The first spaceship to visit Venus crash lands in the sea, freeing a small native Venusian creature called the Ymir. Eventually growing to enormous size, it threatens the city of Rome. Written by
Steve Hill <firstname.lastname@example.org>
Ray Harryhausen's original design for the monster was a giant cyclops, similar to the one he later used in The 7th Voyage of Sinbad (1958). He discarded the idea after making a clay model of it, and eventually settled on the reptilian Ymir. See more »
A fisherman tells another to get the boat hook out. Yet in the prior shot, the boat hook is already extended. See more »
Pepe! Is it your desire that the fishes, they swim away? Come on! Pull up on the net, here.
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This movie is a prime example of the work of one of the masters of stop-motion animation, a form of art that is rapidly being supplanted by CGI. Ray Harryhausen was the ultimate master of this technique, having trained under the likes of Willis O'Brian. His work is still the inspiration for many of the special effects wizards today. Granted, the movies of the 1950's do seem stilted and silly, but quite frankly, the worst of them are probably still superior to most of the direct-to-video drek produced today, and likely better than most of the films produced by major studios. I was raised on films such as 20 Million Miles to Earth and have no problem letting my child watch films like this. I cannot say the same for most of what is released today. 20 Million Miles to Earth is a unique, fun film. It, like others of its kind, comes from a different era, when people were not as jaded and world-savvy as they are today. Save the critical eye for the more cynical, overproduced films of today. Enjoy it for what it is.
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