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The Bridge on the River Kwai (1957)

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After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.

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(novel), (screenplay) | 1 more credit »
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3,165 ( 328)
Top Rated Movies #140 | Won 7 Oscars. Another 23 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
...
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Major Clipton / Doctor
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...
Colonel Green (as Andre Morell)
Peter Williams ...
John Boxer ...
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Heihachirô Ôkawa ...
Captain Kanematsu (as Henry Okawa)
Keiichirô Katsumoto ...
Lieutenant Miura (as Keiichiro Katsumoto) (as K. Katsumoto)
M.R.B. Chakrabandhu ...
Yai
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Storyline

The film deals with the situation of British prisoners of war during World War II who are ordered to build a bridge to accommodate the Burma-Siam railway. Their instinct is to sabotage the bridge but, under the leadership of Colonel Nicholson, they are persuaded that the bridge should be constructed as a symbol of British morale, spirit and dignity in adverse circumstances. At first, the prisoners admire Nicholson when he bravely endures torture rather than compromise his principles for the benefit of the Japanese commandant Saito. He is an honorable but arrogant man, who is slowly revealed to be a deluded obsessive. He convinces himself that the bridge is a monument to British character, but actually is a monument to himself, and his insistence on its construction becomes a subtle form of collaboration with the enemy. Unknown to him, the Allies have sent a mission into the jungle, led by Warden and an American, Shears, to blow up the bridge. Written by alfiehitchie

Plot Summary | Plot Synopsis

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Genres:

Adventure | Drama | War

Motion Picture Rating (MPAA)

Rated PG for mild war violence | See all certifications »

Parents Guide:

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Details

Country:

|

Language:

| |

Release Date:

14 December 1957 (USA)  »

Also Known As:

El puente sobre el río Kwai  »

Box Office

Budget:

$3,000,000 (estimated)

Gross:

$44,908,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints) (RCA Sound Recording)| (35 mm prints) (RCA Sound Recording)| (Linear PCM)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Unfortunately, the restored version of this film has altered the sound effects/foley noticeably. The final indicator is the sound of the mortar Warden launches against Nicholson at the river. In the original release, the mortar has a distinct pop. In the restored copy, it sounds more like a large caliber gun going off. See more »

Goofs

The end of the opening sequence shows a railroad car with a machine gun approaching the end of the railroad. There are perhaps a dozen workers milling around in front of the car. A subsequent longer shot shows many more workers and a longer length of track in front of the car. See more »

Quotes

Colonel Nicholson: [looks at the completed bridge] I've been thinking. Tomorrow it will be 28 years to the day that I've been in the service. 28 years in peace and war. I don't suppose I've been at home more than 10 months in all that time. Still, it's been a good life. I loved India. I wouldn't have had it any other way. But there are times when suddenly you realize you're nearer the end than the beginning. And you wonder, you ask yourself, what the sum total of your life represents. What difference your being ...
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Crazy Credits

And introducing Geoffrey Horne See more »


Soundtracks

Camp Concert Dance
(uncredited)
Written by Malcolm Arnold
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Frequently Asked Questions

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User Reviews

 
Ageless and all but perfect
6 September 1999 | by (Canberra, Australia) – See all my reviews

Of all war movies this is the one with the best idea behind it. Think how easy it is to make a bad war movie. A group of people must blow up a bridge, and this is the story of their quest ... Actually, that DID serve as the premise for a film: it was called `Force Ten from Navarone', and it was dire. Or how about this one: we see close up the brutalities of war. (Then we see them again. Then we see some more of the brutalities of war. Then we see the credits.) Or how about this: a humble American soldier, with the pragmatism native to his breed, rejects his superiors' highfalutin talk of honour and glory and asserts his basic humanity in trying to stay alive. Or this one: we see English prisoners of war maintain their dignity in the face of Japanese brutality.

They're all present, in a sort of a way: but ALSO present is a magnificent, long, suspenseful, tight story, around which these apparent clichés wrap naturally. If the clichés don't wrap naturally then they, not the story, are bent out of shape. Just when we think that the American pragmatist will turn out to be the hero, we see him cut a rather shabby figure, and it seems that there really WAS something to that highfalutin talk of honour and glory, after all. But then we discover that he has standards of his own, and they appear to be better ones. But THEN it seems that ... I could go on indefinitely, since there are many people here with something to be said for them, and it requires some thought to see who has the most to be said for him in the end.

There's almost no need to mention the excellent performances, photography and music. The only thing one might have qualms about is historical accuracy. Nothing like this ever happened. Still, that makes the movie much less dishonest than those that base themselves on historical events, and then proceed to get them all wrong. You can only be misled by `The Bridge on the River Kwai' if you don't know that it's pure fiction. Well - you know now.


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