Three Chaplin silent comedies "A Dog's Life", "Shoulder Arms", and "The Pilgrim" are strung together to form a single feature length film. Chaplin provides new music, narration, and a small...
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Father takes his family for a drive in their falling-apart Model T Ford, gets in trouble in traffic, and spends the day on an excursion boat. As the boat is about to leave Charlie rushes ... See full summary »
Charlie works on a farm from 4am to late at night. He gets his food on the run (milking a cow into his coffee, holding an chicken over the frying pan to get fried eggs). He loves the ... See full summary »
Olive Ann Alcorn
Charlie is an expert bricklayer. He has lots of fun and work and enjoys himself greatly while at the saloon. As he leaves work his wife takes the pay he has hidden in his hat. But he steals... See full summary »
Three Chaplin silent comedies "A Dog's Life", "Shoulder Arms", and "The Pilgrim" are strung together to form a single feature length film. Chaplin provides new music, narration, and a small amount of new connecting material. "Shoulder Arms" is now described as taking place in a time before "the atom bomb". Written by
three classic comedies nearly ruined in retrospect
Three of Charlie Chaplin's classic short features 'A Dog's Life', 'Shoulder Arms', and 'The Pilgrim' are packaged here into an essential collection, but with a serious flaw: when he compiled the review in 1958 Chaplin hung a cloud around the silver lining of his own timeless pantomime technique by carelessly 'updating' each selection for contemporary audiences with crude step-printing and indiscriminate music scoring. The tampering severely crippled his comic rhythm, but with a little mental arithmetic it's still possible to laugh loud and long. The weakest of the three films is the enormously popular World War One spoof 'Shoulder Arms', which enlisted the Little Tramp as a cheerleader for the war effort, but the other two are minor masterpieces of comic invention, highlighted by more than one classic, much imitated routine. The pathos that would later enrich Chaplin's later features is all but absent, leaving only pure, unadulterated comedy.
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