A popular director recruits a new actress to work for his Movie. The popularity of the movie spills over to the already strained relationship between the Director and his in-law leading to ... See full summary »
While driving his car on a rainy night, Anand's car breaks down, and he goes to seek shelter in a nearby house. He is let into the house by the servant, and he is permitted to stay until ... See full summary »
Raju is a joker, a clown. It is what he is and what he always shall be. As his life story unfolds in three chapters, from his school days to the circus to the streets, he must always make ... See full summary »
Wearing torn Japanese shoes, English trousers, a red Russian cap, and a Hindustani heart, orphaned Ranbir Raj comes to Bombay to make his fortune. He pawns his gold medal, gambles with the ... See full summary »
Raju lives as a derelict as a result of being estranged from his bitter father, a district judge, who threw Raju's mother out of the house years ago. Raju shacks up with a Dacoit (... See full summary »
Childhood sweethearts, Devdas and Paro grow up in a small village with a love-hate relationship which changes to love when they mature. Devdas' dad does not approve of his marriage or even any friendship with Paro, and sends him away to Calcutta where he is introduced to a dancer, Chandramukhi, who adores him and falls hopelessly in love with him. Devdas in not aware of Chandramukhi's affection ... See full summary »
Compassionate Jailer Adinath refuses to document an attack on him by an inmate, Kishan, and instead permits him to see his children. He is then granted permission through the IG as well as the Jail Superintendent to rehabilitate six hardened convicts - all serving life sentences for single and multiple homicides. Amongst them are Veeru Choudhry - for killing his wife; Tamana Bildar for killing a relative; Goshai Kesavgiri for killing two young children; Jalia Nai for cutting the throat of a Sahukar; bandit Shankar Passi who had killed a Zamindar, as well as Kishan himself. He takes them to an isolated house on a plot of barren land, and this is where he expects them to cultivate it, grow crops and make a living. Challenges commence from day one when the Cook, ironically named Bahadur, quits in fear, and Adinath is compelled to cook for everyone. He permits Kishan to see his two children, Govinda and Gopal, as well as his aged, near-blind mother, and even permits the children to live ... Written by
During a phase of my life, I had a roommate who had used to sing "Ai malik tere bande hum" (O Lord, we're thy servants!) pretty often, and that was the only reason I watched this movie (the song was from this movie, he had told me!), when it was broadcast by Dordarshan, the National Television Channel of India, a few years later. And I must admit, it was a good movie. Sure, it had all those mandatory songs, but yet the songs didn't intrude into the movie, at least for an Indian such as I, used to heavy and endless dose of songs in movies.
To me, the most impressive point of this movie was its simple yet nice story (apparently based on a real-life incident), which was devoid of many so-called masalas (spices!)in spite of the era in which it was made (Compare Do Bigha Zamin for cheap sentimentality, for example) and yet executed well.
It's long-enduring impact can be seen from the spoof enacted by Annu Kapoor for a T.V. series (I don't remember its name, though) which used to be in Zee TV as recently as in 2003.
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