Bill Benson and Ted Adams are to appear in a Broadway show together and, while in Paris, each 'discovers' the perfect leading lady for the plum female role. Each promises the prize role to ... See full summary »
Joan Howell, a young and pretty maid-for-hire, meets and begins dating wealthy New York City businessman Tom Milford. Embarrassed about bringing him back to her tiny apartment that she ... See full summary »
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Buster Keaton leaves his family vaudeville act for the movies. He starts out as a bit player but quickly becomes famous as he acts in and directs his own films. Casting director Gloria Brent is in love with him, but he favors a starlet. When she rejects him, he starts drinking, a problem which only worsens when sound destroys silent cinema and his career. Will Gloria's love and his desire to make people laugh win out? Written by
Donald O'Connor does an amazing job recreating Buster Keaton's style and routines in this otherwise dreadful script, credited to Sidney Sheldon and Robert Smith. Buster was arguably a finer comedian than Chaplin, but fell into alcoholism for a number of reasons. This script has so little to do with his life it should never have been titled as it was. Read a real biography, and watch some of Buster's many wonderful movies, including his last, "The Railrodder". I remember watching "Waterworld (1995)", and thinking how poorly it compared to "Steamboat Bill, Jr. (1928)", not least on value for the money expended on making it. And don't watch another movie until you have seen "The General (1927)". His movies are his biography, not this rotten script.
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