| Griffith Jones | ... | Robert Ainsworth | |
| Ursula Howells | ... | Lucille Ainsworth | |
| Honor Blackman | ... | Sarah Hayward | |
| Ewen Solon | ... | Detective Inspector Marshall | |
| Carl Bernard | ... | Gilbert Morgan | |
| Mary Jones | ... | Nella Langford (as Mary Tenes) | |
| Philip Gilbert | ... | John Langford | |
| John Van Eyssen | ... | Clive Franklyn | |
| Robert Raikes | ... | Detective Sergeant Berry | |
| Gordon Phillott | ... | Rigby | |
| Doris Yorke | ... | Landlady | |
| Vernon Smythe | ... | Colonel Jarvis | |
| Gerda Larsen | ... | Blondi | |
| Harry Ross | ... | Bernard Goodman | |
| Barry Steele | ... | Barman | |
| Edwin Richfield | ... | Porter |
Directed by | |||
| Peter Graham Scott | |||
Writing credits(in alphabetical order) | ||
| Pamela Barrington | novel | |
| Barbara S. Harper | ||
Produced by | |||
| Francis Edge | .... | producer | |
| Luigi Rovere | .... | producer | |
| John Temple-Smith | .... | producer | |
Cinematography by | |||
| Walter J. Harvey | |||
Film Editing by | |||
| Tom Simpson | |||
Art Direction by | |||
| Norman G. Arnold | (as Norman Arnold) | ||
Makeup Department | |||
| Gene Beck | .... | makeup artist | |
| Jane Seymour | .... | hair stylist | |
Production Management | |||
| Donald Wynne | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Buddy Booth | .... | assistant director | |
Sound Department | |||
| Stanley Marks | .... | sound editor | |
Camera and Electrical Department | |||
| Anthony Heller | .... | camera operator | |
Other crew | |||
| Gladys Reeve | .... | continuity | |
|
|
|
|
|
| A Study in Terror | The Big Heat | Miss Marple: At Bertram's Hotel | Behind the Headlines | Black Angel |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section |
A pretty run-of-the-mill, but yet still reasonably entertaining British murder mystery, there are a few well-done bits, but not quite enough for them to really be notable. The characters, the acting and the story never rise above the ordinary, however it can at least be said that they never fall below the mark either. The special weather effects for lightning, achieved by scratching actual film, are a sight to see, even if they look quite fake. There is not much else to strongly recommend this early English film on, but if comes to television, it is perhaps worth a look. Honor Blackman would, of course, later go on to be Pussy Galore.