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3:10 to Yuma (1957)

7.6
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Ratings: 7.6/10 from 12,297 users  
Reviews: 102 user | 70 critic

After outlaw leader Ben Wade is captured in a small town, his gang continue to threaten. Small-time rancher Dan Evans is persuaded to take Wade in secret to the nearest town with a railway ... See full summary »

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Title: 3:10 to Yuma (1957)

3:10 to Yuma (1957) on IMDb 7.6/10

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Nominated for 1 BAFTA Film Award. Another 2 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
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Leora Dana ...
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Robert Emhardt ...
Sheridan Comerate ...
Bob Moons (Stagedriver's Brother)
George Mitchell ...
Bartender
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Ernie Collins
Ford Rainey ...
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Storyline

After outlaw leader Ben Wade is captured in a small town, his gang continue to threaten. Small-time rancher Dan Evans is persuaded to take Wade in secret to the nearest town with a railway station to await the train to the court at Yuma. Once the two are holed up in the hotel to wait it becomes apparent the secret is out, and a battle of wills starts. Written by Jeremy Perkins {J-26}

Plot Summary | Plot Synopsis

Plot Keywords:

outlaw | train | hotel | rancher | small town | See more »

Taglines:

Drink the whisky... Love the woman... Try to stay alive till the 3:10 pulls out of town! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

13 September 1957 (West Germany)  »

Also Known As:

Three Ten to Yuma  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.75 : 1
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Did You Know?

Trivia

This film, along with the equally allegorical High Noon (1952), was a deciding factor in making Howard Hawks create Rio Bravo (1959), a return to more optimistic, less revisionist Westerns. See more »

Goofs

In the opening sequence the stagecoach is following tracks presumably made by earlier takes but a during a shot from the driver's viewpoint, the ground is unmarked. See more »

Quotes

[first lines]
Mr. Butterfield, Stage Line Owner: Let me warn you - I am Mr. Butterfield; this is my line, these are my passengers. You bother any of them, I'll hound you from here to kingdom come.
Ben Wade: Mr. Butterfield, we don't mean to bother anybody - we just mean to get what's under that tarpaulin up there, that's all
See more »

Connections

Featured in The Forsaken (2001) See more »

Soundtracks

3:10 To Yuma
Lyrics by Ned Washington
Music by George Duning
Performed by Frankie Laine
also performed by Norma Zimmer (uncredited)
See more »

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User Reviews

Tense little thriller that stands out for it's simplicity and it's strong characterisation
16 March 2002 | by (United Kingdom) – See all my reviews

Farmer Evans looks to avoid conflict and work his farm in peace, when he witnesses a stage coach being held up he doesn't get involved. However due to drought and debt threatening his farm, he takes the job of escorting the leader of the gang to Yuma and prison when he is caught. The sheriffs fool the gang into thinking that Wade has been taken by coach and Evans and Wade stay in a hotel room until the train to Yuma. However with Wade's gang getting closer, the clock ticking and Evans' posse deserting him man by man the stakes rise.

It's a western but it could easily have been in any setting if it was done this well. The story is clever but really picks up once Wade is captured – in both Evans' home and in the hotel room, the dialogue becomes clever and meaningful. The story is kept tense (with Evans getting increasingly sweaty) despite being very talky. Wade works Evans in a Machiavellian flow of dialogue that visually gets to him throughout. However once it is clear that honour is important over money the countdown to the tense walk to the train station is on.

Heflin is great as the farmer who takes a stand only to see pride swell up in his family, in a way he respects the criminal for taking risk and being brave in contrast to his middle road lifestyle. Ford is effortlessly brilliant as the criminal blessed with charisma and charm with a dangerous streak underneath – in one key scene he sets out Heflin's character when he easily casts a spell charming Heflin's wife and sons. However beneath the dialogue he is slightly jealous of the farmer's settled life and this adds spice to the relationship between the two.

Overall this is a fantastic western, but if it was set in the modern day it would be a brilliant cop thriller, or in space, a brilliant sci-fi. The key is the central relationship between the two men – here it is perfect and the tension that builds towards the fateful walk to the station is gripping.


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NO MORE REMAKES PLEASE! Crabnebula1914
Stupid, stupid, stupid!!! brucedgo
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Should I see this before the new one? thajaysta2002
Ben Wade's last words wordinterrupted
Woman singing in background? cazzonaccio
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