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The Abominable Snowman
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The Abominable Snowman (1957) More at IMDbPro »

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The Abominable Snowman -- Trailer for this chilling monster tale


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Release Date:
October 1957 (USA) See more »
A kindly English botanist and a gruff American scientist lead an expedition to the Himalayas in search of the legendary Yeti. Full summary » | Full synopsis »
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(58 articles)
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User Reviews:
Subtle Provocative Classic See more (61 total) »


  (in credits order) (verified as complete)

Forrest Tucker ... Tom Friend

Peter Cushing ... Dr. Rollason
Maureen Connell ... Helen Rollason
Richard Wattis ... Peter Fox

Robert Brown ... Ed. Shelley
Michael Brill ... McNee
Wolfe Morris ... Kusang
Arnold Marlé ... Lhama (as Arnold Marle)
Anthony Chinn ... Majordomo (as Anthony Chin)
rest of cast listed alphabetically:
Fred Johnson ... Yeti (uncredited)
John Rae ... Yeti-eyes (uncredited)

Directed by
Val Guest 
Writing credits
Nigel Kneale (story and screenplay)

Val Guest  uncredited

Produced by
Aubrey Baring .... producer
Michael Carreras .... executive producer
Anthony Nelson Keys .... associate producer (as Anthony Nelson - Keys)
Original Music by
Humphrey Searle 
Cinematography by
Arthur Grant (director of photography)
Film Editing by
Bill Lenny 
Production Design by
Bernard Robinson 
Art Direction by
Ted Marshall 
Makeup Department
Philip Leakey .... makeup artist (as Phil Leakey)
Henry Montsash .... hairdressing
Production Management
Don Weeks .... production manager
Second Unit Director or Assistant Director
Robert Lynn .... assistant director
Hugh Harlow .... third assistant director (uncredited)
Sound Department
Jock May .... sound recordist
Camera and Electrical Department
Len Harris .... camera operator
Steve Birtles .... gaffer (uncredited)
Costume and Wardrobe Department
Molly Arbuthnot .... wardrobe
Beatrice Dawson .... dress designer
Music Department
John Hollingsworth .... musical director
Other crew
Doreen Soan .... continuity
Crew verified as complete

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
91 min | USA:85 min
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Mono (RCA Sound Recording) (uncredited)
Australia:PG (DVD rating) | Finland:K-16 | Netherlands:18 (original rating) (1958) | Netherlands:14 (re-rating) (1958) | UK:A (original rating) | UK:PG (tv rating) | UK:12 (DVD: director's audio commentary) (2003) | UK:PG (video rating) (2003) (2011) | USA:Approved (PCA #18535) | West Germany:12 (nf)

Did You Know?

The only Hammer film to be produced by Aubrey Baring, and the last made in association with Robert L. Lippert.See more »
Continuity: Following McNee's injury, Dr. Rollason wraps a large white bandage around McNee's damaged left ankle and foot. The bandage is shown around his foot in the 'studio' camp site and he's seen leaving his left boot inside the tent. But immediately afterwards the long shots of McNee ascending the mountain reveal boots on both his feet, while in all closeups the left boot is still absent.See more »
Dr. John Rollason:[on learning that Friend has placed animal traps to catch a yeti] Of all the idiotic, maniac ideas!See more »
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21 out of 26 people found the following review useful.
Subtle Provocative Classic, 6 March 2000
Author: danr51 from San Francisco, CA

In the fifties, Hammer produced a few highly noted films that were scripted by Nigel Kneale and directed by Val Guest. Among them were QUATERMASS EXPERIMENT and the highly disturbing QUATERMASS II (a.k.a. ENEMY FROM SPACE). Though produced on low budgets, these productions were of a higher quality than most of the usual Science-Fiction releases at the time.

Kneale's literate screenplays were directed towards a more sophisticated audience and Guest's direction displayed much creative imagination, proving that innovation can often override a limited budget.

The story begins as botanist Peter Cushing teams up with crass hustler Forrest Tucker for the purpose of finding the ever elusive Yeti, despite protests and warnings from Cushing's wife (Maureen Connell) and the llama. As the research team progresses on its expedition, they begin to find subtle clues that the yeti may truly exist. While they sleep, they are awaken by the sounds of strange wailing in the night. Upon investigating, they find large footprints of something not apparently human.

Cushing, an honorable man of decent principles, is outraged when he learns that Tucker's real aim is to capture and cheaply exploit the yeti for monetary and personal status gain. During the night, a claw reaches into the tent, sending their superstitious guide out into the night in a fit of total panic. The other members, with the exception of Cushing who tries to maintain his sense of reason, become more and more unhinged as they fear that the creatures are now stalking them. Member Macnee (who claims he once caught a glimpse of one on a previous expedition) believes that they are trying to psychically attack him and he falls to death. Cushing asserts that Macnee was mentally unstable and fell victim to his own frightened carelessness, while Tucker cynically feels that they deliberately drove him to his death.

Tucker proposes a reckless trick to entrap one of the creatures in a cave with a steel net, as his trapper buddy stands by with a gun, just in case. As Cushing and Tucker wait in a nearby tent, a raging blizzard breaks out. Cushing deduces that the Yeti may actually be intelligent beings, perhaps the missing link between man and ape and are a lost chapter in our history of evolution. He feels its possible that they may actually be biding their time, waiting for mankind to die out, so that they can then take over. Tucker only has money-money-money on his sleazy mind and thinks the scientist has flipped-out from cabin fever and is off on an intellectual tangent. Besides, being the hollow man he finally reveals himself to be, Tucker couldn't care less.

The pair hear the hunter's scream and a roar from the cave. They find his dead body with an expression of sheer horror on his face and see that the steel net has been ripped to shreds. As the remaining two members decide to hold-up in the cave til morning, Cushing then hears the radio announcer saying that they are strongly advised to leave their gear and get out of the area immediately. There is only one problem: The radio was busted earlier and is not working, and Tucker says that he didn't hear any such announcement.

I won't say anymore. In many ways Kneale's intriguing story (based on his acclaimed BBC serial THE CREATURE) bears allegorical similarities to Huston's TREASURE OF THE SERRA MADRA, in that the characters are actually pursuing a myth and are inevitably destroyed by their own greed and paranoia. Like TWILIGHT ZONE and OUTER LIMITS, the science-fiction premise takes on supernatural overtones and serves as a cautionary morality play. Though some may think that that old "there are some things that man should not meddle with" message is a preachy cliche, it does have validity when the man's sense of perception, judgement, personal ethics and real motives are highly in question.

Director Guest creates an absorbing atmosphere of mounting terror from beginning to end as the characters' (and the viewers') smugness and complacency is gradually devoured; then the unknown takes over, and total helplessness and fear become the terrifying and tragic results. What at first seemed far-fetched now becomes all too real. This skillful technique was effectively employed in the Quatermass films as well as Tourneur's memorable scare classic NIGHT OF THE DEMON.

The B & W photography evokes the proper dark, eerie mood which leaves you with that unsettling feeling that something truly is out there and it's inevitably closing in on you. Though many critics and viewers felt that the highly overpraised BLAIR WITCH was original with its idea of the unseen menace that preys upon your doubt and paranoia, it's now obvious that it was nothing more than a slipshod rehash of these notable films that were produced decades earlier.

As long as you're not expecting some stupid, slasher monster movie, sophomoric puns and another overblown demo roll of special-effects, then give this unique, intelligent film your serious consideration. It may leave you haunted and disturbed.

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This definately needs Blu-ray thegalaxybeing
The 'message' Trent20
That face... Forgotten_Hero
showing on Movies! TV network SocallyKid
'Kusang' is still common epentis
Scenes in alternative version? CoreyBoy86
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