After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
The film deals with the situation of British prisoners of war during World War II who are ordered to build a bridge to accommodate the Burma-Siam railway. Their instinct is to sabotage the bridge but, under the leadership of Colonel Nicholson, they are persuaded that the bridge should be constructed as a symbol of British morale, spirit and dignity in adverse circumstances. At first, the prisoners admire Nicholson when he bravely endures torture rather than compromise his principles for the benefit of the Japanese commandant Saito. He is an honorable but arrogant man, who is slowly revealed to be a deluded obsessive. He convinces himself that the bridge is a monument to British character, but actually is a monument to himself, and his insistence on its construction becomes a subtle form of collaboration with the enemy. Unknown to him, the Allies have sent a mission into the jungle, led by Warden and an American, Shears, to blow up the bridge. Written by
Both scenes are wrong: the actual line would have been 1 metre gauge, as it connected existing Thai and Burmese metre-gauge routes. See more »
[looks at the completed bridge]
I've been thinking. Tomorrow it will be 28 years to the day that I've been in the service. 28 years in peace and war. I don't suppose I've been at home more than 10 months in all that time. Still, it's been a good life. I loved India. I wouldn't have had it any other way. But there are times when suddenly you realize you're nearer the end than the beginning. And you wonder, you ask yourself, what the sum total of your life represents. What difference your being ...
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I recently saw The Bridge on the River Kwai at the Cinerama Dome, and it was quite spectacular. Unlike some of today's grand adventure films, you get to know the characters along with seeing great scenes of acting and cinematography. Alec Guinness is at the top of his form as the single minded Colonel Nicholson. The scene between Nicholson and Saito in Saito's hut is remarkable. Nicholson still will not concede defeat, he even takes offense that other officers of different armies gave in and worked alongside the enlisted men. Saito can't understand Nicholson's acceptance of his punishment, and it drives him crazy. The film's plot has two stories that are beautifully intertwined. Shears' return to the bridge is his only way to escape the bridge. In the film's final act, the tension is turned up as the British commandos try to blow up the bridge, and a train, and only then does Nicholson realise what the bridge really is. The Bridge on the River Kwai is one film that is hard to top, the only film able to do that is Lawrence of Arabia, both directed by the meticulous eye of David Lean. One director who could put intimacy in epic circumstances.
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