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Desk Set (1957)

Approved  |   |  Comedy, Romance  |  2 August 1957 (West Germany)
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Ratings: 7.3/10 from 5,257 users  
Reviews: 84 user | 40 critic

Two extremely strong personalities clash over the computerization of a TV network's research department.



(screenplay), (screenplay), 1 more credit »
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Complete credited cast:
Mike Cutler
Sylvia Blair
Ruthie Saylor
Miss Warriner
Harry Ellerbe ...
Nicholas Joy ...
Mr. Azae
Diane Jergens ...
Merry Anders ...
Ida Moore ...
Old Lady
Rachel Stephens ...


The mysterious man hanging about at the research department of a big TV network proves to be engineer Richard Sumner, who's been ordered to keep his real purpose secret: computerizing the office. Department head Bunny Watson, who knows everything, needs no computer to unmask Richard. The resulting battle of wits and witty dialogue pits Bunny's fear of losing her job against her dawning attraction to Richard. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis


Make the office a wonderful place to love in!


Comedy | Romance


Approved | See all certifications »

Parents Guide:





Release Date:

2 August 1957 (West Germany)  »

Also Known As:

Cosas de mujeres  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| (Westrex Recording System)


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


The United States government's ENIAC machine, which EMARAC was based on, had the slogan "Making Machines Do More, So That Man Can Do Less." See more »


The large array of flashing white lights simply show two repeating patterns, which obviously have nothing to do with the system's processing. See more »


Richard Sumner: Tough question?
Bunny Watson: No... (chewing)... Tough roast beef.
See more »

Crazy Credits

Opening credits: "The filmmakers gratefully acknowledge the cooperation and assistance of the International Business Machines Corporation." See more »


References Lassie (1954) See more »


Something's Gotta Give
Written by Johnny Mercer
See more »

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User Reviews

Very enjoyable comedy
4 March 2003 | by (Deming, New Mexico, USA) – See all my reviews

Well, I suppose it lacks the deeper moral carried by "Adam's Rib," although it does deal with issues that have so far turned out to be less important than gender equality, such as the impact of automation on the work force. But none of that is very important anyway. It's a light romantic comedy set in the research department of a major broadcasting company. And Hepburn's name is Bunny, but again, so what? Would it be a better movie if she were called Mildred?

It has the closed-in act structure of a play too, and it's obvious. There are other theatrical staples as well. How many plays include a drunken party at the end of the second act? (Exactly two hundred and forty-two.) Movies are similarly put together, especially those based on plays: "Long Day's Journey Into Night," "The Boys in the Band," "Who's Afraid of Virginia Woolf?" Often the alcohol consumption takes place at a Christmas party, as it does here, and in "The Apartment." Understanding that the characters' higher reasoning centers are partly paralyzed and their judgment impaired gives the writer a chance to have them behave outrageously without having to explain why they've lost their senses, and the audience understands this convention. Drunken conviviality doesn't always work on screen. It can leave the viewer feeling like the only sober person at the bash, which is why John Ford largely left the events up to the viewer's imagination. It doesn't work too well here, either. It's not the actors' fault. They convey that chemically induced jollity very well; it's that the lines are sometimes silly -- that "Mexican Avenue bus" business, for instance. You'd have to have been there to find it as amusing as Hepburn and Joan Blondell do.

None of this undermines the amusement quotient of the film. It's relaxed, pleasant, and sometimes laugh-out-loud funny. The story is well laid out, dated though it may seem to some, the interpersonal relationships clearly delineated and squeezed of every chuckle.

But it's the performers that get the job done here. Blondell's role seems to have been made for her, the down-to-earth blonde. Gig Young too is smooth in his usual careless charming playboy part, a touchstone for his career, as in "That Touch of Mink" and "Ask Any Girl." There are certain lines that no one can deliver better than he. Hepburn has been trying to get him to marry her for a long time and when he finally suggests they tie the knot, there is an argument, and he storms out the office door, but not before delivering his exit line: "Seven YEARS I've waited!" The other "girls" are intelligent and sexy. I have to mention Neva Patterson too, as Emerac's nurse. When the obscene machine begins to pant and puff out smoke, the other staff rush to help, but a hysterical Patterson screams at them, "Don't you TOUCH her!"

Tracey and Hepburn, no longer kids, are superb. They're top notch all the way through, and they have a couple of set pieces that are about as funny as anything they've done on screen. One is a sort of quiz Tracey gives her on the roof. Another, the best in the film, takes place while Tracey visits her apartment to dry his clothes and is caught in a bathrobe by Gig Young, who happens to drop in at the incriminating moment. I defy anyone not to laugh as Tracey clumps out the door with his shoes smoking and his hat pulled down around his ears. The third, having to do with EMERAC's nervous breakdown, is also well done if a bit frantic.

Not a comic masterpiece. It's too relaxed for that. But recommended without qualification.

20 of 23 people found this review helpful.  Was this review helpful to you?

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