Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life. ... See full summary »
The brilliant but misunderstood scientist Frankenstein builds a man made up of a collection of spare body parts. The monster becomes alive but he has mental capabilities much below par. The... See full summary »
Last of the Hammer Frankenstein films, this one deals with the Baron hiding out in an insane asylum, so that he may continue his experiments with reanimating the dead, along with inmate Dr.... See full summary »
In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, ... See full summary »
Dalila Di Lazzaro
In prison and awaiting execution, Dr. Victor Frankenstein recounts to a priest what led him to his current circumstance. He inherited his family's wealth after the death of his mother when he was still only a young man. He hired Paul Krempe as his tutor and he immediately developed an interest in medical science. After several years, he and Krempe became equals and he developed an interest in the origins and nature of life. After successfully re-animating a dead dog, Victor sets about constructing a man using body parts he acquires for the purpose including the hands of a pianist and the brain of a renowned scholar. As Frankenstein's excesses continue to grow, Krempe is not only repulsed by what his friend has done but is concerned for the safety of the beautiful Elizabeth, Victor's cousin and fiancée who has come to live with them. His experiments lead to tragedy and his eventual demise. Written by
The idea originated with Milton Subotsky, who went on to co-found Amicus Films, Hammer's main rival during the 1960s and early 1970s. The script was revised several times to avoid repeating any elements from the Universal Frankenstein series. As part of this effort, new monster make-up had to be devised especially for this film. See more »
When Paul Krempe shoots the creature, it clamps its hand to its apparently bleeding face. Watching the scene frame by frame, however, it is clear that the creature's face is unhurt and the actor is simply holding a handful of fake blood (which is dribbling through his fingers even before his hand reaches his face). See more »
Opening credits prologue: More than a hundred years ago, in a mountain village in Switzerland, lived a man whose strange experiments with the dead have since become legend. The legend is still told with horror the world over... It is the legend of... See more »
"The Curse of Frankenstein" is most entertaining version based very freely on Mary Shelley's classic story.
Terence Fisher makes another fine job here in the direction for Hammer films with the classical monsters of Universal as he did also with "The Mummy" and "Horror of Dracula". A real well done horror trilogy in my opinion.
The atmosphere is perfectly sordid, sinister and adequate as usual in Fisher and his also usually simple but efective and prolix direction turns this film into a most enjoyable one for fans of the genre. The settings are also a highlight in some sort of Gothic type.
Hammer's top stars for the genre are here too. Peter Cushing shows his professionalism and acting class as the crazy Baron and Christopher Lee under heavy make up as the creature -more than acceptable for 1957- moves to pity at times but also to menace and horror with similar effectiveness. The rest of the cast is an interesting support, mainly Valerie Gaunt as Cushing's maid that doesn't know when she has pressed too much.
Though perhaps a bit aged for today's standards "The Curse of Frankenstein" has not lost its charm as a little classic in the horror genre, even more if you consider it was made 50 years ago.
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