Petty thief Willie Frith steals a suitcase full of bank notes, only to find out that they have been given all the same serial number. But this is only the start of his troubles, now he has ... See full summary »
John Paddy Carstairs
Stanley Baker's character is sent to steal the plans from another company of their racing car designs, to ensure his employers win the competition. However when opening a safe containing ... See full summary »
In a Prague shop, an assistant has been carrying on an affair with the dishonest, married manager. An emotionally repressed auditor with domestic problems of his own uncovers serious stock ... See full summary »
On marrying the boss's daughter, Richard takes his father-in-law's advice to hire a live-in domestic. He soon finds good help is hard to come by. Run-ins follow with dipsomaniacs, bank ... See full summary »
This movie debut for saucy British TV comic Benny Hill has Benny leaving his job as a sweeper after winning some money. He becomes a private detective and investigates a plot to assassinate... See full summary »
Two inmates working to shore up a dike during a severe flood are swept away in the current along with their guard. The three of them wind up in an isolated house whose flooded interior contains a frightened woman.
Did you know that Louis XVI and Marie Antoinette had a son, and that this son when he was aged ten and in danger from the Revolution, fled to a small Welsh island in a balloon? You didn't? Quelle surprise!
This is Dangerous Exile's basic premise. It's a fantastical and farcical one at the same time, and it's to the cast's credit that they manage to play it straight throughout. There is the usual amount of swashbuckling (although confined to the last third) and the kind of laboured "historical" dialogue which 50's screenwriters appear to have been unable to overcome. Jourdan and Michell both move with a stiffness and moody demeanour which can only mean there's a haemorrhoid attack on the horizon, while Belinda Lee (as an American visiting her rich English aunt!) provides an arresting decolletage but little else.
A lot of this movie was shot at night and as such has a brooding quality which often overwhelms the slight material. Hurst, a stalwart of British movies of the 40s and 50s, keeps things moving in a methodical manner, but when all's said and done, there are too many familiar, staid elements for the movie to work as a whole.
Mildly enjoyable if you like this kind of movie, and only 5 out of 10.
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