilliant screen writing by Budd Schulberg; what brilliant directing by Kazan.
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