Gor, a powerful criminal brain from the planet Arous, assumes the body of scientist Steve March. Through March, he begins to control the world by threatening destruction to any country ... See full summary »
Five individuals from five nations, including the "Superpowers," USA, USSR, and China, suddenly find themselves on an alien spacecraft. An alien gives each a container holding capsules. No ... See full summary »
Aliens, contacting scientist Adam Penner, inform him that they have been on the moon for twenty thousand years, undetected due to their invisibility, and have now decided to annihilate ... See full summary »
Gor, a powerful criminal brain from the planet Arous, assumes the body of scientist Steve March. Through March, he begins to control the world by threatening destruction to any country challenging his domination. Another brain, Val, works with March's future wife Sally to defeat Gor. Val explains that Gor will be vulnerable when he is forced to leave March at intervals to re-energize. Gor's vulnerable spot, the Fissure of Orlando, is described in a note left by Sally in Steve's lab. Written by
Director Nathan Juran insisted on being billed as "Nathan Hertz" (Hertz was Juran's middle name), apparently because he was embarrassed by this film's low budget and poor quality. See more »
When Steve and Dan are standing by the jeep at the end of the road, the boom's reflection is visible in the windshield. Also, when Steve and Sally are in the convertible, it is visible in the in the wing window. See more »
Now this is my plan: I want all of your uranium, plutonium, all your atomic resources. I want your factories, railroad shipping, all your industrial facilities. Your workers will labour around the clock day and night, following my blueprints to build a most powerful invasion force ever gathered in the universe.
You mean to enslave the world?
Russia would never agree to it!
There's a simple answer to that: There'll be no Russia. Your United Nations building will be turned over to me. I will ...
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This film gets off to a decent start. I like films set in the desert. And the acting of Robert Fuller is adequate. But too soon, we leave the desert, Fuller leaves the movie (to save his career no doubt). And we're left with a dimwitted plot, campy looking aliens that wouldn't scare a bird, and John Agar's "acting".
All suspense is lost early on when we see the evil alien, an uninspired floating ball with two sleepy eyes. And of course the ball speaks English, convenient for the film's characters --- and the intended audience. Near the end of the film, the alien makes a little speech (in English of course), rambling on about Caesar, Napoleon, and Hitler. Seems our alien is both talkative and well educated.
The film's plot is painfully anthropomorphic. The idea of a criminal "brain" hungry for power is hardly alien; it's all too human. And John Agar's performance has to be seen to be believed. His facial expression right before he kills the sheriff is true camp. The abrupt ending of the film gives the impression that it ended simply because the producer ran out of money.
This campy, 1950's sci-fi flick is a lot of fun. I get more laughs out of it than I do out of some contemporary comedies.
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