| Charles Chaplin | ... | Narrator / Various (archive footage) | |
| rest of cast listed alphabetically: | |||
| Albert Austin | ... | Various (archive footage) | |
| Henry Bergman | ... | Various (archive footage) | |
| Syd Chaplin | ... | Various (archive footage) | |
| Edna Purviance | ... | Various (archive footage) | |
| Mack Swain | ... | Various (archive footage) | |
| Loyal Underwood | ... | Various (archive footage) | |
Directed by | |||
| Charles Chaplin | |||
Writing credits(in alphabetical order) | ||
| Charles Chaplin | writer | |
Produced by | |||
| Charles Chaplin | .... | producer | |
Original Music by | |||
| Charles Chaplin | |||
Film Editing by | |||
| Paul Davies | |||
| Derek Parsons | |||
Sound Department | |||
| Bob Jones | .... | sound recordist | |
| Wally Milner | .... | sound recordist | |
| J.J.Y. Scarlett | .... | sound recordist | |
| Eric Stockl | .... | sound recordist | |
Music Department | |||
| Eric James | .... | music arranger | |
| Eric Rogers | .... | conductor | |
| Eric Spear | .... | music arranger | |
Other crew | |||
| Jerome Epstein | .... | assistant: Mr. Chaplin (uncredited) | |
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| Modern Times | A Dog's Life | The Last of the Blonde Bombshells | The Rounders | The Circus |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb UK section |
Three of Charlie Chaplin's classic short features 'A Dog's Life', 'Shoulder Arms', and 'The Pilgrim' are packaged here into an essential collection, but with a serious flaw: when he compiled the review in 1958 Chaplin hung a cloud around the silver lining of his own timeless pantomime technique by carelessly 'updating' each selection for contemporary audiences with crude step-printing and indiscriminate music scoring. The tampering severely crippled his comic rhythm, but with a little mental arithmetic it's still possible to laugh loud and long. The weakest of the three films is the enormously popular World War One spoof 'Shoulder Arms', which enlisted the Little Tramp as a cheerleader for the war effort, but the other two are minor masterpieces of comic invention, highlighted by more than one classic, much imitated routine. The pathos that would later enrich Chaplin's later features is all but absent, leaving only pure, unadulterated comedy.