Near the end of the French phase of the Vietnam War, a group of mercenaries are recruited to travel through enemy territory to the Chinese border, to blow up an arms depot. A Eurasian ... See full summary »
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Charles Marquis Warren
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Near the end of the French phase of the Vietnam War, a group of mercenaries are recruited to travel through enemy territory to the Chinese border, to blow up an arms depot. A Eurasian smuggler, Lucky Legs, agrees to use her connections to help them, in return getting her son into America. The racist father of the boy, Sergeant Brock, is also part of the multinational group. Lucky Legs must use the love of a Eurasian guerilla leader, Major Cham, to get access to the base. Will they destroy the base, and will Brock overcome his racism before Lucky Legs makes The Ultimate Sacrifice? Written by
Victor Young had begun composing the film score when he died on November 10, 1956 at age 57. His friend Max Steiner, borrowed from Warner Bros., then shaped Mr. Young's notations and completed the score. The screen credit reads: "Music by Victor Young, extended by his old friend Max Steiner". The title song, written by Victor Young and lyricist Harold Adamson, was sung twice in the picture by Nat 'King' Cole, whose commercial recording with Nelson Riddle and His Orchestra became the B-side of a Capitol single. On the A-side was the clever novelty, "When Rock and Roll Come to Trinidad" (music by Marvin Fisher, lyrics by Roy Alfred). See more »
Film flopped when Lucky Legs and Sgt. Brock go into the tree house. The sniper has a left handed rifle, Sgt. Brock's knife is on the wrong side, and his watch has moved to his right wrist. See more »
Music by Victor Young Extended by his old friend Max Steiner See more »
Ludicrous war drama set in early days of Vietnam War
Everything that's wrong about Sam Fuller pictures pops up here, with little of what's right being present. The script is full of silly lines, and the two leads are several miles out of their depth. Nat King Cole is the best thing in the picture, giving a sensitive and believable performance in a supporting role. Not bad enough to be entertaining on that basis, just fairly stupid.
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