A dead and frozen Baron Frankenstein is re-animated by his colleague Dr. Hertz proving to him that the soul does not leave the body on the instant of death. His lab assistant, young Hans, ... See full summary »
A Victorian-age scientist returns to London with his paleontological bag-of-bones discovery from Papua New Guinea. Unfortunately, when exposed to water, flesh returns to the bones ... See full summary »
In 18th-century England, the Royal Crown sends Royal Navy Captain Collier and his crew to investigate reports of illegal smuggling and bootlegging in a coastal town where locals believe in Marsh Phantoms.
Peter Graham Scott
Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
At a remote lhamasery in the Himalayas, scientist John Rollason studies rare mountain herbs with the help of his wife Helen, and associate Peter, while awaiting the arrival of an American named Tom Friend. Over Helen's objections and warnings by the High Lhama, he sets out with Friend on an expedition to find the elusive Yeti, accompanied by another American named Shelley and a young Scotsman, McNee, who claims to have seen the thing. Footprints are found in the snows and McNee seems queerly affected the closer they get to their quarry's likely habitat but the biggest shock to Rollason is discovering Friend is a showman who only intends to exploit their find, with Shelley his gamehunter-marksman. The conflict between science and commercialism only increases when an enormous anthropoid is shot, and the horror only increases as the party realizes the other Yeti intend to retrieve their fallen comrade and have powers to do so which seem extra-human... Written by
Rich Wannen <RichWannen@worldnet.att.net>
I can remember barely being able to keep my eyes open watching this on a late night horror movie show, because it's not a movie for kids. Didn't realize that then, and so I always remembered it as being a pretty weak film. However, a viewing of the widescreen laserdisc version left me with a strong impression of a very fine adult feature that is more a thriller than a horror film. It lives up to the reputation of Hammer during this period, and of course that of Peter Cushing as the premier actor of the studio. Even Forrest Tucker's typical heavy-handed hamminess cannot take away from this absorbing tale of scientific endeavor clashing with crass commercialism, with a creature of an intellect that bests the men chasing it. I must say that the whole mental telepathy plot point was completely missed upon first viewing, but then I was only 10 at the time, however it now makes all the sense in the world.
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