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12 Angry Men (1957)

Not Rated  |   |  Crime, Drama  |  April 1957 (USA)
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Ratings: 8.9/10 from 405,506 users  
Reviews: 839 user | 171 critic

A dissenting juror in a murder trial slowly manages to convince the others that the case is not as obviously clear as it seemed in court.



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Top Rated Movies #5 | Nominated for 3 Oscars. Another 16 wins & 8 nominations. See more awards »



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Complete credited cast:
Juror #1
Juror #2
Juror #3
Juror #4
Juror #5
Juror #6
Juror #7
Juror #8
Joseph Sweeney ...
Juror #9
Juror #10
Juror #11
Juror #12


The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young man is guilty or innocent of murdering his father. What begins as an open-and shut-case of murder soon becomes a detective story that presents a succession of clues creating doubt, and a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other. Based on the play, all of the action takes place on the stage of the jury room. Written by pjk <PETESID@VNET.IBM.COM>

Plot Summary | Plot Synopsis


They have twelve scraps of paper... Twelve chances to kill! See more »


Crime | Drama


Not Rated | See all certifications »

Parents Guide:



Official Sites:



Release Date:

April 1957 (USA)  »

Also Known As:

Twelve Angry Men  »

Box Office


$350,000 (estimated)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?


Indian singer Vennu Mallesh wrote a song titled "12 Angry Men" which pays homage to the film. The song outlines the initial and final verdicts of the 12 jurors. See more »


When Juror 7 says, "This kid is 5 for O" he's speaking in baseball terms due to the fact that he's a baseball fan. However, the correct term would be, "This kid is O for 5." This may have been a deliberate choice by the director or actor to make Juror 7 appear ignorant and not knowing what he's talking about. See more »


[first lines]
Man in corridor: You did a wonderful job, wonderful job!
Judge: To continue, you've listened to a long and complex case, murder in the first degree. Premeditated murder is the most serious charge tried in our criminal courts. You've listened to the testimony, you've had the law read to you and interpreted as it applies in this case, it's now your duty to sit down and try to separate the facts from the fancy. One man is dead, another man's life is at stake, if there's a reasonable doubt in your minds as to...
See more »

Crazy Credits

At the end of the film, the actors are billed in order of their juror numbers; thus Henry Fonda, although the star of the film, appears 8th. See more »


Referenced in Monk: Mr. Monk Gets Jury Duty (2006) See more »


Dance of the Cuckoos
Music by Marvin Hatley
Portion whistled by Jack Warden
See more »

Frequently Asked Questions

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User Reviews

No Dissonance
26 April 2001 | by (Virginia Beach) – See all my reviews

This film deserves to be on anyone's list of top films. My problem is that it is so perfect, so seamlessly polished, it is hard to appreciate the individual excellences.

The acting is top notch. I believe that monologue acting is quite a bit simpler than real reactive ensemble acting. Most of what we see today is monologues pretending to be conversations. But in this film, we have utter mastery of throwing emotions. Once the air becomes filled with human essence, it is hard to not get soaked ourselves as the camera moves through the thick atmosphere. Yes, there are slight differences in how each actor projects (Fonda internally, Balsam completely on his skin...) but the ensemble presents one vision to the audience.

The writing is snappy too. You can tell it was worked and worked and worried, going through several generations. It is easy to be mesmerized by this writing and acting, and miss the rare accomplishment of the camera-work. This camera is so fluid, you forget you are in one room. It moves from being a human observer, to being omniscient, to being a target. It is smart enough to seldom center on the element of most importance, so expands the field to all men.

This is very hard. Very hard, to make the camera human. So much easier to do what we see today -- acknowledge the machinery and jigger with it. Do we have a filmmaker today who could do this?

Ted's Evaluation -- 4 of 3: Every cineliterate person should experience this.

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