Two inmates working to shore up a dike during a severe flood are swept away in the current along with their guard. The three of them wind up in an isolated house whose flooded interior contains a frightened woman.
A girl from an impoverished family is jilted by her rich fiance, whose father doesn't approve. She decides to take revenge against them, and determines to let nothing or no one stop her from getting to the top.
A man asks a pretty young woman for a dance and discovers that she has been paralyzed in a fall from a horse and can't walk. Taking pity on her, he begins spending more and more time with ... See full summary »
"Winifred Holtby realised that Local Government is not a dry affair of meetings and memoranda:- but 'the front-line defence thrown up by humanity against its common enemies of sickness, ... See full summary »
A pseudo-documentary in style with an emphasis on the daily work and routine of women police built around three different story lines. The first involves 18-year-old (in the film) Peggy ... See full summary »
A husband cheats on his disabled wife--who has been paralyzed in a car accident--with her sister. When the sister is murdered he is accused of the crime, but it turns out that he may not be the killer after all.
The Welsh island in the story is named as Caldey Island, a real place off the coast of Pembrokeshire, but much smaller than this film suggests - it would seem that none of the movie was actually filmed on Caldey, which is principally the home of an ancient Benedictine monastery where a distinctive perfume is manufactured by monks. See more »
Did you know that Louis XVI and Marie Antoinette had a son, and that this son when he was aged ten and in danger from the Revolution, fled to a small Welsh island in a balloon? You didn't? Quelle surprise!
This is Dangerous Exile's basic premise. It's a fantastical and farcical one at the same time, and it's to the cast's credit that they manage to play it straight throughout. There is the usual amount of swashbuckling (although confined to the last third) and the kind of laboured "historical" dialogue which 50's screenwriters appear to have been unable to overcome. Jourdan and Michell both move with a stiffness and moody demeanour which can only mean there's a haemorrhoid attack on the horizon, while Belinda Lee (as an American visiting her rich English aunt!) provides an arresting decolletage but little else.
A lot of this movie was shot at night and as such has a brooding quality which often overwhelms the slight material. Hurst, a stalwart of British movies of the 40s and 50s, keeps things moving in a methodical manner, but when all's said and done, there are too many familiar, staid elements for the movie to work as a whole.
Mildly enjoyable if you like this kind of movie, and only 5 out of 10.
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