IMDb > The Bridge on the River Kwai (1957)
The Bridge on the River Kwai
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The Bridge on the River Kwai (1957) More at IMDbPro »

Photos (See all 55 | slideshow) Videos (see all 3)
The Bridge on the River Kwai -- After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
The Bridge on the River Kwai -- Clip: What have I done
The Bridge on the River Kwai -- Clip: A reasonable type

Overview

User Rating:
8.2/10   156,900 votes »
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Popularity: ?
Up 13% in popularity this week. See why on IMDbPro.
Director:
Writer (WGA):
Contact:
View company contact information for The Bridge on the River Kwai on IMDbPro.
Release Date:
14 December 1957 (USA) See more »
Genre:
Tagline:
It spans a whole new world of entertainment!
Plot:
After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Won 7 Oscars. Another 25 wins & 5 nominations See more »
User Reviews:
Battle Of The Rule Bound Robots See more (279 total) »

Cast

  (in credits order) (verified as complete)

Directed by
David Lean 
 
Writing credits
(WGA)
Pierre Boulle (novel "Le pont de la rivière Kwaï")

Carl Foreman  screenplay (originally uncredited)
Michael Wilson  screenplay (originally uncredited)

Produced by
Sam Spiegel .... producer
 
Original Music by
Malcolm Arnold 
 
Cinematography by
Jack Hildyard (director of photography)
 
Film Editing by
Peter Taylor (chief editor)
 
Art Direction by
Donald M. Ashton 
 
Makeup Department
Stuart Freeborn .... makeup artist
George Partleton .... makeup artist
 
Production Management
Cecil F. Ford .... production manager
 
Second Unit Director or Assistant Director
Gus Agosti .... assistant director
Ted Sturgis .... assistant director
John Kerrison .... second assistant director (uncredited)
 
Art Department
Geoffrey Drake .... assistant art director
Peter Dukelow .... construction manager
Eddie Fowlie .... property master (uncredited)
Charlie Parfitt .... props (uncredited)
 
Sound Department
Pam Bosworth .... additional sound editor
Eric Boyd-Perkins .... additional sound editor
Fred Burnley .... additional sound editor
Rusty Coppleman .... additional sound editor
John Cox .... sound
Teddy Darvas .... additional sound editor
Janet Davidson .... additional sound editor
Norma Hawkes .... additional sound editor
Peter Miller .... additional sound editor
John W. Mitchell .... sound (as John Mitchell)
Winston Ryder .... chief sound editor
Peter Davies .... post-synchronisation (uncredited)
Malcolm Stewart .... sound (uncredited)
 
Stunts
Nosher Powell .... stunts (uncredited)
 
Camera and Electrical Department
Archie Dansie .... chief electrician
Peter Newbrook .... camera operator
Ron Drinkwater .... clapper loader (uncredited)
Gerry Fisher .... additional camera operator (uncredited)
Gerry Fisher .... assistant camera (uncredited)
Robert Merry .... lighting technician (uncredited)
Abdus Samad .... apprentice cinematographer (uncredited)
 
Costume and Wardrobe Department
John Wilson-Apperson .... wardrobe (as John Apperson)
 
Editorial Department
George Hively .... editor (restoration)
William Pine .... color timer (restoration) (as Bill Pine)
Sati Tooray .... colorist (uncredited)
 
Music Department
Malcolm Arnold .... conductor (uncredited)
Charles Camilleri .... additional orchestrator (uncredited)
John Scott .... musician: piccolo and flute (uncredited)
 
Other crew
Angela Martelli .... continuity
L.E.M. Perowne .... technical adviser (as Major-Gen. L.E.M. Perowne C.B. C.B.)
William Harrigan Jr. .... technical advisor (uncredited)
Robert Haslam .... consultant: explosives (uncredited)
Robert Haslam .... technical advisor (uncredited)
Grady Johnson .... publicist (uncredited)
Maurice Landsberger .... cashier (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
MPAA:
Rated PG for mild war violence (re-rating) (1991)
Runtime:
161 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
70 mm 6-Track (70 mm prints) (RCA Sound Recording) | Mono (35 mm prints) (RCA Sound Recording) | 4-Track Stereo (Linear PCM)
Certification:
Argentina:13 | Australia:PG | Australia:G (Original rating) | Brazil:12 | Canada:PG (Ontario) | Finland:K-16 | Iceland:12 | Ireland:G | Ireland:PG (re-rating) | Japan:G (2010) | Norway:16 | Portugal:17 | Portugal:M/12 (R-10) (re-release) | South Korea:12 | Spain:T | Sweden:15 | UK:U (original rating) | UK:PG (tv rating) | UK:PG (video rating) (1986) (1992) | USA:Approved (PCA #18737) | USA:TV-PG (TV rating) | USA:PG (certificate #31588) (re-rating) (1991) | West Germany:12 (w)

Did You Know?

Trivia:
Laurence Olivier was offered the part of Col. Nicholson but turned it down in order to direct The Prince and the Showgirl (1957) instead. In retrospect, Olivier said that it was a sensible decision to go off and do love scenes with Marilyn Monroe rather than tough it out in the jungles of Ceylon with David Lean.See more »
Goofs:
Continuity: When Colonel Nicholson is examining the wire sticking out of the river, the current switches direction.See more »
Quotes:
Colonel Saito:Attention, English prisoners! Notice I do not say "English soldiers". From the moment you surrendered, you ceased to be soldiers. You will finish the bridge by the twelfth day of May. You will work under the direction of a Japanese engineer, Lieutenant Mioura...See more »
Movie Connections:
Featured in I Love You to Death (1990)See more »
Soundtrack:
Radio Dance MusicSee more »

FAQ

Is the movie based on a true story?
What tune are the men whistling?
How much sex, violence, and profanity are in this movie?
See more »
20 out of 26 people found the following review useful.
Battle Of The Rule Bound Robots, 27 June 2015
Author: garthbarnes-83945 from United States

Spoilers Ahead:

Have no illusions, Nicholson is every bit the robot that Saito was. Notice, how each thinks the other is insane. What would you call a man who almost kills all his fellow officers standing up to Saito and then after conquering him, orders his men to do the very things that he, and all his officers, almost died fighting over? Insane, yes they both are. Saito lives by Bushido just as rigidly as Nicholson does by his code. The humor of the film comes from watching Nicholson agree to all the enemies' demands: officers work, sick work, extra shifts, etc. When one of the more bold subordinates dares to suggest to the fool that he is collaborating by building them a better bridge than they could have ever made themselves, watch the colonel have a baby. How dare he? Why, following the rulebook blindly can only lead to total victory. While Saito appears defeated, he quietly plans his revenge. There was a reason he wants Nicholson to stay behind. Notice, we see him writing his last wishes, preparing to commit seppuku. He intended to shoot Guiness on that bridge when he was prattling away like he was in summer camp. Notice Saito covertly reaching for his gun. It was only Nicholson seeing the wires that saved him momentarily.

When Shears escapes we see the same insanity on display. He has never parachuted before and their rulebook says well no use practicing. When Shears tries to joke with them it is taken as a great jest; imagine, with or without a parachute, jolly good show, pip, pip? Shears makes a great mistake not leaving Hawkins behind when he gets wounded for he ends up killing everybody in the group later, according to the book you know. Yes, as many reviewers, have said the theme is madness. It is deeper than that, Lean wants you to see two fools who have lost themselves so far into the rule book that human lives are destroyed because these nitwits cannot adapt their code to situational contingencies. Saito is going to kill himself because his code was violated. The core of Lean's film is a study of mindless martinets that are oblivious to all the suffering and havoc they cause by following their stupid codes. Nicholson ends up being the best soldier in the Japanese army building them a great bridge to bring supplies to kill his fellow soldiers with.

It is a special kind of insanity. Immersion within a role never to return to reality. I will not lie to you I am not a David Lean fan. This is the only film of his I own. If it says directed by David Lean, get ready to be bored. This film is no exception to the rule. It is still like lightning compared to LAWRENCE OF ARABIA or PASSAGE TO COMA. Those two films are excruciatingly boring especially the latter. I had to take one star off for the boring drifting and rescue of Shears. I was so enthralled by which woman, at the English base, he was dating. Why is this extraneous crap in the film? Lean is infamous for putting scenes in you will yell: why do I give a crap about this? Get back to the movie. It still is his best film; it has much to teach about moron martinets oblivious that any code requires situational evaluation. Watch what happens when you just obey it blindly.

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