A powerful criminal brain from the planet Arous, Gor, assumes the body of scientist Steve March. Thru March he begins to control the world by threatening destruction to any country ... See full summary »
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A powerful criminal brain from the planet Arous, Gor, assumes the body of scientist Steve March. Thru March he begins to control the world by threatening destruction to any country challenging his domination. Another brain, Val, works with Marchs future wife Sally to defeat Gor. Val explains that Gor will be vulnerable when he is forced to leave March at intervals to re-energize. Gors vulnerable spot, the Fissure of Orlando, is described in a note left by Sally in Steve's lab. Written by
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Although some sources list Morris Ankrum as being in the cast, he does not appear in the film. See more »
Goofs
When Sally and her father find Dan in the cave, they lift his decayed left arm into frame to show he's dead. In a wider shot, Dan lies face down with his left arm out in front of him. See more »
This film gets off to a decent start. I like films set in the desert. And the acting of Robert Fuller is adequate. But too soon, we leave the desert, Fuller leaves the movie (to save his career no doubt). And we're left with a dimwitted plot, campy looking aliens that wouldn't scare a bird, and John Agar's "acting".
All suspense is lost early on when we see the evil alien, an uninspired floating ball with two sleepy eyes. And of course the ball speaks English, convenient for the film's characters --- and the intended audience. Near the end of the film, the alien makes a little speech (in English of course), rambling on about Caesar, Napoleon, and Hitler. Seems our alien is both talkative and well educated.
The film's plot is painfully anthropomorphic. The idea of a criminal "brain" hungry for power is hardly alien; it's all too human. And John Agar's performance has to be seen to be believed. His facial expression right before he kills the sheriff is true camp. The abrupt ending of the film gives the impression that it ended simply because the producer ran out of money.
This campy, 1950's sci-fi flick is a lot of fun. I get more laughs out of it than I do out of some contemporary comedies.
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This film gets off to a decent start. I like films set in the desert. And the acting of Robert Fuller is adequate. But too soon, we leave the desert, Fuller leaves the movie (to save his career no doubt). And we're left with a dimwitted plot, campy looking aliens that wouldn't scare a bird, and John Agar's "acting".
All suspense is lost early on when we see the evil alien, an uninspired floating ball with two sleepy eyes. And of course the ball speaks English, convenient for the film's characters --- and the intended audience. Near the end of the film, the alien makes a little speech (in English of course), rambling on about Caesar, Napoleon, and Hitler. Seems our alien is both talkative and well educated.
The film's plot is painfully anthropomorphic. The idea of a criminal "brain" hungry for power is hardly alien; it's all too human. And John Agar's performance has to be seen to be believed. His facial expression right before he kills the sheriff is true camp. The abrupt ending of the film gives the impression that it ended simply because the producer ran out of money.
This campy, 1950's sci-fi flick is a lot of fun. I get more laughs out of it than I do out of some contemporary comedies.