Henri La Tour, a strolling player, is also a daring adventurer. So, when, after accomplishing a brilliant feat, he is awarded a title by King Louis XV, the Duke of Saint-Sever takes offense... See full summary »
Some time after "Baisers Volés", Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives ... See full summary »
How do we learn? What do we know? Night after night, not long before dawn, two young adults, Patricia and Emile, meet on a sound stage to discuss learning, discourse, and the path to ... See full summary »
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
Set in the near future, Paula, a leftist writer, goes from Paris to the French town of Atlantic-Cité when she learns of the death of a former colleague and lover, Richard P. Is she there to... See full summary »
Jojo has been living for a while in a room under the roof of a block of flats in Pigalle. He has chosen to leave home since he realized his stepmother has hated him from day one. Among his ... See full summary »
Henri La Tour, a strolling player, is also a daring adventurer. So, when, after accomplishing a brilliant feat, he is awarded a title by King Louis XV, the Duke of Saint-Sever takes offense at it and challenges Henri to a duel. However, while they fight, a group of Austrian soldiers appear suddenly and the two rivals instantly unite to repel their enemies. Unfortunately, Saint-Sever is mortally wounded and, feeling he is about to die, he entreats his new friend to offer protection to Toinon, his natural daughter, whose life is being threatened... Written by
Historically ,this is the first in the series of swashbucklers in which Jean Marais starred from the late fifties to 1962.And this is not the best,because of a desultory script which does not really grab the audience .The first part looks like a poor man's "Fanfan La Tulipe" which also took place during king Louis the Fifteenth's reign .The anti-war spirit (reflected in the performance on stage)may remind you of some of Henri Jeanson's lines ,but it's a pale imitation.the second part can be looked upon as a blueprint for "Le Bossu" ,the following year,La Tour and Lagardère being interchangeable heroes : the dashing fair knight goes to the rescue of a damsel in distress ,deprived of her inheritance.Filmed on scope ,which was still rather luxury in the French cinema ,the director makes the best of it at the beginning in the war scenes ,then for the last scenes with the deported women prisoners en route to La Rochelle .
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