This western begins with St. Louis resident Lutie Cameron (Katharine Hepburn) marrying New Mexico cattleman Col. James B. 'Jim' Brewton (Spencer Tracy) after a short courtship. When she ... See full summary »
A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
In this sequel to Father of the Bride (1950), newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father having to come to grips with the fact that he will soon be a granddad.
Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
The mysterious man hanging about at the research department of a big TV network proves to be engineer Richard Sumner, who's been ordered to keep his real purpose secret: computerizing the office. Department head Bunny Watson, who knows everything, needs no computer to unmask Richard. The resulting battle of wits and witty dialogue pits Bunny's fear of losing her job against her dawning attraction to Richard. Written by
Rod Crawford <email@example.com>
The sound effects created for EMARAC were re-used in numerous movies and TV series, notably Fantastic Voyage (1966). See more »
Mike Cutler gives Bunny Watson some flowers. As she takes them home at the end of the day, the flowers are a different color when she gets off the elevator than they were when she got on. See more »
What do you suppose it'll be like here next Christmas when we're gone? Do you think EMERAC will throw a party?
Oh, don't talk that way. It's bad luck to talk like that. It's Christmas!
Well, if we do get canned, we won't be the only ones to lose our jobs because of a machine.
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Opening credits: "The filmmakers gratefully acknowledge the cooperation and assistance of the International Business Machines Corporation." See more »
Desk Set was the next to last teaming of Tracy and Hepburn and the first one away from MGM. It does have a different look to the product they did at MGM. Still good, but different. Probably because this was done in Cinemascope and Technicolor.
Hard to believe that Cinemascope would be used on a film essentially set indoors and on one set, the set being Hepburn's office. But that was to show the immense size of Emirac the giant computer being installed there which Katharine and her staff think is going to replace them.
Desk Set had been on Broadway two year ago and had a respectable run. It starred Shirley Booth in Katharine Hepburn's part and the rest of the cast were not names by any means. I'm sure Spencer Tracy's role had to be built up from the stage version.
Even so, the film is essentially Hepburn's. As usual in their films she has a rival to Tracy. In the past that part was played by such people as Melvyn Douglas, David Wayne, William Ching, and now Gig Young. It seemed like every movie comedy in the late 50s and early 60s had either Young or Tony Randall as the defeated rival role. Young gives his patented performance here.
A running gag throughout the film are the calls handled by Hepburn's staff at the broadcast network for inane information. Like someone up in the corporate headquarters is playing trivial pursuit.
Also look for good performances by Joan Blondell, Sue Randall, and Dina Merrill as Hepburn's staff and Neva Patterson as Emirac's installer and keeper.
A good addition to the Tracy-Hepburn pantheon.
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