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| William Holden | ... | Shears | |
| Alec Guinness | ... | Colonel Nicholson | |
| Jack Hawkins | ... | Major Warden | |
| Sessue Hayakawa | ... | Colonel Saito | |
| James Donald | ... | Major Clipton | |
| Geoffrey Horne | ... | Lieutenant Joyce | |
| André Morell | ... | Colonel Green (as Andre Morell) | |
| Peter Williams | ... | Captain Reeves | |
| John Boxer | ... | Major Hughes | |
| Percy Herbert | ... | Grogan | |
| Harold Goodwin | ... | Baker | |
| Ann Sears | ... | Nurse | |
| Heihachirô Ôkawa | ... | Captain Kanematsu (as Henry Okawa) | |
| Keiichirô Katsumoto | ... | Lieutenant Miura (also as K. Katsumoto) (as Keiichiro Katsumoto) | |
| M.R.B. Chakrabandhu | ... | Yai (in opening credits) (as M.R.B. Chakrabandhu {Col. Broome}) | |
| Vilaiwan Seeboonreaung | ... | Siamese Girl | |
| Ngamta Suphaphongs | ... | Siamese Girl | |
| Javanart Punynchoti | ... | Siamese Girl | |
| Kannikar Dowklee | ... | Siamese Girl |
Directed by | |||
| David Lean | |||
Writing credits(WGA) | ||
| Michael Wilson | (screenplay) originally uncredited and | |
| Carl Foreman | (screenplay) originally uncredited | |
| Pierre Boulle | (novel "Le pont de la rivière Kwaï") | |
Produced by | |||
| Sam Spiegel | .... | producer | |
Original Music by | |||
| Malcolm Arnold | |||
Cinematography by | |||
| Jack Hildyard | (director of photography) | ||
Film Editing by | |||
| Peter Taylor | (chief editor) | ||
Art Direction by | |||
| Donald M. Ashton | |||
Makeup Department | |||
| Stuart Freeborn | .... | makeup artist | |
| George Partleton | .... | makeup artist | |
Production Management | |||
| Cecil F. Ford | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gus Agosti | .... | assistant director | |
| Ted Sturgis | .... | assistant director | |
| John Kerrison | .... | second assistant director (uncredited) | |
Art Department | |||
| Geoffrey Drake | .... | assistant art director | |
| Peter Dukelow | .... | construction manager | |
Sound Department | |||
| Pam Bosworth | .... | additional sound editor | |
| Eric Boyd-Perkins | .... | additional sound editor | |
| Fred Burnley | .... | additional sound editor | |
| Rusty Coppleman | .... | additional sound editor | |
| John Cox | .... | sound | |
| Teddy Darvas | .... | additional sound editor | |
| Janet Davidson | .... | additional sound editor | |
| Norma Hawkes | .... | additional sound editor | |
| Peter Miller | .... | additional sound editor | |
| John W. Mitchell | .... | sound (as John Mitchell) | |
| Winston Ryder | .... | chief sound editor | |
| Peter Davies | .... | post-synchronisation (uncredited) | |
Stunts | |||
| Nosher Powell | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Archie Dansie | .... | chief electrician | |
| Peter Newbrook | .... | camera operator | |
| Ron Drinkwater | .... | clapper loader (uncredited) | |
| Gerry Fisher | .... | additional camera operator (uncredited) | |
| Gerry Fisher | .... | assistant camera (uncredited) | |
| Robert Merry | .... | lighting technician (uncredited) | |
Costume and Wardrobe Department | |||
| John Wilson-Apperson | .... | wardrobe (as John Apperson) | |
Editorial Department | |||
| George Hively | .... | editor (restoration) | |
| William Pine | .... | color timer (restoration) (as Bill Pine) | |
| Sati Tooray | .... | colorist (uncredited) | |
Music Department | |||
| Malcolm Arnold | .... | conductor (uncredited) | |
| Charles Camilleri | .... | additional orchestrator (uncredited) | |
Other crew | |||
| Angela Martelli | .... | continuity | |
| L.E.M. Perowne | .... | technical adviser (as Major-Gen. L.E.M. Perowne C.B. C.B.) | |
| William Harrigan Jr. | .... | technical advisor (uncredited) | |
| Robert Haslam | .... | consultant: explosives (uncredited) | |
| Robert Haslam | .... | technical advisor (uncredited) | |
| Grady Johnson | .... | publicist (uncredited) | |
| Maurice Landsberger | .... | cashier (uncredited) | |
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| To End All Wars | Lawrence of Arabia | The Great Raid | Force 10 from Navarone | The Great Escape |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Adventure section |
| IMDb UK section |
I have watched this movie several times and it is just getting better and better all the time. Why? Because this movie actually has a message built-in, this isn't a violent story, like "Saving Private Ryan" - also a good movie with a message - but it is still not a slow story.
When I last saw it, I realised that there was something in the movie that I had never understood, this isn't a movie about war, torture or how it was to be a prisoner of war; this is a movie about madness and pride. The pride shows both in Saiko and Colonel Nicholson, they are so full of it that it is almost impossible for them to come to a civil-conclusion with the problems they have with each other. The madness is shown in Colonel Nicholson and Holden's character - here they are, two prisoners of war and they don't want to help each other out, instead they try to reach separate goals, and they are both willing to die for it.
After you have watched this movie one is amazed by the performances made by Alec Guinness and William Holden and I must say that this is therefore one of the best War/Drama movies ever made My vote? 9 out of 10 naturally.