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3:10 to Yuma (1957)
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Overview
User Rating:
Release Date:
7 August 1957 (USA) moreTagline:
The Lonesome Whistle of a Train... bringing the gallows closer to a desperado--the showdown nearer to his captor! morePlot:
After outlaw leader Ben Wade is captured in a small town, his gang continue to threaten. Small-time... more | full synopsisAwards:
Nominated for BAFTA Film Award. Another 1 win & 1 nomination moreUser Comments:
Original Still The Greatest more (83 total)Cast
(Complete credited cast)| Glenn Ford | ... | Ben Wade | |
| Van Heflin | ... | Dan Evans | |
| Felicia Farr | ... | Emmy | |
| Leora Dana | ... | Mrs. Alice Evans | |
| Henry Jones | ... | Alex Potter, town drunk | |
| Richard Jaeckel | ... | Charlie Prince | |
| Robert Emhardt | ... | Mr. Butterfield, Stage Line Owner | |
| Sheridan Comerate | ... | Bob Moons (Stagedriver's Brother) | |
| George Mitchell | ... | Bartender | |
| Robert Ellenstein | ... | Ernie Collins | |
| Ford Rainey | ... | Bisbee Marshal |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
92 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.85 : 1 moreSound Mix:
Mono (Westrex Recording System)Certification:
Netherlands:6 | South Africa:PG | Australia:G (DVD rating) | Australia:PG (original rating) | Finland:K-16 | UK:PG | USA:Approved (PCA #18496) | West Germany:12 | Argentina:Atp | UK:A (original rating)Fun Stuff
Trivia:
James Mangold, who directed the 2007 remake, was sufficiently influenced by the film to name the lead character Heflin in his 1997 film Cop Land (1997), after Van Heflin, the star of this film. moreGoofs:
Continuity: When Wade is handcuffed and set in the stagecoach, his jacket is completely unbuttoned, and remains like this in all shots he appears, until he step down on the Dan's ranch. When he walks toward the Dan's house, his jacket is completely buttoned. Once inside the house, the jacket appears in part unbuttoned. moreQuotes:
[first lines]Mr. Butterfield, Stage Line Owner: Let me warn you - I am Mr. Butterfield; this is my line, these are my passengers. You bother any of them, I'll hound you from here to kingdom come.
Ben Wade: Mr. Butterfield, we don't mean to bother anybody - we just mean to get what's under that tarpaulin up there, that's all
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Long before it was re-made, I treasured this modest gem of a western.
From the first notes of its mournful, affecting theme to to the poignant finale it draws you in and keeps you riveted as the tension mounts. It accomplishes this by keeping to the Aristotelian unities: a single theme about a single protagonist on a single day. Yes, there is an obvious parallel to **High Noon**.
Though cast as a villain for the only time in his career, Glen Ford's natural likability shines through in the role of gang boss Ben Wade. Van Heflin's Dan Evans is Everyman--no hero but spurred to heroism by desperate circumstances and devotion to family. In contrast to Heflin's homeliness is the godlike physical perfection of the young Richard Jaeckel as the outlaw gang's second-in-command, smart, dangerous, utterly amoral yet loyal unto death to his boss.
There is not a bad performance anywhere. But I must single out Felicia Farr as the lonely barmaid who gives Ford a last, quick good time, and craggy-faced Ford Rainey as a town Marshal with a plan.
With its mix of deep focus shots and closeups of the actors' faces, the cinematography was the obvious inspiration to Sergio Leone in his spaghetti western series.