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A powerful criminal brain from the planet Arous, Gor, assumes the body of scientist Steve March. Thru March he begins to control the world by threatening destruction to any country challenging his domination. Another brain, Val, works with Marchs future wife Sally to defeat Gor. Val explains that Gor will be vulnerable when he is forced to leave March at intervals to re-energize. Gors vulnerable spot, the Fissure of Orlando, is described in a note left by Sally in Steve's lab. Written by
Director Nathan Juran insisted on being billed as "Nathan Hertz" (Hertz was Juran's middle name), apparently because he was embarrassed by this film's low budget and poor quality. See more »
When the plane explodes, a piece of the model, still attached to the support wire, swings back into frame. See more »
Now this is my plan: I want all of your uranium, plutonium, all your atomic resources. I want your factories, railroad shipping, all your industrial facilities. Your workers will labour around the clock day and night, following my blueprints to build a most powerful invasion force ever gathered in the universe.
You mean to enslave the world?
Russia would never agree to it!
There's a simple answer to that: There'll be no Russia. Your United Nations building will be turned over to me. I will ...
[...] See more »
No brains were strained during the making or this motion picture.
The concept, though not brilliant, could have worked -- but the amateurish treatment spoils the effort. While conducting field work in the desert, scientist John Agar encounters a huge floating brain which turns out to be a sadistic, power-hungry alien name Gor, a fugitive from it's home planet. The alien can become translucent and fade into Agar's body, controlling him while it uses its telekinetic powers and delights in the pleasures of human flesh. But it has to come out every twenty hours to `re-oxygenate' (?). Admittedly the alien is not badly designed (the brain has strange glowing eyes with no pupils).
Whenever Gor/Agar is using his telekinetic powers, Agar's eyes become shiny black orbs (an nice bit of makeup). Gor/Agar demonstrates his mental powers of destruction for a group of generals and diplomats by `willing' an atomic explosion to occur in the nearby desert (great stock footage of buildings being destroyed by shock waves and heat flashes). Then Gor/Agar orders them to put Earth's population to work creating a space fleet so he can return to his own planet and conquer it.
Meanwhile, a second alien name Vol comes to Earth to save it from Gor. To spy on Gor, Vol takes control of Agar's dog. Vol/dog elicits the aid of Agar's fiancé (lovely Joyce Meadows). She's glad to help, because she already knew SOMETHING was wrong with Agar after he turned kinky and tried to rape her on a lawn chair.
Beware: the finale is a short and unexciting struggle between Agar (armed with an ax) and the floating Gor brain. And Agar's closing line to his fiancé' is painfully stupid. When she tries to tell him that a good-guy alien has been in control of the dog, John doesn't believe her. He just laughs and says, `Oh, honey -- that imagination of yours!'
If you're absolutely desperate for a 1950s sci-fi flick you haven't already watched to death, this one might be worth watching -- but only to laugh at.
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