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Crime of Passion (1957)

6.4
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Ratings: 6.4/10 from 926 users  
Reviews: 33 user | 10 critic

Kathy leaves the newspaper business to marry homicide detective Bill but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.

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Title: Crime of Passion (1957)

Crime of Passion (1957) on IMDb 6.4/10

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Cast

Complete credited cast:
...
...
Police Lt. Bill Doyle
...
Police Inspector Anthony (Tony) Pope
...
Alice Pope
Virginia Grey ...
Sara Alidos
...
Police Capt. Charlie Alidos
Robert Griffin ...
Police Sgt. James
Dennis Cross ...
Police Sgt. Jules
Jay Adler ...
Mr. Nalence
...
Laboratory Technician
...
Police Officer Spitz
...
Sam, Reporter
Gail Bonney ...
Mrs. London
...
Delivery Boy
Rest of cast listed alphabetically:
Patricia Merlin ...
Taxi Driver
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Storyline

Kathy is a smart and tough 1950's advice columnist at a San Francisco newspaper, with her name plastered on billboards all over the city. One day, Bill Doyle, a Los Angeles detective, walks into her office - it is instant attraction. After marrying Bill, Kathy gives up her career and becomes a homemaker. However, she is not your typical 1950's homemaker. After hosting several cocktail parties in their San Fernando Valley home, she realizes that Bill is content with his position, and shows no ambition in furthering himself. Kathy will not sit idly by while everyone around her is "moving up in the world". She personally takes upon herself the task of pushing Bill's career along, even if it comes down to murder. Written by Kelly

Plot Summary | Add Synopsis

Taglines:

The sin ... the lie ... the crime of passion. See more »


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Details

Country:

Language:

Release Date:

9 January 1957 (USA)  »

Also Known As:

Crime of Passion  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.66 : 1
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Did You Know?

Goofs

When Kathy calls Alice from the phone booth and hears she is leaving for Honolulu, the reflection of the cameraman is seen all through the scene on the back window of the booth (above left Kathy's head), and it moves as the camera pulls back. See more »

Quotes

Police Lt. Bill Doyle: [after just being married and arriving at their new home] What do you think of the neighbourhood?
Kathy Ferguson Doyle: Right now I'm not thinking about the neighbourhood.
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User Reviews

 
A desperate woman will do anything for her man
13 January 2007 | by (United States) – See all my reviews

So thinks Barbara Stanwyck in "Crime of Passion," a 1957 film also starring Sterling Hayden and Raymond Burr. Stanwyck is newspaper woman Kathy Ferguson who, in the beginning, is going after the story of a crime being investigated by Doyle and Alidos (Hayden and Royal Dano). Dano gives the newsroom a speech on the idea of "let us do our job" and Stanwyck is the only one who speaks up, stating, "And we're trying to do our jobs." Alidos' reply is a killer: "You should be home making dinner for your husband." Do you love it? Doyle and Kathy fall in love and get married a little too soon after they meet. Kathy, a woman who craves excitement and new adventures in life, is stuck with a bunch of vapid women she can't tolerate. Making things worse, her husband is a gentle and loving man but he has no ambition. And she's bored out of her skull. Of course, now that she's married, there's no question of her working. In an effort to help him, Kathy cultivates a friendship with the wife (Fay Wray) of Police Inspector Pope (Burr) and then has a flirtation with the inspector himself. It leads to problems (that's putting it mildly).

Stanwyck is terrific in a difficult role, that of a woman with more going on internally than even she knew; Burr does a good job as a hard-nosed, cold police inspector. Sterling Hayden has never been a favorite of mine. To me he always comes off as a dufus. In "Crime of Passion," he's excellent as a good man whose only ambition is to be happy and spend time with his wife. Alas, his wife didn't share his dream.

This is a small movie, probably a B, directed by Gerd Oswald that is shot in black and white, probably reflective of what people were seeing on television by then. The twists and turns will keep the viewer off-balance and interested. not to mention the pervasive '50s attitudes toward women.


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