| Abel Salazar | ... | Dr. Enrique Saldívar | |
| Ariadna Welter | ... | Marta González | |
| Germán Robles | ... | Count Karol de Lavud | |
| Yerye Beirute | ... | Barraza (as Yeire Beirute) | |
| Alicia Montoya | ... | María Teresa | |
| Guillermo Orea | ... | Doctor Mendoza | |
| Carlos Ancira | ... | Gerente museo | |
| Antonio Raxel | ... | Director hospital | |
| rest of cast listed alphabetically: | |||
| Irma Castillón | ... | Niña en hospital (uncredited) | |
| Jesús Gómez | ... | Policía (uncredited) | |
| José Muñoz | ... | Comandante policía (uncredited) | |
| Carlos Robles Gil | ... | Turista museo (uncredited) | |
| Alicia Rodríguez | ... | (uncredited) | |
Directed by | |||
| Fernando Méndez | |||
Writing credits(in alphabetical order) | ||
| Ramón Obón | adaptation | |
| Alfredo Salazar | uncredited | |
| Raúl Zenteno | story | |
Produced by | |||
| Abel Salazar | .... | producer | |
Original Music by | |||
| Gustavo César Carrión | (as Gustavo C. Carrion) | ||
Cinematography by | |||
| Víctor Herrera | |||
Film Editing by | |||
| Alfredo Rosas Priego | |||
Production Design by | |||
| Gunther Gerszo | |||
Makeup Department | |||
| Ana Guerrero | .... | makeup artist | |
| Juanita Lepe | .... | hair stylist (as Juana Lepe) | |
Production Management | |||
| Manuel Alcayde | .... | production chief | |
| Fernando Méndez Jr. | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jaime Contreras | .... | assistant director (as Jaime L. Contreras) | |
Sound Department | |||
| James L. Fields | .... | sound supervisor | |
| Javier Mateos | .... | dialogue recordist | |
Special Effects by | |||
| Juan Muñoz Ravelo | .... | special effects | |
Music Department | |||
| Galdino R. Samperio | .... | music recordist (as Galdino Samperio 'Crucy') | |
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| El vampiro | The Werewolf Versus the Vampire Woman | Sobrenatural | Más negro que la noche | Mary, Mary, Bloody Mary |
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| Full cast and crew | Company credits | External reviews |
| IMDb Mystery section | IMDb Mexico section |
Imagine yourself trapped inside a museum of the dark middle Ages and a resurrected vampire and his maniacal sidekick are chasing you. Where is the absolute last place you want to hide? I'd say inside the uncanny Virgin of Nuremberg torture device, because there's a good risk you'll get brutally spiked to death. And yet, the elderly lady in this film stupidly runs into her spiked coffin. "The Vampire's Coffin" is a rather disappointing sequel, as director Fernando Méndez doesn't re-create the Gothic atmosphere of the 1957-original but puts the emphasis on comical situations and dialogs. No more ominous castles with eerie cobwebs and dark vaults, but confused doctors and clumsy assistants that provoke laughs instead of frights. The story opens inside Count de Lavud's final resting place, where an eminent doctor and a hired assistant steal the coffin in order to examine the corpse at a private clinic. Naturally the wooden stake gets removed from his heart, and the vampire count comes to live again, immediately enslaving the petty thief to do his dirty work. The vampire has his eye on a beautiful female patient at the clinic, and it's up to Dr. Enrique Saldívar to rescue her soul and to destroy the bloodsucker. "The Vampire's Coffin" uses a limited amount of locations and there's very little action. The whole film would actually be pretty boring if it weren't for a handful of memorable sequences and decent acting performances. The photography is amazing, though, with the sublime use of shadows and darkness. This is most notably during the scene in which Count de Lavud stalks a young woman through the deserted streets of little town at night. It's the only truly worthwhile scene of the whole film, the rest is fairly mediocre and déjà-vu.