Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life. ... See full summary »
A dead and frozen Baron Frankenstein is re-animated by his colleague Dr. Hertz proving to him that the soul does not leave the body on the instant of death. His lab assistant, young Hans, ... See full summary »
Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
In 18th-century England, the Royal Crown sends Royal Navy Captain Collier and his crew to investigate reports of illegal smuggling and bootlegging in a coastal town where locals believe in Marsh Phantoms.
Peter Graham Scott
At a remote lhamasery in the Himalayas, scientist John Rollason studies rare mountain herbs with the help of his wife Helen, and associate Peter, while awaiting the arrival of an American named Tom Friend. Over Helen's objections and warnings by the High Lhama, he sets out with Friend on an expedition to find the elusive Yeti, accompanied by another American named Shelley and a young Scotsman, McNee, who claims to have seen the thing. Footprints are found in the snows and McNee seems queerly affected the closer they get to their quarry's likely habitat but the biggest shock to Rollason is discovering Friend is a showman who only intends to exploit their find, with Shelley his gamehunter-marksman. The conflict between science and commercialism only increases when an enormous anthropoid is shot, and the horror only increases as the party realizes the other Yeti intend to retrieve their fallen comrade and have powers to do so which seem extra-human... Written by
Rich Wannen <RichWannen@worldnet.att.net>
Following McNee's injury, Dr. Rollason wraps a large white bandage around McNee's damaged left ankle and foot. The bandage is shown around his foot in the 'studio' camp site and he's seen leaving his left boot inside the tent. But immediately afterwards the long shots of McNee ascending the mountain reveal boots on both his feet, while in all closeups the left boot is still absent. See more »
I absolutely LOVE the Hammer studios. Regardless what most people claim, this production company offers a lot of diversity and fables for all tastes. Take this for example in the same year they personified evil through the face of Baron Frankenstein, the also presented a mythical tale of the Himalayan Yeti. Unlike you'd expect, this movie is filled with though-provoking theories, moral speeches and criticism towards typically human greed. Those who're setting their minds to seeing an exiting snowman-hunt with violent and aggressive creature make-up might feel cheated after watching this film. The `horror' is mainly reached through a slow and tense atmosphere and the unpredictable twists in the search for the bizarre species of the Himalayas. The Abominable Snowman is very effective horror! The story makes you think and sympathize, while the locations and photography stuns you. There's a terrific interaction between the two protagonists Forrest Tucker and Hammer regular Peter Cushing which automatically forces you to pick sides. The final sequences are a bit of a blotch, I reckon but by then, you're already impressed more then enough by this film. Val Guest was a terrific choice to direct, his previous efforts for the Hammer studios (The Quartermass Experiments) both were suspenseful movies as well. Nigel Kneale re-wrote the story that was turned in a TV-movie already two years earlier and he succeeds in upholding the unique premise. Cushing is at the peak of his respectable career at this point. In a period of only 3 years after this, he appeared in multiple other Hammer milestones like The Curse of Frankenstein, The Mummy, the Hound of the Baskervillers and the Horror of Dracula. His entire career is highly recommended and the Abominable Snowman even receives and extra plus.
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