A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
The mysterious man hanging about at the research department of a big TV network proves to be engineer Richard Sumner, who's been ordered to keep his real purpose secret: computerizing the office. Department head Bunny Watson, who knows everything, needs no computer to unmask Richard. The resulting battle of wits and witty dialogue pits Bunny's fear of losing her job against her dawning attraction to Richard. Written by
Rod Crawford <email@example.com>
Adapted from a Broadway play "The Desk Set" that originally starred Shirley Booth, Byron Sanders and Frank Milan. The stage production opened at the Broadhurst Theatre in New York on Oct. 24, 1955 and ran for 296 performances. "Hollywood Reporter" reported that Booth would repeat her role in the film, which ultimately did not happen (though Harry Ellerbe reprised office gossip Smithers). See more »
The large array of flashing white lights simply show two repeating patterns, which obviously have nothing to do with the system's processing. See more »
It comes as no surprise that the 30-second attention span generation finds this jewel a little dull. There is no quick-cut music video cinematography. The characters are all actually old enough to be believable in their roles. which are not based on clothing or haircuts. It depends on talent rather than hype. And most of all, it is far too intelligent, witty and literate for today's garbage-numbed Philistine.
The story is simple, as all good stories are. Hepburn feels her job, and those of her staff, are threatened by Tracy and his ominous computer. It may not sound like much in this day of computer ubiquity, but substitute dot.com flop or outsourcing for computer and you have a contemporary comedy that still works.
Let's ignore the leads for just a moment. The supporting cast, which includes Joan Blondell as the arch-typical right-hand man, or should I say woman, and Gig Young as the chauvinistic, corporate climbing fiancé, easily outclasses what passes for marquee stars today. Husband and wife team Henry and Phoebe Ephron, parents of Nora Ephron, contribute a brilliantly witty script that, unfortunately for modern moviegoers, isn't peppered with vaudevillian pratfalls to help point out the funny parts. Instead, it relies on the intelligence of the audience and draws on that of the cast to produce a humor that never ages.
Hepburn is almost universally considered the greatest film actress ever. Tracy is utterly magnificent, and the chemistry between the two of them, owing of course in part to their long-standing relationship, is palpable.
I adore this movie, and if there were a Canon of Cinema, this would be in it.
43 of 54 people found this review helpful.
Was this review helpful to you?