The Mad Morgans are a family song and dance act touring the British Music Halls. Young Davy is the star of the act but should he stay with his family or strike out on his own ?

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Cast

Cast overview, first billed only:
Harry Secombe ...
Davy
...
George
George Relph ...
Uncle Pat
Susan Shaw ...
Gwen
Bill Owen ...
Eric
Peter Frampton ...
Tim
...
Sir Giles
Adele Leigh ...
Joanna
Isabel Dean ...
Miss Carstairs
...
Herbie
Gladys Henson ...
Waitress
Joan Sims ...
Waitress
Liz Fraser ...
Waitress (as Elizabeth Fraser)
Charles Lamb ...
Henry
Arnold Marlé ...
Winkler (as Arnold Marle)
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Storyline

The Mad Morgans are a family song and dance act touring the British Music Halls. Young Davy is the star of the act but should he stay with his family or strike out on his own ?

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

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Details

Country:

Language:

Release Date:

2 January 1958 (UK)  »

Also Known As:

Sangue de Artista  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Colour by) (Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The first British film to be shot in Technirama. See more »

Soundtracks

THE MASTERSINGERS OF NUREMBERG
Musical Excerpts
Performed by Richard Wagner (as Wagner)
Sung by The Covent Garden Opera Company
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User Reviews

Another failed attempt at a British film musical.
12 July 2013 | by (Middlesbrough, England) – See all my reviews

In the 1930s English film studios produced a number of sparkling musical comedies, using established stage performers such as Lupino Lane, Jessie Matthews, and Jack Buchanan. Meanwhile Hollywood (particularly Warners and MGM) was working the backstage musical to exhaustion, including the "Broadway to Hollywood" theme of family acts broken up by the ambitions of a talented member, while Fox explored the introduction of serious music into in its popular Durbin films. The early 1940s saw the dying throes of these sub-genres. The 1950s were the golden years of Hollywood musicals, with MGM in particular producing a stream of classic musicals, some of them based on successful operettas, others being film adaptations of the naturalistic type of musical introduced to theatres in the previous decade by authors such as Rodgers and Hammerstein.

Given this history, it is hard to imagine what madness seized Ealing Studios in 1957 in trying to ape the Hollywood musicals of 20 years earlier. Did they perhaps think that filming in colour would make all the difference? If so, they were mistaken. For us Britons, this film is squirmingly embarrassing. "Champagne Charlie" (1944), "Trottie True" (1949), and "Cardboard Cavalier" (1949) had also failed to impress as film musicals, but at least they tried to create a genuinely British style. "Davy" attempts to jump on a strictly American bandwagon which had long since pulled out.

The chief interest in the film for us now is seeing early appearances of Bill Owen, Joan Sims, Kenneth Connor, Liz Fraser, and Bernard Cribbens, all of whom would become well known and loved, and feature in a number of "Carry On" films.


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