Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life. ... See full summary »
A dead and frozen Baron Frankenstein is re-animated by his colleague Dr. Hertz proving to him that the soul does not leave the body on the instant of death. His lab assistant, young Hans, ... See full summary »
Three middle-aged distinguished gentlemen are searching for some excitement in their boring bourgeois lives and get in contact with one of Count Dracula's servants, Lord Courtley. In a ... See full summary »
In prison and awaiting execution, Dr. Victor Frankenstein recounts to a priest what led him to his current circumstance. He inherited his family's wealth after the death of his mother when he was still only a young man. He hired Paul Krempe as his tutor and he immediately developed an interest in medical science. After several years, he and Krempe became equals and he developed an interest in the origins and nature of life. After successfully re-animating a dead dog, Victor sets about constructing a man using body parts he acquires for the purpose including the hands of a pianist and the brain of a renowned scholar. As Frankenstein's excesses continue to grow, Krempe is not only repulsed by what his friend has done but is concerned for the safety of the beautiful Elizabeth, Victor's cousin and fiancée who has come to live with them. His experiments lead to tragedy and his eventual demise. Written by
Opening credits prologue: More than a hundred years ago, in a mountain village in Switzerland, lived a man whose strange experiments with the dead have since become legend. The legend is still told with horror the world over.... It is the legend of...
A landmark horror movie with a remarkable performance from Peter Cushing.
'The Curse Of Frankenstein' is a landmark horror movie for several reasons. Firstly, though Hammer had already released 'The Quatermass Xperiment', a science fiction movie with some horror elements, it was the studios first real entry into the genre which it is still revered around the world for. Secondly, it was the first movie inspired by Mary Shelley's 'Frankenstein' made in colour. And thirdly, while it wasn't the first movie to feature both Peter Cushing and Christopher Lee, it was their first horror movie together, and one which introduced one of THE great screen duos, who eventually made over twenty movies together. Lee doesn't have as much on screen time as one might expect, but his Monster is memorable and visually striking (after Universal threatened to sue if the image of Karloff's monster was copied). As well as Lee, the supporting cast includes good performances from Robert Urquhart and Hazel Court. Urquhart plays Paul Krempe, initially the young Baron's tutor (the Baron being briefly portrayed by Melvyn Hayes before Cushing), and later his often unwilling assistant. Court, best remembered for her roles in some of Roger Corman's Poe series, plays the Baron's cousin/fiancee. The standout performance of the movie is by Peter Cushing. I still think Karloff is the definitive Monster but Cushing is the definitive Baron Frankenstein. There were six sequels to 'The Curse Of Frankenstein' and Cushing played Frankenstein in all but one, the second last in the series 'The Horror Of Frankenstein', which was actually a tongue in cheek remake of 'Curse..' starring Ralph Bates as the Baron. The movie wasn't completely successful and thankfully Cushing returned for the final movie 'Frankenstein And The Monster From Hell'. For me the first and last in the series tie as the best Hammer Frankenstein movies and Cushing is remarkable in them both. I highly recommend 'The Curse Of Frankenstein', one of Hammer's greatest horror movies. No-one can truly call themselves a horror movie fan if they haven't seen it.
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