Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Handsome playboy Nicky Ferrante and beautiful night club singer Terry McKay have a romance while on a cruise from Europe to New York. Despite being engaged to other people, both agree to reunite at the top of the Empire State Building in six months. However, an unfortunate accident keeps Terry from the reunion, and Nicky fears that she has married or does not love him anymore. Will he discover the truth behind her absence and reunite with his one true love, or has fate and destiny passed them by? Written by
In the "50th anniversary" DVD release, one of the bonus features is a Movietone News piece about the shipboard premiere of the movie aboard the S.S. Constitution, identified in the newsreel as the location for filming. See more »
At the end of the movie, Nickie is drying Terry's tears with his right hand. In the next shot, he is using his left hand. See more »
I'm getting married and I want you to be the first to congratulate me.
NYC Cab Driver:
Marriage is something to rush to?
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What one has to consider about the Deborah Kerr/Cary Grant characters is that they are both "kept" individuals: Kerr by a wealthy Texan named Ken (-doll, played by Richard Denning), Grant a gigolo engaged to an heiress (Neva Patterson). They meet on an ocean cruise, with this some cute and also silly comedy thrown in. Kerr & Grant are British and speak the accents yet their characters are from the U.S.; a not too distracting error, however. An unusually touching scene is when they de-bark in Italy and visit Grant's 82-year-old grandmother (Cathleen Nesbitt). It's a beautiful setting with wonderful music and pathos. Back in the states the couple agree to meet atop the Empire State Building in 6 months. One wonders why Kerr won't marry the handsome Denning, athletic, wealthy and kind (in real-life the actor was married to the British-raised actress Evelyn Ankers, a beauty in the Kerr-mold). Much of the second half is infused with un-necessary scenes of singing children but this all leads up the the final, long scene, beautifully acted and directed (by Leo McCarey). A mystery is very slowly unraveled in layers until the peak of the scene, scored by the emotional title theme song. This scene "gets" one every time, that's how effective it is. Beautiful costumes, scenery, clever photography (note the scene where the open patio door reveals the Empire State Building in its reflection), great cast make this an enduring, never-forgotten golden classic.
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