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The Bridge on the River Kwai (1957)

8.3
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Ratings: 8.3/10 from 117,114 users  
Reviews: 247 user | 114 critic

After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.

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(novel), (screenplay), 1 more credit »
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Title: The Bridge on the River Kwai (1957)

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Top 250 #123 | Won 7 Oscars. Another 29 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Geoffrey Horne ...
...
Colonel Green (as Andre Morell)
Peter Williams ...
John Boxer ...
...
Harold Goodwin ...
Ann Sears ...
Heihachirô Ôkawa ...
Captain Kanematsu (as Henry Okawa)
Keiichirô Katsumoto ...
Lieutenant Miura (as Keiichiro Katsumoto) (as K. Katsumoto)
M.R.B. Chakrabandhu ...
Yai (as M.R.B. Chakrabandhu {Col. Broome})
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Storyline

The film deals with the situation of British prisoners of war during World War II who are ordered to build a bridge to accommodate the Burma-Siam railway. Their instinct is to sabotage the bridge but, under the leadership of Colonel Nicholson, they are persuaded that the bridge should be constructed as a symbol of British morale, spirit and dignity in adverse circumstances. At first, the prisoners admire Nicholson when he bravely endures torture rather than compromise his principles for the benefit of the Japanese commandant Saito. He is an honorable but arrogant man, who is slowly revealed to be a deluded obsessive. He convinces himself that the bridge is a monument to British character, but actually is a monument to himself, and his insistence on its construction becomes a subtle form of collaboration with the enemy. Unknown to him, the Allies have sent a mission into the jungle, led by Warden and an American, Shears, to blow up the bridge. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

It spans a whole new world of entertainment!

Genres:

Adventure | Drama | War

Motion Picture Rating (MPAA)

Rated PG for mild war violence | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

14 December 1957 (USA)  »

Also Known As:

El puente sobre el río Kwai  »

Box Office

Budget:

$3,000,000 (estimated)

Gross:

$27,200,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints) (RCA Sound Recording)| (35 mm prints) (RCA Sound Recording)| (Linear PCM)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Laurence Olivier was offered the part of Colonel Nicholson but turned it down in order to direct The Prince and the Showgirl (1957) instead. In retrospect, Olivier said that it was a sensible decision to go off and do love scenes with Marilyn Monroe rather than tough it out in the jungles of Ceylon with David Lean. See more »

Goofs

When Shears escapes from the camp the Japanese soldiers in pursuit are carrying British Army issue Lee Enfield SMLE MkIII rifles. See more »

Quotes

Colonel Saito: Let me remind you of General Yamashita's motto: be happy in your work.
See more »

Crazy Credits

and introducing Geoffrey Horne See more »

Connections

Referenced in Top Gear: Burma Special: Part 2 (2014) See more »

Soundtracks

For He's a Jolly Good Fellow
(uncredited)
Traditional
Sung by the British Prisoners of War after Nicholson is put in the oven
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A powerful film experience
10 December 1999 | by (Columbus, Ohio) – See all my reviews

I heard a film critic once say that there really aren't "war movies"; there are only "anti-war" movies. I'm still not sure what I think of that claim, but having seen - The Bridge on the River Kwai- enough times in the past several years, I think I'm persuaded that it's at least half right. -Kwai-, I believe, is both a "war" and "anti-war" movie, and, in my view, it succeeds admirably at both.

There is almost no element of -Kwai- that is not praise-worthy. David Lean's direction is tight and evocative. The cinematography is great (even though the color seems increasingly drained in film versions that I have seen). The acting is top-notch. I honestly believe that this is Alec Guiness's best performance, and Sessue Hayakawa is also highly sympathetic and believable. William Holden and Jack Hawkins round out the cast nicely.

The musical score is also right on. Simply put, -Kwai- is an excellently constructed film made by people who obviously cared a great deal about it. As a result, the viewer comes to care a great deal about it as well.

Clearly -Kwai- is an anti-war film. There is no glorification here. War is brutal, period. It's brutality is not captured here in terms of gory carnage or senseless battles. Instead, the psychological dimension of brutality comes across clearly. Yet, -Kwai- also shows the resilience of the human spirit as well as its complexity. One is left wondering if participation in World War II not only psychologically brutalized the characters played by Guiness, Hayakawa, and Holden but also if it simultaneously uplifted them. The paradox is striking to me each time I view this film. War can act both as a positive and negative catalyst, and it can do both of these things at the same instant.

So, is -The Bridge on the River Kwai- a war movie or an anti-war movie? I think Lean clearly preferred the latter, but the subject matter and his approach to it may have landed somewhere in between.

Regardless, -Kwai- is a fantastic film experience and is not to be missed. It is, simply put, my very favorite film--bar none.


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