The first U.S. spaceship to Venus crash-lands off the coast of Sicily on its return trip. A dangerous, lizard-like creature comes with it and quickly grows gigantic.
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Count Dracula and the Wolf Man seek a cure for their afflictions; a hunchbacked woman, a mad scientist and the Frankenstein monster have their own troubles.
Director:
Erle C. Kenton
Stars:
Lon Chaney Jr.,
John Carradine,
Martha O'Driscoll
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Director:
Erle C. Kenton
Stars:
Lon Chaney Jr.,
Cedric Hardwicke,
Ralph Bellamy
A Giant Octopus, whose feeding habits have been affected by radiation from H-Bomb tests, rises from the Mindanao Deep to terrorize the California Coast.
Director:
Robert Gordon
Stars:
Kenneth Tobey,
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Marine atomic tests cause changes in the ocean's ecosystem resulting in dangerous blobs of radiation and the resurrection of a dormant dinosaur which threatens London.
The first spaceship to visit Venus crash lands in the sea, freeing a small native Venusian creature called the Ymir. Eventually growing to enormous size, it threatens the city of Rome. Written by
Steve Hill <shill@harper.cc.il.us>
The Ymir roars in the film are variations of elephant roars sped up and modulated in pitches at different rates. See more »
Goofs
During the fight between the Ymir and the elephant, there is a tight shot of three men hiding behind a pillar of the viaduct. When the two animals get close, the turn and flee, one of them falling backwards, and another tripping over him. In a wider shot scene a few seconds later we see the same pillar, the same men run up to it, hide and watch the fight as before then turn and run, as before, tripping over each other. It's then same shot used two times closer/farther perspectives. See more »
Quotes
[first lines]
Mondello:
Pepe! Is it your desire that the fishes, they swim away? Come on! Pull up on the net, here.
See more »
This is a simple enough film. Rocket returning from Venus crashes near Sicily and a foetal thing grows to become a giant lizardy humanoid type thing. The acting is ordinary and the script predictable.
What makes it better than average for a 1950s monster movie is the Ray Harryhausen animated Venusian, called a Ymir here. Photographed in atmospheric black and white, its progress from small caged creature to being loose and dangerous on the streets of Rome and fighting an elephant is engrossing. You can't help rooting for the Ymir, attacked along the way by dogs and soldiers. The Ymir becomes a character like Frankenstein's creation or the Creature from the Black Lagoon. Excellent work by Harryhausen, and far more interesting than the CGI dinosaurs from Spielberg's over praised (and underwhelming) Jurassic Park trilogy.
29 of 33 people found this review helpful.
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This is a simple enough film. Rocket returning from Venus crashes near Sicily and a foetal thing grows to become a giant lizardy humanoid type thing. The acting is ordinary and the script predictable.
What makes it better than average for a 1950s monster movie is the Ray Harryhausen animated Venusian, called a Ymir here. Photographed in atmospheric black and white, its progress from small caged creature to being loose and dangerous on the streets of Rome and fighting an elephant is engrossing. You can't help rooting for the Ymir, attacked along the way by dogs and soldiers. The Ymir becomes a character like Frankenstein's creation or the Creature from the Black Lagoon. Excellent work by Harryhausen, and far more interesting than the CGI dinosaurs from Spielberg's over praised (and underwhelming) Jurassic Park trilogy.