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The Bridge on the River Kwai (1957)

PG  |   |  Adventure, Drama, War  |  14 December 1957 (USA)
8.3
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Ratings: 8.3/10 from 131,018 users  
Reviews: 261 user | 114 critic

After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.

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Writers:

(novel), (screenplay), 1 more credit »
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Top 250 #127 | Won 7 Oscars. Another 25 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Geoffrey Horne ...
...
Colonel Green (as Andre Morell)
Peter Williams ...
John Boxer ...
...
Harold Goodwin ...
Ann Sears ...
Heihachirô Ôkawa ...
Captain Kanematsu (as Henry Okawa)
Keiichirô Katsumoto ...
Lieutenant Miura (as Keiichiro Katsumoto) (as K. Katsumoto)
M.R.B. Chakrabandhu ...
Yai (as M.R.B. Chakrabandhu {Col. Broome})
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Storyline

The film deals with the situation of British prisoners of war during World War II who are ordered to build a bridge to accommodate the Burma-Siam railway. Their instinct is to sabotage the bridge but, under the leadership of Colonel Nicholson, they are persuaded that the bridge should be constructed as a symbol of British morale, spirit and dignity in adverse circumstances. At first, the prisoners admire Nicholson when he bravely endures torture rather than compromise his principles for the benefit of the Japanese commandant Saito. He is an honorable but arrogant man, who is slowly revealed to be a deluded obsessive. He convinces himself that the bridge is a monument to British character, but actually is a monument to himself, and his insistence on its construction becomes a subtle form of collaboration with the enemy. Unknown to him, the Allies have sent a mission into the jungle, led by Warden and an American, Shears, to blow up the bridge. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

It spans a whole new world of entertainment!

Genres:

Adventure | Drama | War

Motion Picture Rating (MPAA)

Rated PG for mild war violence | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

14 December 1957 (USA)  »

Also Known As:

El puente sobre el río Kwai  »

Box Office

Budget:

$3,000,000 (estimated)

Gross:

$27,200,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints) (RCA Sound Recording)| (35 mm prints) (RCA Sound Recording)| (Linear PCM)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Producer Sam Spiegel - in his efforts for securing rights, casting, locations, etc. - flew around the world 4 times in the 3 years it took to get the film from page to screen. See more »

Goofs

At the first officers' meeting, Col Nicholson says Jennings' name right, then he says it as Jenning. See more »

Quotes

Colonel Green: As I've told you before, in a job like yours, even when it's finished, there's always one more thing to do.
See more »

Crazy Credits

And introducing Geoffrey Horne See more »

Connections

Featured in The 100 Greatest War Films (2005) See more »

Soundtracks

I Give My Heart To No One But You
(uncredited)
Music by Malcolm Arnold
Lyrics by Dave Shand
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

KWAI -- NOW
3 September 2002 | by (New York) – See all my reviews

Without belittling `Kwai,' it does seem, looking backwards at David Lean's career, to be a dress rehearsal for the more operatic, tightly controlled (and better written) `Lawrence of Arabia.' Alec Guiness's passionate, detailed performance as Colonel Nicholson, above all other factors, makes Kwai a still watchable and important experience. The screenplay, however, divides unevenly between those who must build the Bridge and those who must destroy it. Ebert, in his Great Movies article, correctly identifies William Holden's character in Kwai as undergoing an implausible transition from escaped POW to martini-guzzling playboy to selfless war hero. Verbatim: `Holden's character, up until the time their guerrilla mission begins, seems fabricated; he's unconvincing playing a shirker, and his heroism at the end seems more plausible.' That, I believe, is also Kwai's greatest weakness. Holden's relationship with Jack Hawkins (playing a parallel role to his General Allenby in Lawrence) seems pallid next to the mighty Guiness/Hayakawa standoff – in fact, it seems to be in another movie altogether. Also, Malcolm Arnold's score, which I loved when I was a kid, seems now jarringly inappropriate from start to finish. I am too much influenced, I suppose, by the rock and roll jungle menace of Coppola's `Apocalypse Now.' Lastly, it is many decades past 1957. Images of whistling soldiers, marching proudly after months of captivity, then putting on an `entertainment' more expected in the world of Rodgers and Hammerstein, may ring very false to today's viewer. But keep your eyes fastened tight to Alec Guiness. Kwai is the Everest of his career, and very few actors climb that high.


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