Based on the HG Wells story. The world is delighted when a space craft containing a crew made up of the world's astronauts lands on the moon, they think for the first time. But the delight ... See full summary »
Cowboy James Franciscus seeks fame and fortune by capturing a Tyrannosaurus Rex living in the Forbidden Valley and putting it in a Mexican circus. His victim, called the Gwangi, turns out ... See full summary »
In Africa, the girl Jill Young trades a baby gorilla with two natives and raises the animal. Twelve years later, the talkative and persuasive promoter Max O'Hara organizes a safari to ... See full summary »
The first spaceship to visit Venus crash lands in the sea, freeing a small native Venusian creature called the Ymir. Eventually growing to enormous size, it threatens the city of Rome. Written by
Steve Hill <firstname.lastname@example.org>
Since he planned to use a real elephant for some of the footage in the zoo, Ray Harryhausen asked for one that was 15 feet tall, but the film was only able to procure an eight-foot-tall one for him. In order to make the elephant look much bigger, a 4'6" actor was cast to play the zookeeper. See more »
A fisherman tells another to get the boat hook out. Yet in the prior shot, the boat hook is already extended. See more »
Pepe! Is it your desire that the fishes, they swim away? Come on! Pull up on the net, here.
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The thing that distinguished Ray Harryhausen's movies from other '50s science fiction pictures was truth in advertising. Other producers crammed their posters with all kinds of things you knew you were never going to see on the screen, but with Harryhausen you got what was advertised and then some, whether it was flying saucers decimating Washington or (as in this case) a giant Venusian reptile terrorizing Rome. This movie is fast-paced, well-made, and intelligently crafted. The scene in the barn is a gem. And enough of this crap about the special effects being old fashioned. We're not talking about fashion here, children, we're talking about art. Stop-motion is an art form in itself and it may only appeal to minority tastes but so what. To slam Haryhausen's work for not looking like CGI graphics is like criticizing Rembrandt for creating pictures with a brush and paint instead of using a digital camera. Fashions change, art endures. That's your lesson for today.
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