After WW2, former RAF airman Clem Morgan joins a gang of black-market smugglers-thieves but when a robbery goes wrong, Clem is caught , framed for a policeman's murder, and is sent to prison where he plots his escape and revenge.
At a mayors convention in San Francisco, ex-longshoreman Steve Fisk meets Clarissa Standish from New England. Fisk is mayor of "Puget City" and is proud of his rough and tumble background. ... See full summary »
A piano teacher believes that her fiancé was killed on the battlefield. When he miraculously returns, they decide to marry, but are threatened by a wealthy, egotistical composer the piano teacher started dating on the rebound after she became convinced her love had died.
A stranger in a Western cattle-town behaves with remarkable self-assurance, establishing himself as a man to be reckoned with. The reason appears with his stock: a herd of sheep, which he ... See full summary »
On a small island in the South Pacific, the Navy's P.R. department is spending WWII without getting near a ship. Lt. Max Siegal is the Second in command to a clueless Commanding Officer who believes Sea Duty to be the worst punishment he can give one of his men. Siegal has to keep the foreign correspondents happy, keep his Commander out of trouble and figure out a way for one of the enlisted sailors to date the lady Lieutenant of his dreams - all while convincing a certain island schoolteacher that he's the man for her. Written by
April M. Cheek <Aravis2713@aol.com>
When Ensign Tyson (Russ Tamblyn)first proclaims he's an ensign, he is clearly wearing silver bars, the insignia of a lieutenant, junior grade. An ensign wears gold bars--known familiarly as "chocolate bars." See more »
This tale of the absurdist goings-on at a public relations office for the navy in the WWII pacific theater is sort of a downscale "South Pacific." The casting and production values are extremely high, but the movie never aspires to anything more than light (extremely light) entertainment. In this it succeeds quite well. The movie is great to look at, and the comic abilities of Glenn Ford - an underrated actor, in my book - are at their peak. No lasting nourishment here, but a fun flick to see - once. Side note
the movie is another example of the superiority of the color processes
employed in the 50's and late 40's over what is commonly used in today's flicks.
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