| Photos (See all 33 | slideshow) | Videos (see all 2) |
| Cary Grant | ... | Nickie Ferrante | |
| Deborah Kerr | ... | Terry McKay | |
| Richard Denning | ... | Kenneth Bradley | |
| Neva Patterson | ... | Lois Clark | |
| Cathleen Nesbitt | ... | Grandmother Janou | |
| Robert Q. Lewis | ... | Himself - Announcer | |
| Charles Watts | ... | Ned Hathaway | |
| Fortunio Bonanova | ... | Courbet | |
| rest of cast listed alphabetically: | |||
| Dorothy Adams | ... | Mother at Rehersal (uncredited) | |
| Richard Allen | ... | Orphan (uncredited) | |
| Geneviève Aumont | ... | Gabriella (uncredited) | |
| Al Bain | ... | (uncredited) | |
| Butch Bernard | ... | (uncredited) | |
| Dino Bolognese | ... | Italian TV Commentator (uncredited) | |
| Paul Bradley | ... | Man (uncredited) | |
| Mary Carroll | ... | Teacher (uncredited) | |
| Norman Champion III | ... | Orphan (uncredited) | |
| Kathleen Charney | ... | Orphan (uncredited) | |
| Brian Corcoran | ... | Boy - Age 5 (uncredited) | |
| Tony De Mario | ... | Waiter (uncredited) | |
| Minta Durfee | ... | Ship Passenger (uncredited) | |
| Michka Egan | ... | Waiter on Ship (uncredited) | |
| Suzanne Ellers | ... | Teacher (uncredited) | |
| Juney Ellis | ... | Teacher (uncredited) | |
| Theresa Emerson | ... | Orphan (uncredited) | |
| Jesslyn Fax | ... | Terry's Landlady (uncredited) | |
| Priscilla Garcia | ... | Marie - French Child (uncredited) | |
| Ken Kane | ... | (uncredited) | |
| Terry Ross Kelman | ... | Orphan (uncredited) | |
| Walter Woolf King | ... | Doctor in Hospital (uncredited) | |
| Mike Lally | ... | Ship's Dance Floor Extra (uncredited) | |
| Jack Lomas | ... | Sign Painter (uncredited) | |
| Robert Lynn | ... | Second Doctor (uncredited) | |
| Nora Marlowe | ... | Gladys - Terry's Maid (uncredited) | |
| Nita Mathews | ... | Party Guest (uncredited) | |
| Helen Mayon | ... | Nurse (uncredited) | |
| Anthony Mazzola | ... | Page Boy (uncredited) | |
| Louis Mercier | ... | Mario (uncredited) | |
| Matt Moore | ... | Father McGrath (uncredited) | |
| Alberto Morin | ... | Bartender (uncredited) | |
| Scotty Morrow | ... | Orphan (uncredited) | |
| Alena Murray | ... | Airline Stewardess (uncredited) | |
| Marni Nixon | ... | Terry McKay (singing voice) (uncredited) | |
| Tom Nolan | ... | Redhead (uncredited) | |
| Don Pietro | ... | Page Boy (uncredited) | |
| Patricia Powell | ... | Blonde (uncredited) | |
| Jack Raine | ... | British TV Commentator (uncredited) | |
| Sarah Selby | ... | Miss Lane (uncredited) | |
| Marc Snegoff | ... | (uncredited) | |
| Marc Snow | ... | Ship's Photographer (uncredited) | |
| Bert Stevens | ... | Maitre d' (uncredited) | |
| Tina Thompson | ... | Orphan (uncredited) | |
| Roger Til | ... | French Commentator (uncredited) | |
| Geraldine Wall | ... | Miss Webb (uncredited) | |
Directed by | |||
| Leo McCarey | |||
Writing credits(WGA) | ||
| Delmer Daves | (screenplay) and | |
| Donald Ogden Stewart | (screenplay) originally uncredited and | |
| Leo McCarey | (screenplay) | |
| Leo McCarey | (story) and | |
| Mildred Cram | (story) | |
Produced by | |||
| Jerry Wald | .... | producer | |
Original Music by | |||
| Hugo Friedhofer | |||
Cinematography by | |||
| Milton R. Krasner | (director of photography) (as Milton Krasner) | ||
Film Editing by | |||
| James B. Clark | |||
Art Direction by | |||
| Jack Martin Smith | |||
| Lyle R. Wheeler | |||
Set Decoration by | |||
| Paul S. Fox | |||
| Walter M. Scott | |||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
| Helen Turpin | .... | hair stylist | |
Production Management | |||
| Gaston Glass | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Gilbert Mandelik | .... | assistant director | |
| Jack Gertsman | .... | second assistant director (uncredited) | |
Sound Department | |||
| Harry M. Leonard | .... | sound | |
| Charles Peck | .... | sound | |
| James Loomis | .... | recordist (uncredited) | |
Special Effects by | |||
| L.B. Abbott | .... | special photographic effects | |
Costume and Wardrobe Department | |||
| Charles Le Maire | .... | executive wardrobe designer | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
| Kay Reed | .... | wardrobe (uncredited) | |
| Mickey Sherrard | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Leonard Doss | .... | color consultant | |
| Lyman Hallowell | .... | assistant editor (uncredited) | |
Music Department | |||
| Ken Darby | .... | vocal supervisor | |
| Pete King | .... | orchestrator | |
| Lionel Newman | .... | conductor | |
| Edward B. Powell | .... | orchestrator | |
| Bernard Mayers | .... | orchestrator (uncredited) | |
| Arthur Morton | .... | orchestrator (uncredited) | |
Other crew | |||
| Pat Miller | .... | script supervisor (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This film has to be probably the best romantic film I've ever seen, even above Gone With The Wind, but on the same level as The English Patient (my favorite film of all time). I got intrigued by this film back in high school when my sister dragged me to see Sleepless in Seattle. I caught the references to this film that Meg Ryan made throughout that film and thought that I'd like to rent this film (Affair to Remember) to see what the commotion was about. Needless to say, with the whole "shipboard romance" aspect of it, and the promise to meet again in six months atop the Empire State Building of all places, I quickly became hooked. The scene on the French Riviera with Nickie's grandmother playing the piano, oh God is it beautiful! Cary Grant is so debonair and suave and Deborah Kerr is so ravishing and stunningly beautiful, that it always demands repeated viewing from me (at least three times a year). Seeing this film always makes me wonder if something like the kind of relationship that Nickie had with Terry in the film would really be possible. Would and could someone actually leave the person they were engaged to to marry a complete and total stranger that they just met days ago? I'd like to think that it could, but then I am nothing but a hopeless romantic. The final scene always tears my heart out, no matter how many times I've seen it, I'm always sobbing. Watching this film around Valentine's Day (even if you are single) is always a treat. It allows our fantasies to take flight so that we may think that we are actually the one meeting our beloved atop the Empire State Building in a thunderstorm. Watch with a box of Kleenex nearby. My rating: 4 stars