The Bridge on the River Kwai (1957)

After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.

Director:

David Lean

Writer:

Pierre Boulle (novel)

Stars:

William Holden, Alec Guinness, Jack Hawkins

Top 250 #101 | Won 7 Oscars. Another 24 wins & 5 nominations.

Cast

Cast overview, first billed only:
William Holden	...	Shears
Alec Guinness	...	Colonel Nicholson
Jack Hawkins	...	Major Warden
Sessue Hayakawa	...	Colonel Saito
James Donald	...	Major Clipton
Geoffrey Horne	...	Lieutenant Joyce
André Morell	...	Colonel Green (as Andre Morell)
Peter Williams	...	Captain Reeves
John Boxer	...	Major Hughes
Percy Herbert	...	Grogan
Harold Goodwin	...	Baker
Ann Sears	...	Nurse
Heihachirô Ôkawa	...	Captain Kanematsu (as Henry Okawa)
Keiichirô Katsumoto	...	Lieutenant Miura (as Keiichiro Katsumoto, K. Katsumoto)
M.R.B. Chakrabandhu	...	Yai (as M.R.B. Chakrabandhu {Col. Broome})

Storyline

The film deals with the situation of British prisoners of war during World War II who are ordered to build a bridge to accommodate the Burma-Siam railway. Their instinct is to sabotage the bridge but, under the leadership of Colonel Nicholson, they are persuaded that the bridge should be constructed as a symbol of British morale, spirit and dignity in adverse circumstances. At first, the prisoners admire Nicholson when he bravely endures torture rather than compromise his principles for the benefit of the Japanese commandant Saito. He is an honorable but arrogant man, who is slowly revealed to be a deluded obsessive. He convinces himself that the bridge is a monument to British character, but actually is a monument to himself, and his insistence on its construction becomes a subtle form of collaboration with the enemy. Unknown to him, the Allies have sent a mission into the jungle, led by Warden and an American, Shears, to blow up the bridge.

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Plot Keywords:

bridge | japanese | jungle | river | torture | 

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Taglines:

It spans a whole new world of entertainment!

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Genres:

Adventure | Drama | History | War

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Motion Picture Rating (MPAA)

Rated PG for mild war violence

Details

Country:

UK USA

Language:

English Japanese Thai

Release Date:

14 December 1957 (USA)

Also Known As:

El puente sobre el río Kwai

Filming Locations:

Ambepussa, Sri Lanka

Box Office

Budget:

$3,000,000 (estimated)

Gross:

$27,200,000 (USA)

Company Credits

Production Co:

Columbia Pictures Corporation, Horizon Pictures (II)

Technical Specs

Runtime:

161 min

Sound Mix:

70 mm 6-Track (70 mm prints) (RCA Sound Recording) Mono (35 mm prints) (RCA Sound Recording) 4-Track Stereo (Linear PCM)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Sam Spiegel had made the decision to credit Pierre Boulle as screenwriter despite the French writer's lack of involvement in the film. (Both Carl Foreman and Michael Wilson were blacklisted so therefore ineligible for screen credit.) This was a sharp point of dispute with David Lean who felt at the very least that he and Wilson should have received credit. The dispute continued to escalate and actually became physical at the Academy Awards that year. It is said that Spiegel and Lean dueled with the two Oscars they had just won.

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Goofs

During the first two formations in front of Col Saito's office, the sun is behind the men, yet we can see some shadows in their foreground, caused by the movie lights behind or to the sides of the cameras.

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Quotes

Colonel Nicholson: One day the war will be over. And I hope that the people that use this bridge in years to come will remember how it was built and who built it. Not a gang of slaves, but soldiers, British soldiers, Clipton, even in captivity.

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Crazy Credits

and introducing Geoffrey Horne

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Connections

Referenced in Star Trek VI: The Undiscovered Country (1991)

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Soundtracks

"I Give My Heart To No One But You"
(uncredited)
Music by Malcolm Arnold
Lyrics by Dave Shand

User Reviews

Ageless and all but perfect

Of all war movies this is the one with the best idea behind it. Think how easy it is to make a bad war movie. A group of people must blow up a bridge, and this is the story of their quest ... Actually, that DID serve as the premise for a film: it was called `Force Ten from Navarone', and it was dire. Or how about this one: we see close up the brutalities of war. (Then we see them again. Then we see some more of the brutalities of war. Then we see the credits.) Or how about this: a humble American soldier, with the pragmatism native to his breed, rejects his superiors' highfalutin talk of honour and glory and asserts his basic humanity in trying to stay alive. Or this one: we see English prisoners of war maintain their dignity in the face of Japanese brutality.

They're all present, in a sort of a way: but ALSO present is a magnificent, long, suspenseful, tight story, around which these apparent clichés wrap naturally. If the clichés don't wrap naturally then they, not the story, are bent out of shape. Just when we think that the American pragmatist will turn out to be the hero, we see him cut a rather shabby figure, and it seems that there really WAS something to that highfalutin talk of honour and glory, after all. But then we discover that he has standards of his own, and they appear to be better ones. But THEN it seems that ... I could go on indefinitely, since there are many people here with something to be said for them, and it requires some thought to see who has the most to be said for him in the end.

There's almost no need to mention the excellent performances, photography and music. The only thing one might have qualms about is historical accuracy. Nothing like this ever happened. Still, that makes the movie much less dishonest than those that base themselves on historical events, and then proceed to get them all wrong. You can only be misled by `The Bridge on the River Kwai' if you don't know that it's pure fiction. Well - you know now.