Taking off immediately where the last one ended, in this episode Mike travels across dimensions and time fleeing from the Tall Man, at the same time he tries to find the origins of his ... See full summary »
A. Michael Baldwin,
The first spaceship to visit Venus crash lands in the sea, freeing a small native Venusian creature called the Ymir. Eventually growing to enormous size, it threatens the city of Rome. Written by
Steve Hill <firstname.lastname@example.org>
Ray Harryhausen's original design for the monster was a giant cyclops, similar to the one he later used in The 7th Voyage of Sinbad (1958). He discarded the idea after making a clay model of it, and eventually settled on the reptilian Ymir. See more »
During the barn sequence the farmer is seen in two different positions when the Ymir is cornered. See more »
Pepe! Is it your desire that the fishes, they swim away? Come on! Pull up on the net, here.
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Let's state the obvious right off the bat. If it weren't for the stop-motion animation in this film, it would be simply awful. Awful acting, awful script, mediocre direction, this film has it all.
But once the monster appears on screen, none of that matters. Ray Harryhausen's animation is, as always, simply spellbinding, giving the monster, paradoxically, both a heightened reality (as it really is a physical object photographed in "real life") and a dreamlike quality. It's easy to see how Harryhausen's work set the standards for monster special effects until Star Wars and computer animation came along many years later.
This film is a particularly good example of his work for a number of reasons. There's only one monster (unlike the Sinbad/Jason/Titans movies), so all his effort is spent on that one "character". The monster also starts out small and grows huge by the end of the movie, allowing us to see it in a variety of settings. And, the fact that it's a humanoid (rather than a dinosaur or big octopus) allows it to "act" in a much more expressive manner (not unlike the original Kong).
So while this movie may qualify as little more than "MST3K" fodder as a science fiction work (did I mention how truly awful the script is?), as a piece of animation, it's a pure classic, deserving a space on your shelf next to King Kong, Snow White and Fantasia.
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