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Cowboy James Franciscus seeks fame and fortune by capturing a Tyrannosaurus Rex living in the Forbidden Valley and putting it in a Mexican circus. His victim, called the Gwangi, turns out ... See full summary »
When a spaceship lands on the moon, it is hailed as a new accomplishment, before it becomes clear that a Victorian party completed the journey in 1899, leading investigators to that mission's last survivor.
The first spaceship to visit Venus crash lands in the sea, freeing a small native Venusian creature called the Ymir. Eventually growing to enormous size, it threatens the city of Rome. Written by
Steve Hill <firstname.lastname@example.org>
The February 1966 issue of "Famous Monsters of Filmland" devoted 12 pages to the Harryhausen film. See more »
During the fight in the barn the stain on the Colonel's bandage grows from a small spot to two long streaks and then to a large stain covering most of the bandage. But when Marisa Leonardo asks to change the bandage the stain has shrunk to about half the size. See more »
Pepe! Is it your desire that the fishes, they swim away? Come on! Pull up on the net, here.
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Opening credits prologue: A FISHING VILLAGE IN SICILY See more »
This is a simple enough film. Rocket returning from Venus crashes near Sicily and a foetal thing grows to become a giant lizardy humanoid type thing. The acting is ordinary and the script predictable.
What makes it better than average for a 1950s monster movie is the Ray Harryhausen animated Venusian, called a Ymir here. Photographed in atmospheric black and white, its progress from small caged creature to being loose and dangerous on the streets of Rome and fighting an elephant is engrossing. You can't help rooting for the Ymir, attacked along the way by dogs and soldiers. The Ymir becomes a character like Frankenstein's creation or the Creature from the Black Lagoon. Excellent work by Harryhausen, and far more interesting than the CGI dinosaurs from Spielberg's over praised (and underwhelming) Jurassic Park trilogy.
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