Desk Set (1957)

User Rating:

7.2/10   

Director:

Walter Lang

Writers:

Phoebe Ephron (screenplay) and
Henry Ephron (screenplay) ...

Release Date:

1 May 1957 (USA)

Genre:

Comedy | Romance

Tagline:

Make the office a wonderful place to love in!

Plot:

Two extremely strong personalities clash over the computerization of a TV network's research department.

Plot Keywords:

Research | Office | Computer | Drinking | Human Relationship

Cast

Spencer Tracy	...	Richard Sumner
Katharine Hepburn	...	Bunny Watson
Gig Young	...	Mike Cutler
Joan Blondell	...	Peg Costello
Dina Merrill	...	Sylvia Blair
Sue Randall	...	Ruthie Saylor
Neva Patterson	...	Miss Warriner
Harry Ellerbe	...	Smithers
Nicholas Joy	...	Mr. Azae
Diane Jergens	...	Alice
Merry Anders	...	Cathy
Ida Moore	...	Old Lady
Rachel Stephens	...	Receptionist

Also Known As:

His Other Woman (UK)

Runtime:

103 min | Germany:98 min | Argentina:102 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

4-Track Stereo | Mono (Westrex Recording System)

Certification:

USA:Approved (certificate #18461) | Canada:G (video rating) | Finland:S | Argentina:Atp | UK:U

Filming Locations:

20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, California, USA

Company:

Twentieth Century-Fox Film Corporation

Trivia:

Adapted from a Broadway play "The Desk Set" that originally starred Shirley Booth, Byron Sanders and Frank Milan. The stage production opened at the Broadhurst Theatre in New York on Oct. 24, 1955 and ran for 296 performances.

Goofs:

Continuity: Mike Cutler gives Bunny Watson some flowers. As she takes them home at the end of the day, the flowers are a different color when she gets off the elevator than they were when she got on.

Quotes:

Bunny Watson: [as she is about to go meet Mike] How do I look?
Peg Costello: Too good for him.

Movie Connections:

References "Lassie" (1954)

Soundtrack:

Jingle Bells

Breezy Tracy-Hepburn Workplace Comedy Benefits Mainly from Their Teamwork

If you replace the constant use of the term "automation" with "outsourcing", this 1957 workplace-driven comedy would be quite a relevant tweak on corporate restructuring and office politics. As it stands now, it's a light piece of entertainment that benefits primarily from a smart screenplay by Phoebe and Henry Ephron (Nora's parents...must run in the family) and of course, the incomparable Tracy-Hepburn teamwork. It's not their best work, but fifteen years into their relationship, they achieve an easy, laser-sharp rapport here that makes the film easy to enjoy.

Efficiently directed by Walter Lang, the movie focuses its plot on the research department of a national TV network, the so-called Federal Broadcasting System. The four-woman staff is headed by the whip-smart Bunny Watson, who appears to possess a wealth of information and an unfailing memory for the smallest detail. They work like clockwork together in finding responses to often extremely trivial questions, but they do everything manually. Enter Richard Sumner, a befuddled man with a measuring tape and mismatched socks, who turns out to be a brilliant engineer hired by the network CEO to install an electronic brain called EMERAC. Designed to streamline the research process, the monolithic computer has the research staff understandably concerned about pending unemployment. Invariably, Bunny and Sumner start to recognize a mutual attraction through the awkwardness, and further complications arise with the presence of Mike Cutler, a rising network executive who has pompously kept Bunny on a leash for years.

As Bunny, Katharine Hepburn appears to be playing a variation of herself, which in this case, suits the role perfectly. By comparison, Tracy seems a bit tired as Sumner, except when interacting with Hepburn, whether unsuccessfully volleying brainteasers on a freezing rooftop, eating floating islands in their bathrobes, or canoodling between the second-floor bookshelves during the office Christmas party. A terrific supporting cast has been assembled starting with Gig Young in his typical role as the third wheel Mike, which he plays with enough sharp and smarmy aplomb to make Bunny's dilemma palpable. Joan Blondell expertly plays Bunny's stalwart sidekick Peg, and they achieve a genuine chemistry as they banter about the "Mexican Avenue bus".

Dina Merrill and Sue Randall (forever etched in my memory as Beaver's crush-worthy schoolteacher Miss Landers on "Leave It to Beaver") seem a bit too glamorous to be librarians, but they're both serviceable, while Neva Patterson plays EMERAC's coldly efficient "mother", Miss Warriner, to brittle perfection. Even though the sets are pure 1950's-style décor, Leon Shamroy makes full use of the Cinemascope process to bring his color-saturated cinematography to the widescreen. The 2004 DVD comes with a commentary track by film historian John Lee, who provides interesting insight to the production, casting and stage-to-screen translation. Merrill provides some remembrances of her own, but her commentary is spotty and a bit self-serving. A vintage, minute-long newsreel on the film's costumes; a few trailers for other Fox films of the period; and a photo gallery complete the package.