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Drango (1957)

Approved | | Drama, Western | January 1957 (USA)
Major Clint Drango of the U.S. Army and his aide, Capt. Banning, ride into a burned-out Georgia town shortly after the end of the Civil War with orders to set up a military governorship. ... See full summary »


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Cast overview, first billed only:
Major Clint Drango
Kate Calder
Shelby Ransom
Judge Allen
Ronald Howard ...
Clay Allen
Capt. Marc Banning
Dr. Blair
Col. Bracken
Henry Calder
George Randolph
Damian O'Flynn ...
Gareth Blackford
Rev. Giles Cameron
Katherine Warren ...
Mrs. Scott


Major Clint Drango of the U.S. Army and his aide, Capt. Banning, ride into a burned-out Georgia town shortly after the end of the Civil War with orders to set up a military governorship. The townspeople are bitter over the destruction of their homes, but they do not know that Drango was a participant in that destruction. Renegade former Confederates under Clay Allen plan to undermine Drango's benign administration in hopes of restarting the war. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis


BURN...DESTROY...KILL...RAVAGE...These were the orders and they were obeyed! See more »


Drama | Western


Approved | See all certifications »




Release Date:

January 1957 (USA)  »

Also Known As:

Cenizas de odio  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Referenced in Perry Como's Kraft Music Hall: Episode #9.19 (1957) See more »


Lyrics by Alan Alch
Music by Elmer Bernstein
Sung by Rex Allen
See more »

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User Reviews

Too Earnest for Its Own Good
5 March 2009 | by (Claremont,USA) – See all my reviews

A rather dour Reconstruction Western that's probably too earnest for its own good. Writer Hall Bartlett's heart is in the right place—reconciling North and South following the Civil War. Union Major Drango (Chandler) wants to unite rebellious Confederate town around a regime of humane occupation, despite widespread resistance. The supporting cast is familiar from about every popular TV series of the day—Stone, Phillips, Sande, Ankrum, Baer. Too bad the powerful Donald Crisp is largely wasted in a circumscribed role, and why Julie London's presence other than to build box-office appeal is unclear to me. In fact, her romantic subplot with Lupton sprawls the story without strengthening it.

Also, reviewer Lorenellroy is right—Chandler's major comes across as too stiff and unappealing for a central character. His besieged Major should be serious, but the seriousness is finally carried to a deadening degree. Bartlett was interesting as a producer, especially with Navajo and Unchained. Here, however, I'm afraid he tries to do too much with a screenplay that ends up in too many talky subplots. Then too, direction should have been left to a better stylist since the core material had potential.

In passing—note that no reference to slavery or appearance of a black person occurs anywhere in the movie, a rather startling omission for a film dealing with the post-Civil War South. My guess is that the producers, like others of the period, didn't want to risk dealing with a sensitive subject at a time when Jim Crow laws still prevailed below the Mason-Dixon Line. Anyway, considering the number of Westerns on TV and in theatres in 1957, it's probably not surprising that despite good intentions and a fine performance from Joanne Dru this dour little oddity has remained lost in the mix.

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