Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
This western begins with St. Louis resident Lutie Cameron (Katharine Hepburn) marrying New Mexico cattleman Col. James B. 'Jim' Brewton (Spencer Tracy) after a short courtship. When she ... See full summary »
A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.
The mysterious man hanging about at the research department of a big TV network proves to be engineer Richard Sumner, who's been ordered to keep his real purpose secret: computerizing the office. Department head Bunny Watson, who knows everything, needs no computer to unmask Richard. The resulting battle of wits and witty dialogue pits Bunny's fear of losing her job against her dawning attraction to Richard. Written by
Rod Crawford <email@example.com>
Katharine Hepburn was very impressed with the performance of young Lee Remick in A Face in the Crowd (1957) and invited her to her home with Spencer Tracy to discuss appearing in "Desk Set." Tracy did not feel that the role was good enough for the young actress, however, and Remick declined it, which was then given to Dina Merrill. Tracy's advice later proved correct, as Merrill received little attention in the role. See more »
Early in the film, Joan Blondell says that Ty Cobb played his entire career with the Detroit Tigers. In fact, his last two years were with the Philadelphia Athletics. See more »
One of the better Spencer Tracy-Katharine Hepburn films: a light comedy which doesn't necessitate his anger or her stridency. Hepburn heads up a charming group of gals in the research department of a broadcasting firm; Tracy is a computer man eager to install his latest creation in their office. Adapted from the Broadway play--and looking it--with large, flat sets stretched across the screen and all the actors moving from stage right to stage left. Still, the cast is colorful (except for Gig Young, stuck in the eternal Gig Young role, that of an SOB second banana who eventually ends up eating crow), and the thing is bubbly fun right to the end. It disappears from memory as fast as it came, but this kind of lightweight venture can be enjoyable on an afternoon viewing. **1/2 from ****
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